The Vanishing Year(3)
“Zoe, I think everything has come together beautifully.” Francesca Martin is walking briskly toward me, her heels clipping against the marble floor. “One thing, we had chosen white linens, but here, look.” She leads me to a table in the corner and the white is stark, blinding and rough, in the blue lighting. The table next to it absorbs the blue effortlessly, the lights softened somehow by the linen, but I can’t make out the color. “It’s a lavender linen. I know!—” she holds up her hand and shakes her head. “Lavender is outdated, believe me I know. It’s like three springs ago, and I honestly have no idea if it’s ever coming back, but I think with the blue lighting the white is just too much! You can’t even tell it’s lavender. It’s so offset by the green and blue.”
“It’s so late for a last-minute change.” I’m skeptical, but Francesca isn’t the event coordinator at NYPL without reason. Her instincts are sharp, impeccable. I agree and one of Francesca’s hired hands changes linens. The brightness of the room softens to a deep, rich glow.
The benefit is a relatively small one—only two hundred people. It’s not a formal sit-down dinner, but a simple cocktail hour with a rotating array of hors d’oeuvres all chosen to reflect the enchanted forest theme of the party: wild mushroom ragout, spring pea puree on crostini, diver scallops with foie gras butter, bison tartare. The standing tables in the corner hold silver trays, lined with Stilton pastries and raspberry chutney, strawberry ricotta tartlets with apple blossom honey.
My mouth waters, but my stomach flips in nervous protest.
“Simply stunning, darling.” Henry hovers next to the three-piece orchestra, a flute of champagne in each hand. He hands one to me and gives me one of his rare but dazzling smiles.
Proud. At this moment, he is proud.
The evening turns with unstoppable speed. I am shuttled from one table to the next, a conveyor belt for mingling. I stay mostly quiet, nod and smile. I recognize a few people but Henry knows everyone, his arm snaked protectively around my waist. It’s my event, yet somehow, Henry still runs the show. I’m appraised always, the unasked question why hovering on everyone’s lips. With every charm, every joke, every time the crowd rumbles with laughter at my husband, the women, especially the women, look at me, heads slightly cocked, a small flick of their eyes. Barely noticeable. Why you? The question is never verbalized. Now that I’ve assimilated, the men are more accepting.
Tonight, they’re stunning in dark tuxedos, their faces clean-shaven and shiny; their dates, breathtaking in long draping gowns, their designers referred to only as Carolina, Vera, Donna, and Oscar. My own strapless gown, blue and adorned with white crystals, was bought off the rack at Bergdorf’s. I swing wildly between my independence and my desire to be preened by Henry. His power and his money and his affection. He pretends not to notice, and I pretend I’m not in over my head here in this world. At the moment, we both find this silent agreement charming.
A reporter from the New York Post circulates, as I’ve invited him but requested that he not make a nuisance of himself. His ticket was a gift, much to the protest of the board of CARE, but in return I’ve asked for a front-page spread in the society pages. I am hoping for above the fold. I’m told that it will depend on Norman Krable’s appearance.
The reporter, whose name I’ve forgotten, has strict instructions: Photograph the event. The guests. The decor. Do not, under any circumstances, photograph me. He laughed at that, mistakenly believing my adamancy derived from a woman’s insecurity and I waved off his protests with a light flick of my hand. He spends the evening quietly snapping photographs, and I can’t be certain, but I feel as though the camera is frequently aimed at me. I skim the shadows, avoid the spotlight, but too often, I catch the reporter’s eye. He seems to be one of these men who wants to rescue a woman, a she-doesn’t-know-she’s-beautiful man, like he could be the one to show me. The whole idea is silly. Skirting the spotlight has become a way of life, and not all that long ago, a necessity. Maybe even still a necessity, but I avoid thinking about it.
Past donors and board members rotate on the podium. I’ve talked my cochair into being the MC. Public speaking is not my thing. The closing speaker is Amanda Natese, a twenty-year-old culinary student who was raised primarily on the money provided by CARE. She is a success story, we hope a harbinger of things to come. We’d like more stories like hers. When Amanda was eighteen she aged out of the system and was handed $4,000, courtesy of CARE. She’s worked nights as a dishwasher and apprentice in various chain restaurants, and recently she enrolled in culinary school. Her speech is met with a standing ovation. The reporter is snapping madly. It doesn’t hurt that Amanda is a stunning six-foot-tall black woman born with a grace the system was unable to take from her. I greet her offstage, in the darkened wing, and give her a hug. Up close she is teary, and I feel the edge seep away. This matters. I repeat it like a mantra, it’s the best I can do.
I seek Henry. In public, I always seek Henry. I can’t help it. He is only moderately tall, but his glossy hair is a beacon.
In a crowd, he is charming, erudite. His comments are thoughtful and he is well versed in current events and politics. His opinions are generally heavily considered and almost never debated. Something about the tone of his voice, floating above the din of the crowd. I find him in a circle, men nodding along with him as he waxes about tax benefits.