Third Shift: Pact (Silo #2C)(35)

He dug deeper, wondering if they’d taken much else. The calculator his father had built from scratch was still in there, as were the glass figurine soldiers his uncle gave him on his thirteenth. He took the time to transfer everything from his makeshift bag to his old backpack. The zipper was stiff, but it still worked. He studied the knotted coveralls and decided they were in worse shape than the ones he had on, so he left them.

Jimmy stood and surveyed the room, sweeping his flashlight across the chaos. A part of him didn’t want to go. When he left, it would be as another ghost, and the room would be empty once more. On the blackboard, he saw someone had left their mark. He played the light across the scene and saw the word Fuck written over and over. It looked like a string of letters like that, f*ckf*ckf*ckf*ck. Someone having a bad day.

Jimmy found the erasing rag behind Mrs. Pearson’s desk. It was stiff and crusty, but the words still came off. Left behind was a smear, and Jimmy remembered the good days of writing on the board in front of the class. He remembered writing assignments. Mrs. Pearson complimented him on his poetry once, probably just to be nice. Licking his lips, he fished a nub of old chalk from the tray and thought of something to write. There were no nerves from standing before the class. No one was watching. He was well and truly all alone.

I am Jimmy, he wrote on the board, the flashlight casting a strange halo, a ring of dim light, as he wrote. The nub of chalk clicked and clacked as he made each stroke. It squeaked and groaned between the clicks. The noise was like company, and yet he wrote a poem of being alone, an assignment in front of an empty class, a mechanical act from bygone days.

The ghosts are watching, he wrote. The ghosts are watching. They watch me stroll alone. The corpses are laughing. The corpses are laughing. They go quiet when I step over them. My parents are missing. My parents are missing. They are waiting for me to come home.

He wasn’t sure about that last line. Jimmy ran the light across what he’d written, which he didn’t think was very good. More wouldn’t make it better, but he wrote more, anyway.

The silo is empty. The silo is empty. It’s full of death from pit to rim. My name was Jimmy, my name was Jimmy. But nobody calls me any longer. I am alone, the ghosts are watching, and solitude makes me stronger.

The last part was a lie, but it was poetry, so it didn’t count. Jimmy stepped away from the board and studied the words with a flickering flashlight. The words were like a voice. His voice. They trailed off to the side and dipped down, each line sagging more than the last, the letters getting smaller toward the end of each sentence. It was a problem he always had with the blackboard. He started big and seemed to shrink as he went. Scratching the stubble on his chin, he wondered what this said of him, what it portended.

There was a lot wrong with what he’d written, he thought. The fifth line was untrue, the one about nobody calling him Jimmy. Above the poem, he had called himself this. I am Jimmy, he had written. He still thought of himself as Jimmy.

He grabbed the stiff rag he’d left in the chalk tray, stood before his poem, and went to erase the line that wasn’t right. But something stopped him. It was the fear of making the poem worse by attempting to fix it. The fear of taking a line away and having nothing good to put in its place. This was his voice, and it was too rare a thing to quash.

Jimmy felt Mrs. Pearson’s eyes upon him. He felt the eyes of his classmates. The ghosts were watching, the corpses laughing, while he studied the problem on the board.

When the solution came, it brought a familiar thrill of arriving at the right place, of connecting the dots. Jimmy reached up and slapped the dusty rag against the board and erased the first thing he’d written. The words I am Jimmy disappeared into a white smear and a tumbling haze of powder. He set the rag aside and began to write a truth in its place.

I am Solitude, he started to write. He liked the sound of that. It was poetic and full of meaning. But like all great poetry, the words had a mind of their own, his deep thoughts intervened, and so he wrote something different. He shortened it to two little neat circles, a swerve, and a slash. Grabbing his bag, he left the room and his old friends behind. All that remained was a poem and the call to be remembered, a mark to prove he’d been there.

I am Solo.

And a haze of chalk fell through the air like the ghost of unwritten words.





Silo 1





27


Donald steered the empty wheelchair back to Dr. Wilson’s office. A damp blanket was draped over the armrests and dragged across the tile. He felt numb. His dream that morning had been to give life, not take it. The permanence of what he’d done began to set in, and Donald found it difficult to swallow, to breathe. He stopped in the hallway and took stock of what he’d become. Unknowing architect. Prisoner. Puppet. Hangman. He wore a different man’s clothes. The transformation horrified him. Tears welled up in his eyes, and he wiped them away angrily. All it took was thinking of Helen and Mick, of the life taken from him, to renew the justification. Everything leading up to that point in time, to him awakening in that silo, had been someone else’s doing. He could feel parted strings dangling from his elbows and knees. He was a loose puppet steering an empty wheelchair back to where it belonged.

Donald parked the chair and set the brakes. He took the plastic vial out of his pocket and considered stealing another dose or two. Sleep would be hard to come by, he feared.

The vial went back into the cabinet full of empties. Donald turned to go when he saw the note left in the middle of the gurney.