The Girl With All the Gifts(45)


Sergeant Parks has made his call. He’s heading into Stotfold.

It’s a nothing little place on the way to the A1, and he doesn’t have any high hopes for it. They won’t be able to replenish their supplies there, or find another transport. Anything that was worth having will have been found and taken long before. It’s got this one thing going for it, though: that it lies on their route, and with the afternoon wearing down into evening, they’re beggars rather than choosers. He wants to be under cover before nightfall.

But they’re still two miles out from the town–not even close enough yet to see the chimney of the watermill rising over the trees–when they pass a church.

It’s a stupid place to put a church, in Parks’ opinion, because it’s close to nothing very much. Even before the Breakdown, they couldn’t have got any passing trade. And it’s useless as a bivouac. Too many big windows, most of them smashed, and the massive arched doorway at the front gaping like a toothless mouth (no telling what happened to the doors).

But there’s a breezeblock garage right next to the bigger structure, and Parks likes the look of that. When he goes to check it out up close, telling the others to wait, he likes it even more. The wide, up-and-over door is made of sturdy metal. It won’t yield to pushing or clawing, which is mostly what the hungries do when they come up against a door, and is probably rusted into its jamb for added immobility. The other way in, at the side, is a wooden door with a Yale lock. A lot less secure, but the upside is that Parks can knock out the cylinder to open the door from the outside without damaging the wood, and then–if their luck is in–patch it up again or find some other kind of barricade once they’re inside.

He waves to Gallagher to come and join him. The two of them go over the church while the women wait out in the road. A first pass shows up no hungries, which is a good sign. Some bones on the floor, near the rood screen, but they look like animal bones. Left there by a fox or a weasel probably, or else by some passing Satanist.

Above the altar, in green spray paint, the words HE’S NOT LISTENING, MORONS. Parks takes that as a given. He’s never prayed in his life.

Someone else prayed here, though. In a pew, forgotten, Parks finds a woman’s handbag. It contains some loose change, a lipstick, a tiny hymnal, a set of car keys with a built-in locator and a single Xtra-Thin condom. Such blameless everyday objects that they dazzle him a little, raising the spectre of a time when the worst things anyone had to worry about were unsafe sex and forgetting where they parked their car.

Gallagher peers into a side room, a vestry or something, shines his torch around a bit, then slams the door to again. “All clear, Sarge,” he calls out.

It might be the door slamming, but more likely it’s the words. Something rushes out of the darkness at the back of the church. It hits Gallagher at a flat run, slams him right off his feet, and he goes down with a crash on to the wooden floor.

Parks turns around, sees the two bodies writhing together. He doesn’t even have to think about it. He draws his gun, tracks the dark blob of the hungry’s head as it lowers into the angle of Gallagher’s throat, and squeezes off a shot. The sound is less of a bang, more like the solid chunk you get when you bring an axe down on a block of wood.

His aim is spot on. The bullet smacks into the back of the hungry’s skull. An ordinary bullet would go right on through. Would hit Gallagher too, or at the very least spray his face and upper body with hungry cerebral tissue–with predictable and depressing consequences an hour or a day or a week down the line. But this is a soft-nosed, steel-aluminium round, designed for minimal penetration. It slows down, spreads out and pulps the hungry’s brain to pink milkshake.

Gallagher pushes the limp body to the side and gets out from under it. “Shit!” he pants. “I… I didn’t see it until it was on top of me. Thanks, Sarge.”

Parks verifies the kill. The hungry is completely inert, grey matter oozing from its eyes, nose, ears, pretty much everywhere. In life, it was male, dark-haired, a fair bit younger than Parks himself. It’s wearing the mouldering remains of a priest’s surplice, so it was probably infected right here. Maybe it’s been here ever since, waiting in the dark for a meal to wander by. Or maybe it comes back here after a kill. That does happen, weird as it sounds. Instead of just freezing in place like most of them do, some hungries have a homing instinct for a particular place. Parks wonders if Dr Caldwell knows about this, and if she does, how she squares it with that idea about the host mind dying as soon as the parasite shows up.

Gallagher inspects himself for cuts, bites, and stray hungry bodily fluids. Parks examines him too–minutely. Despite the close encounter, Gallagher checks out clean. He’s still thanking Parks, with a post-traumatic shake in his voice. Parks has had so many close calls like this back in his grab-bagging days, he doesn’t see it as anything much. He just tells Gallagher not to talk in a threat situation. Hand signals are every bit as good, and a damn sight safer.

They go back outside where the civilians–waiting fifty yards away, at the bottom of the gravel drive–seem to be completely unaware that anything has happened. They must have put the sounds from the church down to a vigorous search.

“Everything okay?” Justineau asks.

“Everything is fine,” Parks says. “We’re almost done. Just keep an eye on the road and shout if anything comes.”

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