The Light Between Oceans(17)

Thank you for the photograph. You look beautiful, but not as cheeky as you are in real life. I know just where I will put it in the lantern room, so that you can see out through the window.

No, it doesn’t really feel all that strange, your question. If I think about it, in the war I knew plenty of fellows who got spliced on three-day furlough back in England, then came straight back to carry on the show. Most of them thought they might not be around much longer, and probably so did their girls. With a bit of luck I will be a longer-term proposition, so think carefully. I am prepared to risk it if you are. I can apply for exceptional shore leave at the end of December, so you have got time to think it over. If you change your mind, I will understand. And if you don’t, I promise I will take care of you always, and do my very best to be a good husband.

Yours,

Tom



The next six months passed slowly. There had been nothing to wait for before – Tom had grown so used to greeting the days as ends in themselves. Now, there was a wedding date. There were arrangements to be made, permissions to be sought. In any spare minute, he would go around the cottage and find something else to put right: the window in the kitchen that didn’t quite shut; the tap that needed a man’s force to turn it. What would Isabel need, out here? With the last boat back, he sent an order for paint to freshen up the rooms; a mirror for the dressing table; new towels and tablecloths; sheet music for the decrepit piano – he had never touched it, but he knew Isabel loved to play. He hesitated before adding to the list new sheets, two new pillows and an eiderdown.

When, finally, the boat arrived to take Tom back for the big day, Neville Whittnish strode onto the jetty, ready to fill in during his absence.

‘Everything in order?’

‘Hope so,’ said Tom.

After a brief inspection, Whittnish said, ‘You know how to treat a light. I’ll give you that much.’

‘Thanks,’ said Tom, genuinely touched by the compliment.

‘Ready, boy?’ asked Ralph as they were about to cast off.

‘God only knows,’ said Tom.

‘Never a truer word spoken.’ Ralph turned his eyes to the horizon. ‘Off we go, my beauty, got to get Captain Sherbourne, MC and Bar to his damsel.’

Ralph spoke to the boat in the same way Whittnish referred to the light – living creatures, close to their hearts. The things a man could love, Tom thought. He fixed his eyes on the tower. Life would have changed utterly when he saw it again. He had a sudden pang: would Isabel love Janus as much as he did? Would she understand his world?





CHAPTER 7



‘YOU SEE? BECAUSE it’s this high above sea level, the light reaches over the curve of the earth – beyond the horizon. Not the beam itself, but the loom – the glow of it.’ Tom was standing behind Isabel on the lighthouse gallery, arms around her, chin reaching down to rest on her shoulder. The January sun scattered flecks of gold in her dark hair. It was 1922, and their second day alone on Janus. Back from a few days’ honeymoon in Perth and straight out to the island.

‘It’s like seeing into the future,’ said Isabel. ‘You can reach ahead in time to save the ship before it knows it needs help.’

‘The higher the light, and the bigger the order of lens, the further its beam shines. This one goes just about as far as any light can.’

‘I’ve never been this high up in all my life! It’s like flying!’ she said, and broke away to circle the tower once more. ‘And what do you call the flash again – there’s that word …’

‘The character. Every coastal light has a different character. This one flashes four times on each twenty-second rotation. So every ship knows from the five-second flash that this is Janus, not Leeuwin or Breaksea or anywhere else.’

‘How do they know?’

‘Ships keep a list of the lights they’ll pass on their course. Time’s money if you’re a skipper. They’re always tempted to cut the corner of the Cape – want to be first to offload their cargo and pick up a new one. Fewer days at sea saves on crew’s wages, too. The light’s here to ward them off, get them to pull their head in.’

Through the glass Isabel could see the heavy black blinds of the lantern room. ‘What are they for?’ she asked.

‘Protection! The lens doesn’t care which light it magnifies. If it can turn the little flame into a million candlepower, imagine what it can do to sunlight when the lens stands still all day. It’s all very well if you’re ten miles away. Not so good to be ten inches away. So you have to protect it. And protect yourself – I’d fry if I went inside it during the day without the curtains. Come inside and I’ll show you how it works.’

The iron door clanged behind them as they went into the lantern room, and through the opening into the light itself.

‘This is a first order lens – about as bright as they come.’

Isabel watched the rainbows thrown about by the prisms. ‘It’s so pretty.’

‘The thick central bit of glass is the bull’s eye. This one has four, but you can have different numbers depending on the character. The light source has to line up exactly with the height of that so it gets concentrated by the lens.’

‘And all the circles of glass around the bull’s eyes?’ Separate arcs of triangular glass were arranged around the centre of the lens like the rings of a dartboard.