The Magicians (The Magicians, #1)(121)

“Fergus’s Spectral Armory!” she shouted. She was breathing hard. His eyes were red and fixed on her grimly. “Like it? Do you? Very basic principles. Second Year stuff! But then you never bothered with school, did you, Martin? You wouldn’t have lasted an hour at Brakebills!”

Seeing her fight alone like this was intolerable. Quentin lifted his cheek from the sandy floor and tried to speak a spell, anything, even to create a distraction, but his lips wouldn’t shape words. His fingers were going numb. He beat his hands against the ground in frustration. He had never loved Alice more. He felt like he was sending her his strength, even though he knew she couldn’t feel it.

Alice and Martin sparred savagely for a solid minute. The armor spell must have come with a bonus of martial-arts savvy, because Alice whipped her fairy glaive around in a complicated pattern, two-handed now; it had a small, vicious spike on its butt end that drew blood. Sweat matted her hair to her forehead, but she never lost focus. After another minute the armor vanished—the spell must have expired—and she did something that froze the air around the Beast into an intricate frostwork mummy. Even his clothes froze and fell to pieces in shards, leaving him naked and fish-belly white.

But by then he was close enough to seize her arm. Suddenly she was a girl again, small and vulnerable.

But not for long. She spat out a ferocious sequence of syllables and transformed into a tawny lioness with a white scruff of beard under her chin. She and Martin went down grappling, mouths gaping, trying to get their teeth into each other. Alice worked with her huge back legs to scratch and disembowel, caterwauling angrily.

Janeh red skin was





t was circling the fight, trying to cram bullets into the revolver and dropping them freely on the sand, but there was nowhere to aim anyway. They were all tangled up together. The next moment the Beast was in the coils of a massive spotted anaconda, then Alice was an eagle, then a huge brindled bear, then a horrific man with pincing legs and its venomous sting, the size of a crane hook, lodged in Martin Chatwin&-size scorpion





BOOK IV


THE RETREAT

QUENTIN WOKE UP in a beautiful white room. For a second—or was it an hour? a week?—he thought it was his room in Brakebills South, that he was back in Antarctica. But then he saw that the window was open and heavy green curtains were puffing in, and out, and in again with the coming and going of a warm summer wind. So definitely not Antarctica.

He lay looking up at the ceiling, letting himself drift and spin along on spacey, narcotic mental currents. He didn’t feel even remotely curious about where he was or how he’d gotten there. He blissed out on insignificant details: the sunlight, the smell of clean linens, a splinter of blue sky in the window, the gnarly whorls of the dark chocolate-brown timbers that crossed the whitewashed ceiling. He was alive.

And those nice, surprisingly Pottery Barn-y curtains, the color of the stems of plants. They were coarse-woven, but it wasn’t the familiar, depressing fake-authentic coarseness of high-end Earth housewares, which merely imitated the real coarseness of fabrics that were woven by hand out of genuine necessity. As he lay there Quentin’s uppermost thought was that these were authentically coarse-woven curtains, woven by people who didn’t know any other way of making curtains, who didn’t even know that their way was special, and whose way was therefore not discounted and emptied of meaning in advance. This made him very happy. It was as if he’d been looking for these curtains forever, as if he’d been waiting his whole life to wake up one morning in a room in which those coarse-woven, stem-green curtains hung over the windows.

From time to time a horsy clippety-clopping could be heard from the hall outside. This mystery solved itself when a woman with the body of a horse stepped partway into the room. The effect was surprisingly unsurprising. She was a sturdy, sun-kissed woman with short brown hair who just happened to be attached to the chassis of a sleek black mare.

“You are conscious?” she asked.

Quentin cleared his throat. He couldn’t get it all the way clear. It was horribly dry, too dry to speak, so he just nodded.

“Your recovery is nearly complete,” the centauress said, with the air of a busy senior resident doing rounds who didn’t have time to waste rejoicing over medical miracles. She began the slow process of reversing herself, daintily nostrils.

“You have been asleep for six months and two days,” she added before she disappeared.

Quentin listened to her clippety-clop away. It was quiet again. He did his best to hang on to the blissful feeling. But it didn’t last.

The six months of his recovery were practically a blank—just a quickly evaporating impression of blue depths and complex, enchanted dreams. But Quentin’s memories of what happened in Ember’s Tomb were very clear. He might reasonably have expected that day (or had it been night?) to fall in a blackout period, or at least be veiled in merciful post-traumatic haziness. But no, not at all. He could remember it with perfect fidelity, deep focus, full force, from any angle, right up until the moment he lost consciousness.

The shock of it snapped his chest flat. It emptied out his lungs the way the Beast’s jaws had, not just once but over and over again. He was helpless against it. He lay in his bed and sobbed until he choked. His weak body spasmed. He made noises he’d never heard a human being make. He ground his face into his flat, prickly straw pillow until it was wet with tears and snot. She had died for him, for all of them, and she was never coming back.