The Gilded Wolves (The Gilded Wolves #1)(107)
She licked her lips, her eyes darting to the door.
“Your friend, Monsieur Montagnet-Alarie … are you quite certain he will not ask for us to administer the two Rings test?”
Hypnos frowned. Who could say for certain what occurred in Séverin’s head. Perhaps he would ask again. He had refused out of grief, but perhaps with enough time, he would think that his own inheritance might be worth it.
“I can’t say for certain.”
The matriarch closed her eyes. “Make sure he doesn’t ask. At least, not until he’s helped the Order find the Fallen House.”
“What aren’t you telling me?”
She hesitated, and then began haltingly: “We administered the two Rings test on him when the former patriarch of House Vanth was killed in that fire.”
“I already knew that, and everyone knows those results were falsified—”
“They weren’t.”
Hypnos paused. “What are you saying?”
“I’m saying that he’s not the blood heir of House Vanth, and he must never know.”
AUTHOR’S NOTE
I was eating breakfast and haphazardly listening to NPR when I first heard about the human zoo that displayed Filipinos. The Philippine village was one of the largest—and most visited—exhibits during the 1904 World’s Fair in St. Louis, Missouri, where visitors were particularly interested in seeing the “primitive” tribe of the Igorots forced to butcher and eat dogs.
That piece shocked me. I couldn’t believe I’d just heard the words “human zoo.”
It was that piece of history that guided me into the world of The Gilded Wolves, specifically the events of the Exposition Universelle of 1889, a world’s fair held in Paris, whose major attraction was a human zoo—then called a “Negro Village”—which was visited by twenty-eight million people. As a Filipina and Indian woman, colonialism runs in my veins. I couldn’t reconcile the horrors of that era with the glamour of it, which, up until then, was what stood out in my imagination of the 19th century: courtesans and the Moulin Rouge, glittering parties and champagne.
I wanted to understand how an era called La Belle époque, literally The Beautiful Era, could possess that name with that stain. I wanted to explore beauty and horror through the eyes of the people on the sidelines. And, ultimately, I wanted to go on an adventure.
Research itself was an adventure. I learned that Filipino national hero Jose Rizal truly had been in Paris in 1889. I learned far too much about the history of ice manufacturing, which never ended up in the book. I learned that while Belle époque Paris enjoyed artistic and scientific leaps, it also perpetuated the deep anti-Semitism spreading through Europe, particularly in the Russian empire.
While I took many liberties with time and truth, it never felt right to untangle the beauty from the horror of the 19th century.
When we revise the horror and sanitize the grotesque, we risk erasing the paths that led us here.
History is a myth shaped by the tongues of conquerors. What appears good may eventually sour and curdle in our collective minds. What appears bad may later bloom and brighten. I wanted to write this trilogy not to instruct or to condemn, but to question …
Question what is gold and what glitters.
ACKNOWLEDGMENTS
For the longest time, I did not think I could write this book. The scope felt unimaginable. The puzzles were snarls of nonsense. The characters hissed at me when I got too close. But I found my way into this world and I kept my head above water thanks to the following people. To my family at Wednesday Books, I am so grateful for your support. Thank you to Eileen, who made me a romance reader and saw this tale from its origins as a half-baked lump of words and a Pinterest board. To Brittani, Karen, and DJ—thank you for igniting the fuel! To Thao, you’re my dream champion of an agent. I wouldn’t want to be in the trenches with anyone else. Thank you, also, to my family at Sandra Dijkstra Literary Agency for all that you do and especially to Andrea, who has brought these stories overseas. To Sarah Simpson-Weiss, assistant extraordinaire, how did I ever exist without you? To Noa, I’m so grateful for all your guidance and humor and invaluable feedback.
To my amazing friends … thank you to Lyra Selene, my rockstar critique partner who read this story a thousand times. To Ryan: a thousand heartfelt meeps! To Renee and JJ, illuminated and glam oracles. To Eric, who let me borrow his name. Russell and Josh, who have patiently witnessed me in all manner of disheveled deadline-ness. Marta, Zan, and Amber, who kept me sane and grounded and laughing. To Katie, who helped me with the maths. To Niv, Victoria, and Bismah: I couldn’t have written a tale about friendship without you.
To my incredible family: Mom, Dad, Ba and Dadda, Lalani, my aunts and uncles, and future in-laws. Your support brought me here and keeps me going. A special thanks to my Alpesh Kaka and Alpa Kaki, in whose home I first read the treasure hunt thrillers that inspired this story. Shiv, Renuka, Aarav (I will never forget seeing you for the first time), Sohum, Kiran and Alisa, Shraya—I do not say this often enough, but I love you. A special thanks to my cousin, Pujan, whose brilliant insight into the art world made me rethink how I observe pieces of history. To Pog and Cookie, the beta readers who will tell me first: what fresh hell is this. I am deeply proud to be your sister.
To Panda and Teddy, who can neither read nor write, but seem to grow fluffier to soak up my writing despair. Thanks.