The Magician's Land (The Magicians, #3)(90)

It was a detour from his search for Alice, but they were effectively under house arrest anyway, and something hunchy and instinctive kept egging him on. He made cautious forays out into the city for supplies, creeping along under domes of magical camouflage. The walls of the top-floor workshop began filling up with old books—reference books, botanicals, atlases, huge black split-spined grimoires, the leather all craquelured like desert hardpan, in tall wobbly stacks that swayed worryingly if you brushed against them. The tables began to be populated by a weird menagerie of steel tools and brass instruments and odd, asymmetrical glass containers.

Even as he ground away at the technicalities, some of the larger functionality of the enchantment was becoming clearer to him, its outlines picked out in a thousand trivial practical details. A lot of it seemed to have to do with space. There were spells in here designed to make it: literally to fabricate room, to weave together new space-time out of whole cloth. Here was a spell that expanded the space, blew it up like a balloon. This one shaped it. That other one stabilized the borders and made sure it didn’t collapse again into the nothingness whence it came.

But after that it got really arcane and hard to follow. There were spells to summon matter into being. This part sucked entropy out of the system, forcing the matter to organize; these pushed it through a series of very obscure transforms, some of which appeared to do nothing at all, or cancel out earlier ones. There was a lot of fiddly magical-matter stuff that would have mystified him if it didn’t overlap in places with the page from the Neitherlands. There was a whole laundry list of botanical spells, weather and water and wind magic, spells for shaping living rock. There was some really head-cracking bits that looked like attempts to reset the basic physical parameters of the universe: elementary charge, speed of light, gravitational constant. For all its elegant complexity the spell had a primitive, primordial feel to it. It was an old working, and a weird one, a relic of another age of another world. It felt like it hadn’t been cast in a thousand years.

One thing was clear: this was grand magic. It was sorcery on a scale he’d never attempted before, and it was going to test him severely. Until now he’d been a journeyman magician, and a competent one, but if he could execute it this spell would make him into a master. It would force him to become one. It would accept nothing less.

Early one morning a dawn thunderstorm woke him up, and as he was lying there wondering if he was going to be able to get back to sleep an image of the whole thing appeared in his mind all at once. It assembled itself spontaneously, unbidden, as if it had been waiting for him to just get out of its way and let it form. There it was, dim and shimmering but complete, with all its parts working together.

It wasn’t war magic. The spell didn’t shield you, and it didn’t hide you. It didn’t kill, and it didn’t summon something to kill for you. It wasn’t going to restore Alice either. But it did do something wonderful. This was a spell that created something. It was a spell for making a land.

He actually laughed out loud when he thought of it. It was too funny—too insane. But now that he saw it he couldn’t un-see it. He could follow it like a story that wound crookedly through the various sections and paragraphs and subclauses of the spell like a thread of DNA. This thing was intended to make a little world.

It was ruthlessly ingenious. It wasn’t a cosmic act of creation, a thunderbolt from Olympus, it was much more subtle than that. It was more like a seed, the dry, tear-shaped germ of a little world—tiny, the kind of thing that could fall through a crack in a sidewalk, but full of sand and rain and stars and physics and life, all flattened and dried and compressed into words on a page. If you cast it right it would expand and unfold into a place, somewhere hidden away from the real world. A secret garden.

Quentin could already see it in his mind’s eye, fresh and new and still undiscovered. Green fields of matted grass, deep silent lakes, the shadows of clouds, all spread out beneath him like an Escher etching, the way the Earth looked when he was a goose. Birds flitted between bushes, deer stalked stiff-legged through the woods. You wouldn’t own it, or rule it, but you could take care of it. You could have stewardship of it.

Lying there in bed in the half-light, rain spattering on the window, he forgot all about the bird and the Couple and the money. All that seemed beside the point now. He forgot about Brakebills. He even let himself forget Alice for a minute. This was new magic: half enchantment, half work of art. He’d spent too long searching for new kingdoms. He wanted to make one of his own, a magical place, a place like Fillory.

But not in Fillory. He would build it here on Earth.

—

“I don’t want to make you sound like a crazy person,” Plum said, “but just then it sounded like you said you were going make a land.”

“I am. Or we are. We could. That’s what it does, Rupert’s spell.”

Plum frowned.

“I don’t get it,” she said. “You can’t just make a land.”

“It helps if you don’t say it like that.”

“You mean with rocks and trees and stuff?”

“That’s exactly what I mean.”

“Wow.” She stretched, then plunked her chin in her hands. They were having breakfast at their brand new Ikea dining table. “Wow. Well, that would be a hell of a spell. Great granddad wasn’t much of a writer, but you gotta admit he was a pretty good thief. Do you think it’s actually possible?”