The House Across the Lake(60)
As I bring my gaze back toward the house, sliding it past the back patio strewn with dead leaves and the bare trees on the lakeshore that they’ve fallen from, I notice something on the Royces’ dock.
A person.
But not just any person.
Tom.
He stands at the end of the dock, spine as straight as a steel beam. In his hands are a pair of binoculars, aimed at this side of the lake.
And at me.
I duck, trying to hide behind the porch railing, which even in my drunken state I understand to be ridiculous on so many levels. First, it’s a railing, not a brick wall. I’m still visible between the whitewashed slats. Second, Tom saw me. He knows, like Katherine did, that I’ve been watching them.
Now he’s watching me back. Even though I’ve lowered the binoculars, I can still see him, a night-shrouded figure on the edge of the dock. He stays that way another minute before turning suddenly and walking up the dock.
It’s only after Tom crosses the patio and heads back into the house that I risk bringing the binoculars to my eyes again. Inside, I see him pass through the dining room into the kitchen, where he pauses to snatch something from the counter. Then he’s on the move again, pushing back outside through the side door off the kitchen.
He slides into his Bentley. Two seconds later, the headlights spring to life—twin beams that shoot straight across the lake.
As Tom backs the car out from under the portico, I at first think he’s finally running away. He knows I’m onto him and has decided to flee, maybe for good. I yank my phone from my pocket, ready to call Wilma Anson and alert her. The phone springs like a leaping frog from my bourbon-dulled fingers. I lunge for it, miss, and watch helplessly as it hits the porch, slips under the railing, and drops to the weedy ground below.
Across the water, the Bentley has reached the end of the driveway. It turns right, onto the road that circles the lake. Seeing it brings another sobering thought. If Tom were running away, he would have turned left, toward the main road.
Instead, he’s driving in the opposite direction.
Around the lake.
Right toward me.
Still kneeling on the porch, I watch the Bentley’s headlights carve a path through the darkness, marking its progress past Eli’s house, then out of sight as it reaches the lake’s northern curve.
Finally, I start to move.
Stumbling into the house.
Slamming the French doors behind me.
Fumbling with the lock because I’m drunk and scared and I’ve never had to use it before. Most nights, there’s no reason to lock any of the doors.
Tonight, I have one.
Inside the house, I veer from room to room, switching off all the lights I’d turned on earlier.
Dining room and kitchen. Living room and den. Library and foyer.
Soon the whole house has been returned to the darkness I’d walked into when I arrived. I push aside the curtain at the small window beside the front door and peek outside. Tom has reached this side of the lake and is coming my way. I see the headlights first, plowing through the darkness, clearing a path for the Bentley itself, which slows as it draws closer to the house.
My foolish hope is that, even though he knows I’m here, Tom will see the place in utter darkness and keep driving.
He doesn’t.
Despite the dark house, Tom steers the car into the driveway. The headlights shine through the beveled panes of the front door’s window, casting a rectangular glow on the foyer wall. I duck out of its reach, crawl to the door, and engage the lock.
Then I wait.
Hunched on the floor.
Back against the door.
Listening as Tom gets out of the car, crunches up the driveway toward the house, steps onto the front porch.
When he pounds on the door, it shimmies beneath my back. I clamp both hands over my nose and mouth, praying he can’t hear me breathing.
“I know you’re in there, Casey!” Tom’s voice is like cannon fire. Booming. Angry. “Just like I know you were inside my house. You forgot to lock the front door when you left.”
I cringe at my stupidity. Even though I had to leave in a hurry, I should have known to lock the door behind me. Little details like that can trip you up when you’ve got something to hide.
“Maybe I should have told your detective friend about that instead of answering all her questions. What have I been doing? Have I heard from my wife? Where have I stayed every summer for the past two years? I know you sent her, Casey. I know you’ve been spying on me.”
He pauses, maybe expecting I’ll respond in some way, even if it’s to deny what’s clearly the truth. I remain silent, taking short, frantic breaths through interlaced fingers, worrying about what Tom will do next. The glow of the headlights through the door’s window are an unwelcome reminder of the house’s many vulnerabilities. Tom could break in easily if he wanted to. A smashed window or a powerful push on one of the doors is all it would take.
Instead, he pounds the door again, hitting it so hard I really do think he’s about to break it down. A startled yelp squeaks out from beneath my cupped hands. I press them tighter against my mouth, but it doesn’t matter. The noise escaped. Tom heard it.
When he resumes talking, his mouth is at the keyhole, his voice a whisper in my ear.
“You should learn to mind your own business, Casey. And you should learn to keep your mouth shut. Because whatever you think is happening, you’ve got it all wrong. You have no idea what’s going on. Just leave us the fuck alone.”