There There(31)

“Too many risks,” she’d said. “Especially around powwows. Boys like you? No.”

Orvil couldn’t fathom what she meant by risks. He’d found the regalia by accident in her closet many years ago while searching for Christmas presents. He’d asked her why she didn’t teach them anything about being Indian.

    “Cheyenne way, we let you learn for yourself, then teach you when you’re ready.”

“That doesn’t make any sense,” Orvil had said. “If we learn for ourselves, we don’t need to be taught. It’s ’cuz you’re always working.”

He saw his grandma’s head turn from the pot she was stirring. He quickly pulled out a chair and sat down.

“Don’t make me say it, Orvil,” she said. “I get so tired of hearing myself say it. You know how much I work. How late I come home. I got my route and the mail doesn’t stop coming just like the bills don’t. Your phones, the internet, electricity, food. There’s rent and clothes and bus and train money. Listen, baby, it makes me happy you want to know, but learning about your heritage is a privilege. A privilege we don’t have. And anyway, anything you hear from me about your heritage does not make you more or less Indian. More or less a real Indian. Don’t ever let anyone tell you what being Indian means. Too many of us died to get just a little bit of us here, right now, right in this kitchen. You, me. Every part of our people that made it is precious. You’re Indian because you’re Indian because you’re Indian,” she said, ending the conversation by turning back around to stir.

“So if we had more money, if you didn’t have to work so much, things would be different?” Orvil said.

“You didn’t hear a thing I said to you, did you,” she said.

Opal Viola Victoria Bear Shield. A big old name for a big old lady. She’s not technically their grandma. Indian way she is. That’s what she told them when she explained why she was a Bear Shield and they were Red Feathers. She is actually their great-aunt. Their real grandma, Jacquie Red Feather, lives in New Mexico. Opal is Jacquie’s half sister, but they grew up together, with the same mom. Jacquie’s daughter Jamie is the boys’ mom. But all Jamie ever did was push them out. Didn’t even quit using when they were in her. The three of them had all begun life in withdrawal. Heroin babies. Jamie shot herself between the eyes when Orvil was six, his brothers four and two. Opal officially adopted them after their mom died, but she’d had them plenty before that. Orvil only has a handful of memories of his mom. He’d overheard these details when his grandma was talking to a friend on the kitchen phone late one night.

    “Tell us something about her,” Orvil would say whenever he got the chance, moments when Opal was in a good mood and it seemed like she’d answer.

“She’s how you all got those lousy spellings of your names,” Opal told the boys over dinner one night after Lony told them the kids were calling him Lony the Pony at school.

“Nobody says it right,” Lony said.

“She did that?” Orvil said.

“Of course she did. Who else? Not that she was stupid. She knew how to spell. She just wanted you all to be different. I don’t blame her. Our names should look different.”

“She was fucking stupid,” Loother said. “That shit’s weak.” He stood up, pushed his chair back, and walked out of the room. He’d always complained the most about the spelling of his name, even though people still pronounced it right. No one had ever even noticed that Orvil was supposed to be spelled Orville—with that useless extra l and e. As for Lony, it was only because Opal knew their mom, knew how she said it, that anyone anywhere knew it wasn’t supposed to be Lony as in pony.



* * *



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    Orvil manages to get the regalia on and steps in front of the full-length mirror on Opal’s closet door. Mirrors have always been a problem for him. The word stupid often sounds in his head when he looks at himself in the mirror. He doesn’t know why, but it seems important. And true. The regalia is itchy and faded in color. It’s way too small. He doesn’t look the way he hoped he would. He doesn’t know what he expected to find. Being Indian didn’t fit either. And virtually everything Orvil learned about being Indian he’d learned virtually. From watching hours and hours of powwow footage, documentaries on YouTube, by reading all that there was to read on sites like Wikipedia, PowWows.com, and Indian Country Today. Googling stuff like “What does it mean to be a real Indian,” which led him several clicks through some pretty fucked-up, judgmental forums, and finally to an Urbandictionary.com word he’d never heard before: Pretendian.

Orvil knew he wanted to dance the first time he saw a dancer on TV. He was twelve. It was November, so it was easy to find Indians on TV. Everyone else had gone to bed. He was flipping through channels when he found him. There on the screen, in full regalia, the dancer moved like gravity meant something different for him. It was like break dancing in a way, Orvil thought, but both new—even cool—and ancient-seeming. There was so much he’d missed, hadn’t been given. Hadn’t been told. In that moment, in front of the TV, he knew. He was a part of something. Something you could dance to.

And so what Orvil is, according to himself, standing in front of the mirror with his too-small-for-him stolen regalia, is dressed up like an Indian. In hides and ties, ribbons and feathers, boned breastplate, and hunched shoulders, he stands, weak in the knees, a fake, a copy, a boy playing dress-up. And yet there’s something there, behind that stupid, glazed-over stare, the one he so often gives his brothers, that critical, cruel look, behind that, he can almost see it, which is why he keeps looking, keeps standing in front of the mirror. He’s waiting for something true to appear before him—about him. It’s important that he dress like an Indian, dance like an Indian, even if it is an act, even if he feels like a fraud the whole time, because the only way to be Indian in this world is to look and act like an Indian. To be or not to be Indian depends on it.