The Vanishing Stair (Truly Devious #2)(42)
She opened a document on her laptop and worked out a rough plan of attack, bundling the items into groups that she could search for at the same time. With a little effort, she got them into seven lists, grouped by type. This kind of work soothed her and got her out of her head. Break it down, put it in order, make a list. Soon, Fenton’s sloppy notes were in a clean format. She decided to start on the first list right then and there, and pulled down several volumes of household records.
The records contained all the daily workings of the Ellingham house: groceries and supplies ordered, meals served, tasks accomplished. Meat came on Mondays and Thursdays, fish four times a week, and the dairy made massive deliveries every day. Oranges and lemons were special ordered from Florida in the winter. Groceries, vegetables, and household goods came in sometimes three times a day. Cleaning was a massive, ongoing process. Aside from the regular house staff, local people came in by the truckload to scrub windows and patios, to polish the miles of rosewood, to dust the mountains of marble, to clean out fireplaces and cut and stack wood, to pack the icehouses, to repair anything that needed mending. There was the outdoor staff as well—a small army of gardeners to plant and weed and water and coax life out of the side of the mountain. All of this, plus the hundreds more who were working to finish the school. It became crystal clear just how much Ellingham Academy must have meant to the local people. Everyone must have worked there at one time or another. Everyone sold them things. Businesses depended on this strange man and his school in the middle of nowhere. It was so much effort for so few people, and at the same time, Albert Ellingham became the source of so much. An attack on him would have been an attack on everyone.
It certainly made a kind of sense that someone would have wanted Anton Vorachek dead. People would have known the family, depended on them. And so many people would have had a look at at least part of the grounds. They would not have known the tunnels, but the ice man would have known the basement, the deliveryman the kitchen, the cleaners would have seen the interior of the house. People talked.
Stevie shut her computer and closed her eyes. A feather. A bit of beaded cloth. A lipstick. A pair of would-be gangsters. What did it all mean? Did Francis and Edward talk to someone? Did they work with someone from the outside?
The answers were not available yet.
She dusted herself off and glanced around again. There were old friends to visit. Somewhere around here was a box of newspapers that Albert Ellingham had buried in the tunnel—it had just been excavated. They might contain something useful. She could not find it. She went on to the end of the room, to the attic’s greatest treasure. It was a massive mound, about eight feet across, covered in a sheet. She pulled this off gingerly.
Underneath was another Great House, an exact copy. This had been made for Alice Ellingham after her disappearance. It sat here, gathering dust, waiting for her return. She reached around to find the latch and swung it open, examining the rooms inside as they had existed in the 1930s. There were cooks in the kitchen, working with tiny pots. Iris’s bedroom was there, her bed made in small satin bed linens, her dresser set with little brushes and perfume bottles. Stevie looked down on the scene like a goddess, examining the old bedrooms, the rustic bathrooms with their tiny tiles. And there was Albert Ellingham’s office, with copies of his chairs, his desks, his rugs, and even some of the very things she had just been looking at.
There was even a doll of him. Stevie picked him up. The jointed china bent to her will. His face was painted with a benevolent smile. There was something profoundly disturbing about the dollhouse. Perhaps that was why it had never been displayed.
It was getting darker now. The attic had fallen into shadow. It was probably time to go to dinner. She replaced the doll. On her way out, she looked out the west-facing window toward the maintenance shed and the small faculty parking lot. There were just two very expensive cars down there. Doctor Quinn was walking toward one of them, a red sports car of some kind, switching out her glasses. It seemed fitting that she would drive something that looked like it should be zipping along some European mountain road, or perhaps the coastline of Nice. But the parking lot was not the real view. From here, she could see into the far distance, the mountains. What had it taken to build this place? To take an unbroken mountaintop that no one could live on and build a tiny empire? Albert Ellingham was obsessed with gods and goddesses. Was he trying to make his own Olympus, to own a piece of earth and sky?
Her phone buzzed in her pocket, and she pulled it out. It was a text from an unknown number.
Hope things are going well. —EK
Edward King, just letting her know that he was here. That he was keeping tabs. The text felt as palpable as a hand on the shoulder. She had not given him her number, but that was the whole point—he was telling her he did not need to ask for this information. It was his to take.
“You want to play?” she asked the phone.
But she had no move to make against him. The only thing she could do was work down this list, keep working her leads. He didn’t own her—he had simply borrowed a part of her.
That was what she was going to keep telling herself.
12
HALLOWEEN, THE SEASON AND THEN THE DATE, CREPT SLOWLY UP ON the Ellingham campus. The scenery was repainted each evening, the leaves more gold than green. Some of the vines that snaked up the buildings turned a shocking red. Pumpkins began to appear in windows and doorways and nooks. The nights reached into the days with long fingers, dragging back time. Stevie fell back into the ways of Ellingham, and Ellingham fell back into her. Her room felt more snug. It smelled more familiar, of her comforter and Ellingham laundry detergent (they had a service—your laundry went out dirty in a bag and came back clean and folded), like the old smoke from the fire in the common room.