The Vanishing Half(31)

She glanced into the mirror, confused, until she realized he was referring to her dull costume. She laughed, surprised he even remembered her from that party. But of course he did. Who on this campus—who in all of Los Angeles—was as dark as her?

“Must have forgot them,” she said.

“Too bad,” he said. “I liked them.”

He wore a slate gray T-shirt, a silver dumbbell emblazoned across his chest. Sometimes, during a shift, he grew bored, hoisting himself onto the bars to do a few pull-ups. He’d applied for the job because he could use the gym for free and the manager didn’t care that he had arrived from out of town with no identification. But his real dream was to be a professional photographer. He offered to show her his work sometime, so they started meeting on Saturdays in the campus darkroom. Now, as he watched the photo, she watched him, trying to picture Therese. But she couldn’t. She only saw Reese, scruffy face, shirtsleeves rolled up to his elbows, that loop of hair always falling onto his forehead. So handsome that when he glanced up, she couldn’t look into his eyes.

“What do you think of all this?” he said.

“I don’t know,” she said. “I’ve never heard anything like it.”

But that wasn’t exactly true. She’d always known that it was possible to be two different people in one lifetime, or maybe it was only possible for some. Maybe others were just stuck with who they were. She’d tried to lighten her skin once, during her first summer in Mallard. She was still young enough then to believe that such a thing was possible, yet old enough to understand that it would require a degree of alchemy that she didn’t quite understand. Magic. She wasn’t foolish enough to hope that someday she might be light, but a deep brown maybe, anything better than this endless black.

You couldn’t force a magic like this but she tried her best to conjure it. She’d seen a Nadinola ad in Jet—a caramel woman, dark by Mallard’s standards but light by her own, smiling, red-lipped, as a brown man whispered into her ear. Life is more fun when your complexion is clear, bright, Nadinola-light! She ripped the ad out of the magazine and folded it into a tiny rectangle, carrying it with her for weeks, opening it so many times that white creases cut across the woman’s lips. A jar of cream. That was all she needed. She’d slather it on her skin, and by fall, she would return to school, lighter and new.

But she didn’t have the two dollars for the cream and she couldn’t ask her mother, who would only scold her. Don’t let those kids get to you, she would say, but it was more than her classmates. Jude wanted to change and she didn’t see why it should be so hard or why she should have to explain it to anyone. Strangely, she felt that her grandmother might understand, so she handed her the worn ad. Maman stared at it a moment, then passed it back to her.

“There are better ways,” she said.

All week, her grandmother created potions. She poured baths with lemon and milk and instructed Jude to soak. She pasted honey masks on her face, then slowly peeled them off. She juiced oranges, mixed them with spices, and applied the mixture to Jude’s face before she went to bed. Nothing worked. She never lightened. And at the end of the week, her mother asked why her face looked so greasy, so Jude rose from the dinner table, washed Maman’s cream off her face, and that was that.

“I always wanted to be different,” she told Reese. “I mean, I grew up in this town where everybody’s light and I thought—well, none of it worked.”

“Good,” he said. “You got beautiful skin.”

He glanced at her, but she looked away, staring down at the photo paper as an abandoned building shimmered into view. She hated to be called beautiful. It was the type of thing people only said because they felt they ought to. She thought about Lonnie Goudeau kissing her under the moss trees or inside the stables or behind the Delafosse barn at night. In the dark, you could never be too black. In the dark, everyone was the same color.



* * *



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BY SPRINGTIME, she spent every weekend with Reese, so inseparable that you began to ask for one if you saw the other. Sometimes she met him downtown, wandering beside him while he shot pictures, his camera bag slung across her shoulder. He taught her the names of different lenses, showed how to hold the reflector to bounce the light. He’d been given his first camera by a man at his church—a local photographer—who’d let him borrow it once to take pictures at the picnic. The man had been so shocked by Reese’s raw talent, he gave him an old camera to play around with. Reese spent all of high school with a camera in front of his face, shooting football games and school plays and marching band practice for the yearbook. He snapped dead possums in the middle of the road, sunlight streaking through the clouds, toothless rodeo stars gripping bucking horses. He loved taking pictures of anything but himself. The camera never saw him the way he did.

Now he spent his weekends shooting abandoned buildings shuttered behind wood boards, graffitied bus stops, paint chipping off stripped car husks. Only dead, decaying things. Beauty bored him. Sometimes he snapped pictures of her, always candids, Jude lingering in the background, staring off into space. She didn’t realize until she was developing them. She always felt vulnerable seeing herself through his lens. He gave her one photo of herself standing on a boardwalk, and she didn’t know what to do with it so she sent it home. On the telephone, her grandmother marveled.