The Dead Romantics (97)



A lot, it turned out.

In a scattered mess we tipped back toward the bed, stepping out of our shoes, dropping my purse to the carpet, his tie abandoned somewhere on the bench at the foot of the bed. He lifted me up and sat me on the bed, and kissed me like he wanted to devour me, teeth scraping against my skin, nibbling my lip, and I couldn’t get enough of him, either.

I wanted to explore the curve of his neck as my fingers slid down it, and I wanted to ask about the scar just above his collarbone, where his father’s wedding ring always seemed to catch. He kissed the birthmark under my left ear that I always kept hidden because it was shaped a little like a ghost and that was too on the nose for me. It was electric, our contact skin to skin, as if little sparks ignited between our cells every time we touched. If our pasts sang in the wind, our present was in the touch of his hands on my waist, the way his fingers trailed across my body, the breathless kisses he planted against my mouth, as if he wanted to write me into his memory—burn it there.

My fingers tentatively found their way underneath his charcoal-gray jacket as I began to slip it off his broad shoulders, and he shrugged it off the rest of the way. It puddled on the floor. He leaned into me, deepening his kisses, and I just wanted to sink into him, and bury myself into the crook of his body, and stay there forever.

I pressed my hands against his hard chest—and paused. Came back to myself for a very, very brief moment. “Wait. Wait-wait-wait,” I muttered to myself, and started to unbutton his pristine white work shirt. He didn’t have an undershirt on, and I most definitely had felt— “Oh sweet chiseled Jesus.” I traced my fingers across his hard chest to his abs and very distinctive V cut into his trousers. “What are you—an underwear model? Are these suckers airbrushed?”

His ears went red with embarrassment. “I’m an anxious person. I swim when I’m anxious. Which means I swim a lot.”

“Lucky for me.”

“You’re ridiculous,” he said, not unhappily, and planted a kiss at my jaw. “But I like that about you.”

“Oh, I am going to be even more ridiculous when I demand to put googly eyes on all six of those abs—”

He pressed his mouth against mine, still ravenous, and made me shut up. And you know? It was sexy and I was super okay with it because whatever I’d been about to say succumbed to the part of my brain that seemed to always go offline whenever he kissed me that hard. And quite frankly, my brain had been on for way, way too long. It needed a hard reboot.

“Do you . . . ?” he asked, breathless. “Want to?”

“Please,” I whispered, and we melted into each other, exploring each other’s soft hidden corners.

At some point he undid my bra, and at some point, I slid off his belt, and at some point he was kissing me—everywhere. He pressed a kiss between my breasts, then just below them, then against my soft stomach. He went lower and lower, muttering in a love language of tongues.

As an English major, I had studied rising actions, I had charted climaxes. Making love and making stories were close to the same thing. You were intimate and vulnerable and wandering, traveling across the landscape of each other, learning. You told a story with each gesture, each sound—every kiss a period, every gasp a comma.

And the way Ben touched me, the way he played his tongue across my skin and burrowed his fingers into me, made a story with my body—the way I bit my lip to hush a moan, and curled my fingers around the duvet—I wanted him to read every word aloud until the very last page, when our lips were swollen and our bodies intertwined into each other’s spaces, and he threaded his fingers between mine and raised them to kiss my knuckles.

After a moment, he asked, “I have a question,” in a soft and thoughtful voice.

I shifted a little to look at him better, flattening out the fluffy feather pillow. “I might just have an answer.”

“What are we?”

My eyebrows shot up. “You ask that now?”

“Well—yes,” he replied, a bit embarrassed, and his ears began to turn red again and travel down the length of his cheekbones. “I mean—how are you going to introduce me to your family? I want to start with a good impression. They mean a lot to you, and that means a lot to me. So . . . what do you want me to be for you?”

I thought about it for a moment. “Well, this—us—we’re a bit strange. Technically we’ve only known each other for a week and some change but . . .”

“It feels longer than that,” he admitted, rubbing circles on my thumb knuckle again. “Ever since the accident, I’ve thought about you even though I was sure it was a dream. I scoured forums, talked with other coma patients, but nothing helped. I couldn’t get you out of my head. I thought I was going crazy.”

“No crazier than a girl who can see ghosts.”

“I don’t think you’re crazy, Florence.” And he said it so seriously, I pursed my lips together to keep them from wobbling, and rested my cheek into his shoulder.

“Well, then what do you want to be?” I asked.

He closed his eyes, and there was a moment of pause when he was searching for the right words. “I like you a lot, bordering on the bigger word, but . . .”

I tilted my head. “But?”

He admitted, “It’s a bit cliché this soon, and if we’re going to tell our children this story in ten years . . .”

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