The Museum of Extraordinary Things(52)
Before long, I was so sure of myself I stopped climbing out the window and simply walked out the front door. As soon as I left the museum, I felt myself become another person. If anyone had asked my name, I would have called myself Jane, the name of the character in the novel Raymond Morris had always spoken of with such reverence, the book that had set him free. It was a common enough name, yet somehow stately and independent. I was impressed by the character’s statement: I am not an angel, and I will not be one till I die. Those words made me feel I was not the only one who was at odds with who I was expected to be, and that angels were meant for another world, not for ours.
The night watchman at the park’s gate grew to know me so well he allowed me to sneak in without payment. The watchman seemed kindly, and he always told me to enjoy myself and stay out of trouble, but he once asked for a kiss in exchange for this favor.
“Come on, Jane,” he urged, for that was the name I’d given him. His job was not to be the guardian of wayward girls but to ensure that the crowds did not get too unruly. At night, after the gates were locked, he circled the eastern arena, where the animals were kept, watching over the leopards and tigers, alongside the horses and Shetland ponies children paid to ride, keeping a special eye on the pride of lions, which included a great creature called Black Prince, who was said to behave like a dog when around his trainer and like a beast from hell should anyone else dare to approach his cage. “I’ve got to have my fair share,” the watchman told me. When I grew flustered and tears sprung to my eyes, he waved me on. I thought it over, then went back to him. Perhaps there was a part of me that still felt I had to do as I was told, or perhaps I wanted to test myself and see what I was worth. I stood on tiptoes and pecked the watchman’s cheek. In that instant I knew the power a young girl can have over a man, although I did not yet know that ability could also be a curse. The watchman always let me into the park after that. Sometimes he gave me a few dimes to spend on myself. All for the sake of a kiss.
This was before Dreamland was closed for renovations last year, in the autumn of 1910. All the same, the park was astounding even before the new attractions were added and all of the elegant icy white buildings were painted. I remember passing through the massive gate for the first time, stunned to see the gigantic biblical sculpture called Creation, an enormous winged angel. I couldn’t take my eyes from her. It was as if a goddess had fallen from the sky onto the shores of Brooklyn. Though I knew it was a betrayal to be so in awe of our competitor, I had never seen anything so beautiful.
There was a tower in which thousands of lightbulbs had been installed, and the night above the park was so lit up that I sometimes feared my father would be coming home from his evening out and spy me walking along. I took to wearing a black shawl to cover my head so I might fade into the dark. But underneath the shawl my hair was unbraided, and I let it fall down my back.
Our museum was tiny and old-fashioned, a minor diversion, not a grand, heart-stopping display. I awoke each day to the scent of formaldehyde and mothballs and a schedule of dull housework as I helped Maureen with the ironing and cooking before the museum opened for business. I helped to feed the birds and watered the neglected cereus plant.
My hours in the tank had become a chore. I often curled up at the bottom dozing until my father rapped on the glass. I knew I was meant to turn this way and that, posing, and to smile through the waves I created when I splashed my tail. I was not to show my teeth or make rude faces. Each morning I coated myself with olive oil as Maureen suggested, so that my skin would not dry out and crack, as if I were another tortoise kept in the hall of science. Each night I dreamed I wandered the streets of our neighborhood until I found myself at the fish market. I was there buying haddock and clams when I realized people were laughing at me. I looked down to find I had no legs. I had not forgotten the entertainment my father had been most famous for before he came to this country, the display of cutting a woman in half. The trick haunted me. I knew I would be a far better fish if I didn’t have legs. Then I would be caught in the net of my life, unable to climb out the window at night, unable ever to run away, fated never to see the true wonders of the world.
There were such huge crowds on summer evenings in the streets of Coney Island that no one noticed me, a plain girl in a black dress and gloves, my hair the color of ink. I visited Luna Park and the other, smaller entertainments. But I preferred Dreamland, perhaps because I could see its brilliant tower from my bedroom window. The park had become a part of my dreams before I ever walked through the gate. I went to every attraction and still couldn’t get enough. The one entertainment I avoided was the sideshow that fronted the park, for it reminded me too greatly of my father’s museum, though he called our human oddities scientific entertainments and living wonders and the sideshow’s term was freaks of nature. The Queen of Fatland was one of the star acts at the Dreamland sideshow, and was said to weight 685 pounds though her height was not more than five foot two. I had seen the Queen off-season, shopping at the same fish market I frequented on Neptune Avenue. Her real name was Josephine, and she once gave me a recipe for bluefish fillet boiled with rosemary and sliced potatoes. The Queen was originally from Minnesota and now lived with two sisters in Brighton Beach, a very respectable neighborhood. She told me that my father had once offered her a position at the museum, but she was paid far more by the owners of Dreamland and, more important, she was treated with respect.