The Night Bird (Frost Easton #1)(9)

She customized the visuals on the screen to each person’s needs. Jillian watched the video that Frankie had made for her. Flowers sprouted and blossomed. Tree leaves unfurled. What the girl didn’t know was that, every few seconds, an isolated image of water appeared and disappeared on the screen too quickly for her eyes to perceive. But her brain saw it. At the very first session, Frankie had seen the girl’s hands tightly clasp the arms of the chair as the water images made their way into her mind. Subliminally, her tension grew, but she didn’t choke or gasp. The images of water that her brain saw were happy images. Swimmers. Surfers. Laughter on the beach. And then herself—in a pool, at the ocean, on a kayak. Safe.

“Hello, Jillian,” Frankie said in a honey tone.

“Hi.”

The girl’s eyes were immersed in the images on the screen. She was highly susceptible to hypnosis, which was good. With many of her adult patients, Frankie used a sedative to loosen their consciousness and make them open to suggestion. She rarely did so with children.

“How do you feel?”

“Good. Good.”

“Are you comfortable?”

“Yes.”

“Excellent. It’s time to remember now. Are you ready to remember?”

“Sure.”

“You know how we do this. You’re looking at your memories through your own eyes. You’re telling me in detail everything you see and everything you hear. It’s as if you’re there, and it’s happening all over again. But it’s not really happening to you. You’re just an observer. You’re detached. Do you understand?”

“Yeah.”

“If there’s a little detail you don’t get right, I’ll correct it for you, because I want you to remember exactly how it was. And whatever I tell you is the truth of what happened. It’s important that you remember it that way. Okay?”

“Okay.”

They’d repeated this exercise multiple times in each session and in multiple sessions over the past month. With each session, Frankie slowly changed the details of what Jillian remembered from her day at the bay. People thought memories were fixed, but nothing could be further from the truth. Every time you pulled a memory off the shelf and put it back, you changed it. Therapists had a name for the process. Reconsolidation. Her husband, Jason, was a neuroscientist who could describe how it worked in terms of proteins synthesized in the brain. What it really meant was that every recalled memory was like soft clay. While it was out there, in your hands, it could be molded and shaped into something new.

“Are you ready?” Frankie asked.

“Yes.”

Frankie pushed a button on the remote control, and the video screen dissolved into a new loop. She’d filmed it at the bay herself, near the San Mateo Bridge, from a kayak, using actors. It showed the water and the waves. It showed gloved hands paddling and the sleek craft slicing through the water. The day was perfect, with sun and blue sky. Music played—the same music that had been humming from the overhead speakers. The same music she’d played at every one of Jillian’s sessions. Music had power over the mind.

“Tell me about that day,” she told the girl.

Jillian did. She went over the details of that trip with her mother, the way she had done dozens of times before. The first time, weeks ago, she’d begun to reexperience the trauma of drowning when Frankie stopped and focused her solely on relaxing images of water. The next week, she’d let Jillian remember the accident, but she’d guided her to believe that her mother had been beside her almost immediately, righting the kayak. There was no danger.

Now she wanted to disassociate Jillian from the accident altogether. That was the last stage of the treatment she’d developed for the girl.

“I feel a current,” Jillian said, her voice quavering. “Where did that come from? I’m losing control.”

“Don’t worry. You’ve got this.”

“No, it’s going over. I’m scared. I can’t get out. Mom!”

“It’s not you, Jillian,” Frankie told her. “It’s someone else.”

“I’m going into the water!”

“No, it’s not you. Look closely. There’s another kayak near you. Do you see it? She’s in trouble, but you’re safe.”

Frankie pointed at the video on the screen, where another kayaker paddled a few feet away. She’d reconstructed a completely different version of the accident for Jillian to see and remember. The new kayak—the fictitious one—wobbled unsteadily in the waves. The San Mateo Bridge loomed beyond them, tall and silver.

“See? It’s not you, Jillian. It’s someone else. You’re fine. You’re in control.”

“She’s going to tip!”

“Yes, but your mother is right there to help her.”

“I see her!”

“Yes, she’s right there. She’s helping. Everything’s okay. See, that other girl is already right-side up again.”

“Yes.”

“Everyone is safe now.”

“Everyone’s fine,” Jillian said.

“You’re fine, aren’t you, Jillian?”

“I’m fine.”

“Okay. Why don’t you relax for a few minutes, and then we’ll do it again.”