The City of Fallen Angels (Mortal Instruments 4)(21)
“I suppose so. Although it’s creepy that you’re so excited about that, Raphael.”
Raphael snorted. “If you come to stay at the Dumont, you will not address me as Raphael, but as Master, Sire, or Great Leader.”
Simon braced himself. “What about Camille?”
Raphael started. “What do you mean?”
“You always told me you weren’t really the head of the vampires,” Simon said blandly.
“Then, in Idris, you told me it was someone named Camille. You said she hadn’t come back to New York yet. But I assume, when she does, she’ll be the master, or whatever?”
she’ll be the master, or whatever?”
Raphael’s gaze darkened. “I do not think I like your line of questioning, Daylighter.”
“I have a right to know things.”
“No,” said Raphael. “You don’t. You come to me, asking if you can stay in my hotel because you have nowhere else to go. Not because you wish to be with others of your kind. You shun us.”
“Which, as I already pointed out, has to do with that time you tried to kill me.”
“The Dumont is not a halfway house for reluctant vampires,” Raphael went on. “You live among humans, you walk in daylight, you play in your stupid band—yes, don’t think I don’t know about that. In every way you do not accept what you really are. And as long as that is true, you are not welcome at the Dumont.”
Simon thought of Camille saying, The moment his followers see that you are with me, they will leave him and come to me. I believe they are loyal to me beneath their fear of him. Once they see us together, that fear will be gone, and they will come to our side.
“You know,” he said, “I’ve had other offers.”
Raphael looked at him as if he were insane. “Offers of what?”
“Just . . . offers,” Simon said feebly.
“You are terrible at this politics business, Simon Lewis. I suggest you do not attempt it again.”
“Fine,” Simon said. “I came here to tell you something, but now I’m not going to.”
“I suppose you are also going to throw away the birthday present you got me,” Raphael said. “It is all very tragic.”
He retrieved his motorcycle and swung a leg over it as the engine revved to life. Red sparks flew from the exhaust pipe. “If you bother me again, Daylighter, it had better be for a good reason. Or I will not be forgiving.”
And with that, the motorcycle surged forward and upward. Simon craned his head back to watch as Raphael, like the angel he was named for, soared into the sky trailing fire.
Clary sat with her sketchpad on her knees and gnawed the end of her pencil thoughtfully.
She had drawn Jace dozens of times—she guessed it was her version of most girls’
writing about their boyfriends in their diaries—but she never seemed to be able to get him exactly right. For one thing, it was almost impossible to get him to stand still, so she’d thought that now, while he was asleep, would be perfect—but it still wasn’t coming out quite the way she wanted. It just didn’t look like him.
She tossed the sketchpad onto the blanket with a sigh of exasperation and pulled her knees up, looking down at him. She hadn’t expected him to fall asleep. They’d come to Central Park to eat lunch and train outside while the weather was still good. They’d done one of those things. Take-out containers from Taki’s were scattered in the grass beside the blanket. Jace hadn’t eaten much, picking through his carton of sesame noodles in a desultory fashion before tossing it aside and flinging himself down onto the blanket, staring up at the sky. Clary had sat looking down at him, at the way the clouds reflected in his clear eyes, the outline of muscles in the arms crossed behind his head, the perfect strip of skin revealed between the hem of his T-shirt and the belt of his jeans. She had wanted to reach out and slide her hand along his hard flat stomach; instead she’d averted her eyes, rummaging for her sketchpad. When she’d turned back, pencil in hand, his eyes were closed and his breathing was soft and even.
She was now three drafts into her illustration, and no closer to a drawing that satisfied her. Looking at him now, she wondered why on earth she couldn’t draw him. The light was perfect, soft bronze October light that laid a sheen of paler gold over his already golden hair and skin. His closed lids were fringed with gold a shade darker than his hair.
One of his hands was draped loosely over his chest, the other open at his side. His face was relaxed and vulnerable in sleep, softer and less angular than when he was awake.
Perhaps that was the problem. He was so rarely relaxed and vulnerable, it was hard to capture the lines of him when he was. It felt . . . unfamiliar.
At that precise moment he moved. He had begun making little gasping sounds in his sleep, his eyes darting back and forth behind his shut eyelids. His hand jerked, tightened against his chest, and he sat up, so suddenly that he nearly knocked Clary over. His eyes flew open. For a moment he looked simply dazed; he had gone startlingly pale. and forth behind his shut eyelids. His hand jerked, tightened against his chest, and he sat up, so suddenly that he nearly knocked Clary over. His eyes flew open. For a moment he looked simply dazed; he had gone startlingly pale.
“Jace?” Clary couldn’t hide her surprise.
His eyes focused on her; a moment later he had drawn her toward him with none of his customary gentleness; he pulled her onto his lap and kissed her fiercely, his hands winding into her hair. She could feel the hammering of his heart with hers, and she felt her cheeks flush. They were in a public park, she thought, and people were probably staring.
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- City of Heavenly Fire (The Mortal Instruments, #6)
- City of Glass (The Mortal Instruments, #3)
- City of Bones (The Mortal Instruments, #1)