The Shoemaker's Wife(103)

Once Ciro’s regiment made it to the trenches of Cambrai, they stayed. Sometimes he thought he would go out of his mind from the tedium, the long stretches when there was nothing to do but worry about when the next assault would come.

The nuns of San Nicola had taught him that no major decisions should be made in a state of exhaustion. But it seemed every decision in the trenches was made by men who were bone-tired, hungry, wet, and cold. There was no rest.

There was no peace to be made with death. Conversations steered around it. Some men asked their fellow soldiers to shoot them if they were left without limbs. Others vowed to turn their guns on themselves if captured. It seemed every soldier had his own ideas about how to control the outcome of war, knowing he was powerless to change what fate had in store for him.

Death was dodged, shirked, and outwitted daily. And still, death found them.

Ciro understood why they needed ten thousand men a day shipped from America to do battle on the fields of France. They were determined to win by sheer numbers, with or without a solid plan for victory. Some men, without a plan in place, began to cling to their dreams. Others began to see death as a way out of the horror of what they were living through. But not Ciro; he endured the cold fever of fear because he knew he must go home again.

Enza tucked the gold-filigreed invitation into her evening bag. She looked in the mirror, taking in her pearl gray brocade gown with a critical eye. Its columnar shape, with one shoulder exposed, was dramatic, even in the eyes of the woman who had created it.

Enza wore her long black hair in an upsweep. She pulled on silver satin evening gloves that stretched over her elbows, the contrast of the fabric leading the eye to the delicate blush of her bare shoulder. The effect was sophisticated and daring.

Dawn Gepfert had hosted a party every fall for the entire staff of the Met, including the board of directors, crew, actors, and designers. It was the only time every department at the Met came together socially, and everyone who worked for the opera considered this party the ultimate perk.

Mrs. Gepfert had a twenty-room duplex on Park Avenue, with windows the size of doors and vaulted ceilings so high, they reminded Enza of a cathedral. Rooms were decorated in cheery English chintz, the walls papered in rosebuds climbing trompe-l’oeil trellises, and thick wool rugs and low lamps made the apartment seem cozy, despite its size.

The party was at its peak—a string quartet played music, there was lots of laughter and party chatter, most of the rooms were filled with guests—but Enza, Colin, Laura, and Vito had found a quiet spot.

Enza sank into a pale green velvet slipper chair facing the fireplace in the library as Vito added a log to the fire. The French doors leading to the wraparound terrace were open, and awnings had been unfurled, with small heaters placed along the perimeter. The evening hovered on the line between fall and winter; the night air had a nip to it, but it was still warm enough to be outside with a light wrap. Colin brought Laura a drink.

“This is living,” Laura said.

“Great friends and good wine,” Colin agreed.

Vito settled on the arm of Enza’s chair. She held a glass of champagne, and he picked up his glass. “To us,” he said.

Colin, Laura, and Enza raised their glasses.

“I wish this night would never end.” Enza sighed. Sometimes she was so deeply in the moment of the present, Enza forgot the pain of the past and was free to enjoy herself without guilt. The scaffolding of her new life was sturdy, but she wanted the contents to be light, just like the colors of Dawn Gepfert’s apartment.

“It doesn’t have to,” Laura said.

“I like where this is going.” Colin pulled Laura close.

“Me too.” Vito put his arm around Enza.

“I propped the Milbank’s basement door open with an old shoe.” Laura toasted herself and took a sip of wine. “Now we can stay out as late as we want without having to wait on the front steps in the morning like we’re on a first-name basis with the milkman.”

“I go with the smartest girl on earth.” Colin laughed.

“And don’t forget it.”

This had been a good week for Laura. At long last she had met Colin’s sons, and she found them as rambunctious as the brothers she helped raise. They went to Central Park where Laura proved herself to them. She thew a baseball, ran fast, and played hard, which engaged the boys and impressed Colin. Laura approached her love life just as she did her sewing. She was careful in the pattern stage, so there were no surprises later. But she would have to be flexible if she married Colin and became an instant mother to his boys because that family plan was already well in place.

Enza settled back into the chair, resting her head against Vito. She was overwhelmed with a feeling of contentment, attending their party in the clouds, the glittering city at her feet, with her friends who she had come to rely upon and treasure.

“Did you tell Vito what Signor Caruso said about you?” Laura nudged Enza.

“No,” Enza said softly.

“What did he say?” Vito asked.

“He asked Enza when she was going to design costumes instead of just sewing them.”

“He did?” Vito was impressed.

“He thinks I have a good eye,” Enza said with a shy smile.

“Come up with some sketches,” Vito said.

“She already has two hatboxes full at the Milbank,” Laura said.