The First Fifteen Lives of Harry August(64)




There was an art to the secrecy that Vincent and I practised during that time. Both of us were aware of theory and technological developments twenty to thirty years ahead of their time. Both of us had flawless memories of the same, though I always chalked my recollections up to a good head for numbers. The skill lay in introducing our ideas in such a way as would permit the highly intelligent individuals Vincent had surrounded himself with to make the consequent breakthroughs as it were for themselves. It became something of a game, a competition between us, to see who could drop that subtle idea which might lead the chemist to a connection, the physicist to revelation. The magnitude of the task in a way offered us benefits, as it was too great for either of us to comprehend, and so we broke it down into smaller parts. We would need an electron microscope–a concept we were both familiar with but neither one of us had studied or used. We would need a particle accelerator, which again we both knew we desired but neither one of us had built. On occasion even the discussion of a concept was enough to provoke unexpected bursts of brilliance from our researchers, who, giddy with the success after success rolling out of the labs, never paused to question just how or why these revelations were occurring.

“By the end of this life,” stated Vincent firmly, “I intend to have the technology of 2030 at my disposal, whatever that may be. It’s a good communist attitude–one must always have a long-term plan.”

“Are you not concerned,” I enquired, “about what happens to this technology after your death?”

“There is no ‘after my death’,” he replied grimly.

I would like to say that this question troubled me more than it did. I recalled our discussions on the very nature of kalachakra. What are we, how do we live? Are we, in fact, little more than consciousnesses flitting between an endless series of parallel universes, which we then alter by our deeds? If so, the implication rather was that our actions did carry consequences, albeit ones which we would never perceive, for somewhere there was a universe where Harry August had turned left and not right at his fifty-fifth birthday, and somewhere a universe in which Vincent Rankis had died, leaving behind a post-Soviet Russia with a technological database decades ahead of its time.


The world is ending.

Christa in Berlin.

The world is ending.

It must be one of us.


“The world is ending,” I said.

It was 1966, and we were on the verge of testing Vincent’s first cold fusion reactor.

Cold fusion technology, in my opinion, could save the planet. A renewable energy source whose primary waste products are hydrogen and water. In the streets of London smoke still blackened the faces of travellers. Grey clouds rose above the coal stacks of my home country, oil clung to ruined beaches where a container ship had sunk, and in twenty years’ time thirty men would die from breathing in the smoke that roared out of Chernobyl’s shattered fourth reactor, and hundreds of thousands would later be dubbed “liquidators”–soldiers who shovelled radioactive soil into underground mines, builders who poured liquid concrete over a still-burning uranium heart, firemen who threw shovels of sand on to flaming nuclear fuel even as their skins prickled with the insidious caress of radiation. All this was yet to come, and even then cold fusion would be nothing more than a dream; yet here we stood, Vincent and I, ready to change the world.

“The world is ending,” I said as the generators built up, but I don’t think he could hear me over the sound of the machinery.

Our test was a failure.

Not this life, it turned out, were we going to crack one of the greatest scientific quests of the twentieth century. Even Vincent, it turned out, even I, had our limitations. Knowledge is not a substitute for ingenuity, merely an accelerant.

“The world is ending,” I said as we stood together on the viewing gallery, watching our apparatus being pulled away.

“What’s that, old thing?” he murmured, distracted by the disappointment and the need to put on a brave face.

“The world is ending. The seas boil, the skies fall, and it’s getting faster. The course of linear temporality is changing, and it’s us. We did this.”

“Harry,” he tutted, “don’t be so melodramatic.”

“This is the message that has been passed down from child to dying old man down the generations. The future is changing and not for the better. We did this.”

“The Cronus Club was always stodgy.”

“Vincent, what if it’s us?”

He looked at me sideways, and I realised he had heard me after all, over the sound of the machinery, over the sound of a machine which would one day beget a machine which would beget a machine which would beget the knowledge of God, the answer to all our questions, the understanding of the universe as a whole.

And he said, “So?”

Four days later, once it was evident from the growing number of results coming in from the fusion experiment that we had failed, but were still, in accordance with the 99.3 per cent probability of the same, alive, I requested a holiday.

“Of course,” he said. “I entirely understand.”

I was given a lift in an army car to Pietrok-111; from Pietrok-111 a different car took me to Ploskye Prydy, and it occurred to me that I hadn’t left Vincent’s lab for ten years. Time had not been kind to the landscape: what few trees there had been had been removed, leaving ugly stumps in the earth beyond which great walls of concrete proclaimed that here the people laboured for bread or here they toiled for steel or here there was no sign at all except a warning against any and all trespassers and that anyone coming within sight of the walls after 8 p.m. would be shot. Only one train a day left Ploskye Prydy, and the town was not renowned for its food and board. My driver took me to his mother’s house. She fed me plates of steaming beans and preserved fish and told all the secrets of the village, of which she seemed both the greatest source and, I suspected, the prime originator. I slept beneath an icon of St Sebastian, who had died shot through with arrows and who Catholic iconography tended to depict dying in his underpants but who here wore cloth of gold.

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