The City of Fallen Angels (Mortal Instruments 4)(64)

She turned the page hastily, and came on a group of illustrations that made her suck in her breath.

It was a progression of pictures that started with the image of a woman with a bird perched on her left shoulder.

The bird, possibly a raven, looked sinister and cunning. In the second picture the bird was gone, and the woman was obviously pregnant. In the third image the woman was lying on an altar not unlike the one Clary was standing in front of now. A robed figure was standing in front of her, a jarringly modern-looking syringe in its hand. The syringe was full of dark red liquid. The woman clearly knew she was about to be injected with it, because she was screaming.

In the last picture the woman was sitting with a baby on her lap. The baby looked almost normal, except that its eyes were entirely black, without whites at all. The woman was looking down at her child with a look of terror.

Clary felt the hairs on the back of her neck prickle. Her mother had been right. Someone was trying to make more babies like Jonathan. In fact, they already had.

She stepped back from the altar. Every nerve in her body was screaming that there was something very wrong with this place. She didn’t think she could spend another second here; better to go outside and wait there for the cavalry to arrive. She might have discovered this clue on her own, but the result was way more than she could handle on her own.

It was then that she heard the sound.

A soft susurration, like a slow tide pulling back, that seemed to come from above her.

She looked up, the athame gripped firmly in her hand. And stared. All around the upstairs gallery stood rows of silent figures. They wore what looked like gray tracksuits—

sneakers, dull gray sweats, and zip-up tops with hoods pulled down over their faces.

They were utterly motionless, their hands on the gallery railing, staring down at her. At least, she assumed they were staring. Their faces were hidden entirely in shadow; she couldn’t even tell if they were male or female.

“I. .. I’m sorry,” she said. Her voice echoed loudlyin the stone room.“Ididn’t meanto intrude,or .. .”

There was no answer but silence. Silence like a weight. Clary’s heart began to beat faster.

“I’ll just go, then,” she said, swallowing hard. She stepped forward, laid the athame on the altar, and turned to leave. She caught the scent on the air then, a split second before she turned—the familiar stench of rotting garbage. Between her and the door, rising up like a wall, was a nightmarish mishmash of scaled skin, bladelike teeth, and reaching claws.



For the past seven weeks Clary had trained to face down a demon in battle, even a massive one. But now that it was actually happening, all she could do was scream.





OUR KIND


The demon lunged for Clary, and she stopped screaming abruptly and flung herself backward, over the altar —a perfect flip, and for one bizarre moment she wished Jace had been there to see it. She hit the ground in a crouch, just as something struck the altar hard, making the stone vibrate.

A howl sounded through the church. Clary scrambled to her knees and peered over the edge of the altar. The demon wasn’t as big as she’d first thought, but it wasn’t small, either—about the size of a refrigerator, with three heads on swaying stalks. The heads were blind, with enormous gaping jaws from which ropes of greenish drool hung. The demon seemed to have smacked its leftmost head on the altar when it grabbed for her, because it was shaking the head back and forth as if trying to clear it.

Clary glanced up wildly, but the tracksuited figures were still where they had been before. None of them had moved. They seemed to be watching what was going on with a detached interest. She spun and looked behind her, but there appeared to be no exits from the church besides the door she’d come through, and the demon was currently blocking her path back to it. Realizing she was wasting precious seconds, she scrambled to her feet and grabbed for the athame. She yanked it off the altar and ducked back down just as the demon came for her again.

She rolled to the side as a head, swaying on a thick stalk of neck, darted over the altar, its thick black tongue flicking out, searching for her. With a scream she jammed the athame into the creature’s neck once, then jerked it free, scrambling backward and out of the way.

The thing screamed, its head rearing back, black blood spraying from the wound she’d made. But it wasn’t a killing blow. Even as Clary watched, the wound began to heal slowly, the demon’s blackish green flesh knitting together like fabric being sewed up.

Her heart sank. Of course. The whole reason Shadowhunters used runed weapons was that the runes prevented demons from healing.

She reached for the stele in her belt with her left hand, and yanked it free just as the demon came for her again.

She leaped to the side and threw herself painfully down the stairs, rolling until she fetched up against the first row of pews. The demon turned, lumbering a bit as it moved, and made for her again. Realizing she was still clutching both the stele and the dagger—

in fact, the dagger had cut her as she had rolled, and blood was quickly staining the front of her jacket—she transferred the dagger to her left hand, the stele to her right, and with a desperate swiftness, cut an enkeli rune into the athame’s hilt.

The other symbols on the hilt began to melt and run as the rune of angelic power took hold. Clary looked up; the demon was almost on her, its three heads reaching, their mouths gaping. Propelling herself to her feet, she drew her arm back and flung the dagger as hard as she could. To her great surprise, it struck the middle head right in the center of the skull, sinking in up to the hilt. The head thrashed as the demon screamed—Clary’s heart lifted— and then the head simply dropped, hitting the ground with a sickening thud.