The Cruel Prince (The Folk of the Air #1)(67)

The High King Eldred stands, and the entire hill goes quiet. “Long has been my rule, but today I take my leave of you.” His voice echoes through the hill. Rarely has he ever spoken this way, to a great assemblage of us, and I am struck both by the power of his voice and the frailness of his person. “When first I felt the call to search out the Land of Promise, I believed it would pass. But I can resist it no longer. Today, I will be king no more, but wanderer.”

Although everyone here must know this was what we’ve gathered for, still there are cries from all around me. A sprite begins to weep into the hair of a goat-headed phooka.

The Court Poet and Seneschal, Val Moren, steps from the side of the dais. He is stooped, spindly, his long hair full of sticks, with a scald crow perched on one shoulder. He leans heavily on a staff of smooth wood that has begun to bud at the very top, as though it were still alive. He is rumored to have been lured away from the mortal lands to Eldred’s bed in his youth. I wonder what he will do now, without his king.

“We are loath to let you go, my lord,” he says, and the words seem to take on a special, bittersweet resonance coming from his mouth.

Eldred cups his hands, and the branches of the throne shudder and begin to grow, sending up new green shoots to spiral into the air, leaves unfurling and flower buds bursting along the length of them. The roots of the ceiling begin to worm, lengthening like vines and crawling across the underside of the hill. There is a scent in the air, like a summer breeze, heavy with the promise of apples. “Another will stand in my place. I ask of you, release me.”

The assembled Folk speak as one, surprising me. “We release you,” they say, words echoing around me.

The High King lets his heavy robe of state fall from his shoulders. It crumples on the stone in a jewel-encrusted pile. He takes the oak-leaf crown from his own head. Already, he stands up straighter. There is an unnerving eagerness in him. Eldred has been the High King of Elfhame longer than the memories of many of the Folk; he has always seemed ancient to me, but the years seem to fall from him along with the mantle of rule.

“Whom will you put in your stead, to be our High King?” Val Moren asks.

“My third-born, my son Dain,” says Eldred. “Come forward, child.”

Prince Dain rises from his humble place on the stool. His mother removes the white cloth covering him, leaving him naked. I blink once. I am used to a certain amount of nakedness in Faerie, but not among the royal family. Standing next to the rest of them in their heavy brocade and embroidered magnificence, he looks exquisitely vulnerable.

I wonder if he’s cold. I think of my hurt hand and hope so.

“Will you accept?” Val Moren asks. The scald crow on his shoulder lifts black-tipped wings and beats the air. I am not sure if that’s supposed to be part of the ceremony.

“I will assume the burden and the honor of the crown,” Dain says gravely, and in that moment, his nakedness becomes something else, some sign of power. “I will have it.”

“Unseelie Court, night host, come forward and anoint your prince,” Val Moren says.

A boggan makes her hulking way to the raised dais. Her body is covered in thick golden hair, her arms long enough to drag on the ground if she didn’t bend them. She looks strong enough to break Prince Dain in half. Around her waist she wears a skirt of patchwork furs, and in one massive hand she carries what looks like an inkpot.

She paints his left arm with long spirals of clotting blood, paints it over his stomach, down his left leg. He does not flinch. When she is done, she steps back to admire her grisly handiwork and then gives a shallow bow to Eldred.

“Seelie Court, twilight folk, come forward and anoint your prince,” Val Moren says.

A diminutive boy in a wrapper of what looks like birch bark, his wild hair sticking up at odd angles, walks to the dais. Small pale green wings sit on his back. When he anoints Dain’s other side, he paints it in thick swaths of pollen, yellow as butter.

“Wild fey, Shy Folk, come forward and anoint your prince,” says Val Moren.

It is a hob who comes forward this time, in a dapper little suit, carefully sewn. He carries with him a handful of mud, which he smears over the center of Prince Dain’s chest, just above his heart.

I finally spot Cardan in the crowd, unsteady on his feet and with a wineskin in one hand. He appears to have gotten himself riotously drunk. When I think of the smear of silver paint on his face and the way his hand had slid on my hip, I guess he was well on his way there when I saw him. I feel an immense, mean satisfaction that he is not standing with the royal family at the most important moment for the Court in centuries.

He’s going to be in so much trouble.

“Who will clothe him?” Val Moren asks, and in turn, each of his sisters and then his mother bring him a white tunic and pants made from hide, a collar of gold, and high kidskin boots. He looks like a storybook king, one who will have a wise and just rule. I imagine the Ghost in the rafters, and the Roach in his mask, watching proudly. I feel some of that same pride, being sworn to him.

But I cannot forget his words to me: You are my creature, Jude Duarte.

I touch my wounded hand to the hilt of my silver sword, the sword my father forged. After tonight, I will be the High King’s spy and a true member of his Court. I will lie to his enemies and, if that doesn’t work, I will find a way to do something worse. And if he crosses me, well, then I will find a way around that, too.