The Tattooist of Auschwitz(3)
‘Get down from the train, leave your possessions!’ shout the soldiers. ‘Rush, rush, hurry up! Leave your things on the ground!’ Being on the far side of the wagon, Lale is one of the last to leave. Approaching the door, he sees the body of the man killed in the skirmish. Briefly closing his eyes, he acknowledges the man’s death with a quick prayer. Then he leaves the wagon, but brings with him the stench – covering his clothes, his skin, every fibre of his being. Landing on bended knees, he puts his hands on the gravel and stays crouching for several moments. Gasping. Exhausted. Painfully thirsty. Slowly rising, he looks around at the hundreds of startled men who are trying to comprehend the scene in front of them. Dogs snap and bite at those who are slow to move. Many stumble, the muscles in their legs refusing to work after days without use. Suitcases, bundles of books, meagre possessions are snatched from those unwilling to surrender them or who simply don’t understand the orders. They are then hit by a rifle or fist. Lale studies the men in uniform. Black and threatening. The twin lightning bolts on the collar of their jackets tell Lale who he is dealing with. The SS. Under different circumstances he might appreciate the tailoring, the fineness of the cloth, the sharpness of the cut.
He places his suitcase on the ground. How will they know this one is mine? With a shiver, he realises that it’s unlikely he will see the case or its contents again. He touches his hand to his heart, to the money hidden in his jacket pocket. He looks to the heavens, breathes in the fresh, cool air, and reminds himself that at least he is outdoors.
A gunshot rings out and Lale jumps. Before him stands an SS officer, weapon pointed skywards. ‘Move!’ Lale glances back at the emptied train. Clothing blows away and books flap open. Several trucks arrive and small boys clamber out. They snatch up the abandoned belongings and throw them into the trucks. A heaviness settles between Lale’s shoulder blades. Sorry, Mumma, they have your books.
The men trudge towards the looming dirty pink brick buildings, with picture windows. Trees line the entrance, flush with new spring growth. As Lale walks through open iron gates he looks up at the German words wrought from the metal.
ARBEIT MACHT FREI
Work will make you free.
He doesn’t know where he is, or what work he is expected to do, but the idea that it will set him free has the feeling of a sick joke.
SS, rifles, dogs, his belongings taken – this he’d been unable to imagine.
‘Where are we?’
Lale turns to see Aron at his side.
‘The end of the line, I’d say.’
Aron’s face falls.
‘Just do as you’re told, you’ll be fine.’ Lale knows he doesn’t sound terribly convincing. He gives Aron a quick smile, which is returned. Silently, Lale tells himself to take his own advice: Do as you’re told. And always observe.
Once inside the compound, the men are corralled into straight lines. At the head of Lale’s row is an inmate with a beaten face sitting at a small table. He wears a jacket and trousers of blue and white vertical stripes, with a green triangle on his chest. Behind him stands an SS officer, rifle at the ready.
Clouds roll in. Distant thunder claps. The men wait.
A senior officer, accompanied by an escort of soldiers, arrives at the front of the group. He has a square jaw, thin lips, and eyes hooded by bushy black brows. His uniform is plain in comparison to those guarding him. No lightning bolts. His demeanour shows that he’s clearly the man in charge.
‘Welcome to Auschwitz.’
Lale hears the words, through a mouth that barely moves, in disbelief. Having been forced from his home and transported like an animal, now surrounded by heavily armed SS, he is now being welcomed – welcomed!
‘I am Commandant Rudolf Hoess. I am in charge here at Auschwitz. The gates you just walked through say: “Work will make you free”. This is your first lesson, your only lesson. Work hard. Do as you are told and you will go free. Disobey and there will be consequences. You will be processed here, and then you will be taken to your new home: Auschwitz Two – Birkenau.’
The commandant scans their faces. He begins to say something else but is interrupted by a large roll of thunder. He looks skyward, mutters a few words under his breath, flicks a dismissive hand at the men and turns to walk away. The performance is over. His security presence hurries off after him. A clumsy display, but still intimidating.
The processing begins. Lale watches as the first prisoners are shoved forward to the tables. He’s too far away to hear the short exchanges, can only watch as the seated men in pyjamas write down details and hand each prisoner a small receipt. Finally it is Lale’s turn. He has to provide his name, address, occupation and parents’ names. The weathered man at the table writes Lale’s answers in a neat, looping script and passes him a piece of paper with a number on it. Throughout, the man never raises his head to meet Lale’s eyes.
Lale looks at the number: 32407.
He shuffles along with the flow of men towards another set of tables, where another group of striped prisoners bear the green triangle, and more SS stand by. His desire for water threatens to overwhelm him. Thirsty and exhausted, he is surprised when the piece of paper is yanked from his hand. An SS officer pulls off Lale’s jacket, rips his shirtsleeve and pushes his left forearm flat on the table. He stares in disbelief as the numbers 32407 are stabbed into his skin, one after the other by the prisoner. The length of wood with a needle embedded in it moves quickly and painfully. Then the man takes a rag dipped in green ink and rubs it roughly over Lale’s wound.