The New Girl (Gabriel Allon #19)(103)
And yet for all his successes, Reema rarely left his thoughts. During the heat of the operation against the Russians, he had been granted a brief respite. But now that he had returned to King Saul Boulevard, Reema gave him no peace. In dreams she appeared in her misshapen toggle coat and her patent leather shoes. Sometimes she bore an uncanny resemblance to Nadia al-Bakari, but in one terrible dream she appeared as Gabriel’s son Daniel. The setting was not a remote field in France, but a snowy square in Vienna. The child in the toggle coat and patent leather shoes, the girl with a young boy’s face, was trying to start the engine of a Mercedes. “Isn’t it beautiful?” the child remarked as the bomb exploded. Then, as the flames consumed her, she looked at Gabriel and said, “One last kiss . . .”
The next evening, over a quiet dinner of fettuccine and mushrooms at the little café-style table in the kitchen, he described for Chiara precisely what had transpired in the field in southwest France. The Russian woman’s voice on the phone, the gunshot through the car’s rear window, Khalid gathering up Reema’s limbs by the harsh white light of the headlamps. The bomb, said Gabriel, had been meant for him. He had punished the men responsible, beaten them in a great game of deception that would change the course of history in the Middle East. And yet Reema was gone forever. What’s more, her abduction and brutal murder had not yet been made public. It was almost as if she had never existed.
“Then perhaps,” said Chiara, “you should do something about that.”
“How?”
She laid her hand on Gabriel’s.
“I don’t have time,” he protested.
“I’ve seen how fast you can work when you set your mind to it.”
Gabriel considered the idea. “I suppose I could ask Ephraim to let me use the restoration lab at the museum.”
“No,” said Chiara. “You’ll work here in the apartment.”
“With the children?”
“Of course.” She smiled. “It’s time for them to see the real Gabriel Allon.”
As always, he prepared his own canvas—180 by 120 centimeters, oak stretcher, Italian linen. For his ground he used the formula he first learned in Venice from the master restorer Umberto Conti. His palette was Veronese’s, with a touch of Titian.
He had seen Reema only once, under conditions that, try as he might, he could not forget. He had also seen the photograph the Russians had taken of her while she was in captivity in the Basque Country in Spain. It, too, was engraved in Gabriel’s memory. She had been tired and thin, her hair had been a mess. But the photo showed her regal bone structure and, more important, her character. For better or worse, Reema bint Khalid was her father’s daughter.
He established his makeshift studio in the sitting room, near the terrace. As was his habit, he was protective of his workspace. The children were given strict instructions not to touch his supplies. As a precaution, however, he always left one of his Winsor & Newton Series 7 brushes at a precise angle on his trolley so he could tell if there had been an intruder, which was invariably the case. For the most part, there were no mishaps, though on one occasion he returned from King Saul Boulevard to find several fingerprints in the lower left corner of the canvas. Forensic analysis determined they were Irene’s.
He worked when he could, an hour or so in the morning, a few minutes in the evening after dinner. The children rarely left his side. He made no preparatory sketches or underdrawing. Nevertheless, his draftsmanship was flawless. He posed Reema as he had posed Nadia, on a couch of white against a background of Caravaggesque black. The arrangement of her limbs was childlike, but Gabriel aged her slightly—sixteen or seventeen instead of twelve—so Khalid might have her a little longer.
Gradually, as she came to life on the canvas, she took leave of Gabriel’s dreams. During her last appearance she handed him a letter for her father. Gabriel added it to the painting. Afterward, he stood for a long time before the canvas, right hand to his chin, left hand supporting his right elbow, head tilted slightly down, so lost in thought he was unaware that Chiara was standing at his side.
“Is it finished, Signor Delvecchio?”
“No,” he said, wiping the paint from his brush. “Not quite.”
81
Langley–New York
CIA director Morris Payne called Gabriel on the dedicated secure line that afternoon and asked him to come to Washington. It wasn’t quite a summons, but it wasn’t an open-ended invitation, either. After pretending to consult his calendar, Gabriel said he could come the following Tuesday at the earliest.
“I have a better idea. How about tomorrow?”
In truth, Gabriel was anxious to make the trip. He owed Payne a full accounting of the operation to remove Abdullah from the line of succession. Furthermore, he needed Payne and his boss at the White House to sign off on Khalid’s ascension to the throne. The Allegiance Council had yet to name a new crown prince. Once again, Saudi Arabia was being ruled by an ailing octogenarian with no ordained successor.
Gabriel caught an overnight flight to Washington and met with Payne the following day in his seventh-floor office at Langley. As it turned out, it wasn’t necessary for Gabriel to confess his role in Abdullah’s demise. The American knew everything.
“How?”
“A source inside the SVR. It seems you’ve turned the place inside out.”