The Testaments(7)

Rosa was over at the large double sink rinsing off dishes. We had a dishwasher, but the Marthas didn’t use it except after Commanders’ dinners at our house because it took too much electricity, said Vera, and there were shortages because of the war. Sometimes the Marthas called it the watched-pot war because it never boiled, or else the Ezekiel’s Wheel war because it rolled around without getting anywhere; but they only said such things among themselves.

“Shunammite said one of you told her Martha that my mother is dying,” I blurted out. “Who said that? It’s a lie!”

All three of them stopped doing what they were doing. It was as if I’d waved a wand and frozen them: Zilla with the lifted rolling pin, Vera with a cleaver in one hand and a long pale chicken neck in the other, Rosa with a platter and a dishcloth. Then they looked at one another.

“We thought you knew,” Zilla said gently. “We thought your mother would have told you.”

“Or your father,” said Vera. That was silly, because when could he have done that? He was hardly ever at our house nowadays, and when he was, he was either eating dinner by himself in the dining room or shut inside his study doing important things.

“We’re very sorry,” said Rosa. “Your mother is a good woman.”

“A model Wife,” said Vera. “She has endured her suffering without complaint.” By this time I was slumped over at the kitchen table, crying into my hands.

“We must all bear the afflictions that are sent to test us,” said Zilla. “We must continue to hope.”

Hope for what? I thought. What was there left to hope for? All I could see in front of me was loss and darkness.



* * *



—

My mother died two nights later, though I didn’t find out until the morning. I was angry with her for being mortally ill and not telling me—though she had told me, in a way: she had prayed for her pain to be over soon, and her prayer was answered.

Once I’d finished being angry, I felt as if a piece of me had been cut off—a piece of my heart, which was surely now dead as well. I hoped that the four angels round her bed were real after all, and that they had watched over her, and that they had carried her soul away, just as in the song. I tried to picture them lifting her up and up, into a golden cloud. But I could not really believe it.





III





Hymn





The Ardua Hall Holograph


6


Readying myself for bed last night, I unpinned my hair, what is left of it. In one of my bracing homilies to our Aunts some years ago, I preached against vanity, which creeps in despite our strictures against it. “Life is not about hair,” I said then, only half jocularly. Which is true, but it is also true that hair is about life. It is the flame of the body’s candle, and as it dwindles the body shrinks and melts away. I once had enough hair for a topknot, in the days of topknots; for a bun, in the age of buns. But now my hair is like our meals here at Ardua Hall: sparse and short. The flame of my life is subsiding, more slowly than some of those around me might like, but faster than they may realize.

I regarded my reflection. The inventor of the mirror did few of us any favours: we must have been happier before we knew what we looked like. It could be worse, I told myself: my face betrays no signs of weakness. It retains its leathery texture, its character-bestowing mole on the chin, its etching of familiar lines. I was never frivolously pretty, but I was once handsome: that can no longer be said. Imposing is the best that might be ventured.

How will I end? I wondered. Will I live to a gently neglected old age, ossifying by degrees? Will I become my own honoured statue? Or will the regime and I both topple and my stone replica along with me, to be dragged away and sold off as a curiosity, a lawn ornament, a chunk of gruesome kitsch?

Or will I be put on trial as a monster, then executed by firing squad and dangled from a lamppost for public viewing? Will I be torn apart by a mob and have my head stuck on a pole and paraded through the streets to merriment and jeers? I have inspired sufficient rage for that.

Right now I still have some choice in the matter. Not whether to die, but when and how. Isn’t that freedom of a sort?

Oh, and who to take down with me. I have made my list.



* * *



—

I am well aware of how you must be judging me, my reader; if, that is, my reputation has preceded me and you have deciphered who I am, or was.

In my own present day I am a legend, alive but more than alive, dead but more than dead. I’m a framed head that hangs at the backs of classrooms, of the girls exalted enough to have classrooms: grimly smiling, silently admonishing. I’m a bugaboo used by the Marthas to frighten small children—If you don’t behave yourself, Aunt Lydia will come and get you! I’m also a model of moral perfection to be emulated—What would Aunt Lydia want you to do?—and a judge and arbiter in the misty inquisition of the imagination—What would Aunt Lydia have to say about that?

I’ve become swollen with power, true, but also nebulous with it—formless, shape-shifting. I am everywhere and nowhere: even in the minds of the Commanders I cast an unsettling shadow. How can I regain myself? How to shrink back to my normal size, the size of an ordinary woman?

But perhaps it is too late for that. You take the first step, and to save yourself from the consequences, you take the next one. In times like ours, there are only two directions: up or plummet.