The Ghostwriter(56)
“Charlotte Blanton.” I interrupt, anxious to get on with this exchange.
“Oh. Yes.” She is surprised, and glances away. “So you know her.”
“What did she want?” My mother is a professional, one who considers me to be more patient than daughter. I’m not worried about what she told Charlotte Blanton. Her professional standards wouldn’t allow for idle gossip.
“She had questions, about Simon. About you.” Her hand trembles as it reaches for the scarf, patting the silk into place. “And Bethany. She wanted to know about Bethany.”
Any fear I had over Charlotte Blanton—it turns the corner into something deeper, and darker. It reaches the level where murders are plotted and mama-bear-instincts come out to brawl. It’s a familiar place, and I fight to keep my face calm, my mouth still. I can’t be distracted by Charlotte Blanton right now. I have to work. Mark and I need to write. And my mother—she needs to leave.
Headlights sweep across the dark porch and my mother turns, her hand lifting, shielding her face. A truck turns into the driveway, and it’s Mark. Panic zips through me. She can’t meet him. In the cab I see curls and color, and I open the front door and step onto the porch. “I’ve got to go. My friends are here to pick me up.”
“Your what?” I jog down the steps and she scurries after me, the click of her heels slower as she tries to navigate the dark stairs. I am rounding the front hood of the truck, waving in false enthusiasm to Mark, when she calls out. “Helena, we need to talk!”
I open the passenger door and crawl over Kate’s body, the time too short for her to unbuckle and move over, the truck’s headlights illuminating my mother, and her chase. Pulling the door shut, I hit the door’s lock, my knee bumping into Kate’s midsection, her breath wheezing out in a painful huff. “Sorry,” I mutter, my butt finally hitting the seat. “Go!” I elbow Mark and he only chuckles, shifting the truck into reverse, his elbow all in my personal space.
“Who’s the crazy woman?” Kate stage-whispers, her body pressed away from the window, the scent of her perfume overwhelmingly sweet. My mom bangs on the glass and jogs with us as we roll backward, out of the driveway. She stops at the base of it, her eyes on mine, the connection broken by Kate’s curls, her face turning to me, a smudge of lipstick against her front teeth.
“It’s my mom.” I say quietly, sitting back, my hands searching for the belt buckle. “You guys have good timing.” I turn in the seat and look through the back window, her body shrinking as we pull away, and I suppose I should be grateful she doesn’t chase us by car.
“Oh.” Kate slumps against the vinyl. “I’m sorry. I didn’t mean crazy in a bad way.”
“It’s fine.” Crazy just defines a person you don’t understand. “You can turn right up ahead, it makes a big loop and circles back.”
“Circles back?” Mark glances at his watch. “The movie starts in thirty minutes.”
“I’m not going to the movie.” If this was a novel, I’d draw a big fact line through that statement, with the words REPETITIVE in angry text above their vowels. Next to Mark’s character description, I’d add ‘stupid-head’, for no other reason than to make Bethany, wherever she may be, giggle.
“That’s why we were coming,” Kate pipes in, and if there was any perfume left in that bottle once she got done with it, I’d be shocked. “To pick you up!”
“And you’re already here in the truck.” Mark says the words gravely, as if my physical presence means absolutely anything at all. “I don’t really have time to go all the way back to your house.” He looks at me and winces, an overly dramatic gesture that conveys zero remorse.
“Oh please.” I fold my arms across my chest. “This is ridiculous. We’re barely out of the neighborhood and I’m in pajamas, for God’s sake.” Bethany, sitting at her desk. Pajama onesie, a dinosaur print along the length of her leg.
“And socks,” Kate supplies unhelpfully.
“And socks,” Mark repeats, in a tone designed to irritate.
“And socks.” I intone. “Pajamas and socks. So I can’t go anywhere but back to my house. No movie.”
“It’s got Matthew McConaughey in it.” Kate digs around at her feet and produces a purse, one big enough to hold a bowling ball, should that activity also be on the agenda.
“Good for him.”
“And action,” Mark points out. “Very manly action.”
“Anddddd….” Kate finds what she is looking for and pulls a handful of chocolate out of her purse. “I’ve got candy!”
“Illegal candy.” I frown. “That’s against the rules.”
“What rules?” She stops, halfway through opening a bag of M&Ms, the foreshadow to a mess of dropped tiny melted chocolates inside her purse.
“The theater rules.” I may not have been to a movie in five years, but I’m fairly certain that their business model hasn’t changed. Ticket prices cover the movies. Profit comes from concessions. I tilt my head and see the edge of a Ziploc freezer bag. “What’s that?”
“Nothing.” Her hand closes on the top of the bag, clenching it shut. “Are you this way—your way, I mean—about all rules? I thought it was just your own.”