The Atlas Six (The Atlas, #1)(100)



“I don’t want to know why it’s necessary,” Reina said bluntly. “I want to know why it works.”

Dalton fixed her with a narrow glance.

“Sacrifice has magic of its own,” he said. “The decision to do something is itself a change, a rupture to the state of the world’s natural order. Would things happen in the caster’s favor regardless of interference? Yes of course, probability meaning that all outcomes are, conceptually, possible,” Dalton said, droning on methodically. “But to set one’s sights on one particular outcome is to necessitate a shift in some direction, enduring and irreversible. We study the realm of consciousness because we understand that to decide something, to weigh a cost and accept its consequences, is to forcibly alter the world in some tangible way. That is a magic as true and as real as any other.”

“Are you suggesting magic is some sort of spiritualism?” said Reina.

Mother is telling the truth!, Mother speaks truth!, she is made of it!

“Sometimes,” Reina went on gruffly, “you treat magic like a god, like an energy, and sometimes like a pulse. It’s an unscientific vibration when convenient, but we already know its behaviors can be predicted, and therefore purposefully changed.”

Dalton said nothing, waiting for her to make her point, so Reina persisted, “You make magic its own entity, but it has no autonomy of choice. No research shows that magic deliberately chooses how to honor the intentions of the caster—it simply does or doesn’t work, depending on the caster’s abilities.”

“So magic has no sentience of its own, you mean?”

Reina nodded, and beside her, Parisa’s expression took on some degree of contemplation.

“Magic is not a god,” Dalton agreed, “it is a tool. But it does respond discreetly to the distinctions of its user’s intentions, however subtle those may be. It is a matter not unlike general relativity,” he said. “Intent cannot change the foundation of science or magic as a whole, but we know from observation that its outcome can change relative to its use.”

“So whether an arrow hits its target depends on both the skill of the archer and the definable laws of momentum,” said Libby. “Is that what you mean?”

“Yes and no,” said Dalton. “It is not so simple an equation. The rules of lethality are not limited by one constraint or two, but by many. When it comes to magic, the question is not merely a matter of the archer,” he explained, “but also of the arrow itself. Sometimes the arrow is made of stone, sometimes steel, sometimes paper. If the arrow itself is weak, even an immensity of skill can sometimes fail.”

“Does the archer’s intent forge the arrow in addition to aiming the bow?” asked Nico, frowning.

“Sometimes,” said Dalton. “Other times, the arrow is forged by something else.”

“Does the arrow forge itself?”

Libby again. Dalton turned to her slowly, regarding her for a moment in silence. She seemed to mean one thing—If magic is the arrow and we are the archers, how much control do we have over its flight?—but appeared to have ultimately asked quite another.

Is magic the tool, or are we?

“That,” Dalton said eventually, “is the purpose of this study.”

Callum and Tristan had not spoken yet, which wasn’t entirely unusual, nor was it unusual that they paused to exchange a glance. At one point it had been Tristan initiating the glances, almost as a measure of security; checking to see if his left leg still existed, or if he were still wearing the shirt he’d put on before breakfast. Now it was Callum who was doing routine maintenance. Observing the functions on a passenger train; protecting his assets.

Reina turned to look at Nico, who had lost interest in the philosophical underpinnings of the conversation. She wondered if he were still thinking about what Parisa had told him, and then proceeded to wonder what his intentions were.

She was fairly confident Nico wouldn’t kill her. (Her plants slithered back, hissing in distaste at the prospect of anyone doing otherwise.) Of course, practically speaking, Reina was fairly certain no one would; she was neither at the top nor the bottom of anyone’s list, which made her neither potential target nor potential victim. Beneath it all, they were equally ambitious—individually, they were all starved for something—but the polarities of the group were the ones whose incongruity couldn’t be rectified. The presence of Parisa implied the existence of Callum, and that was the tension the others were unable to stand. Unused to the necessity of opposition, they would find it necessary to choose.

Reina turned to look at Parisa, considering her own choices. On the one hand, she would happily be rid of Parisa. On the other, Parisa had played her game well; Reina doubted anyone could convince Tristan or Libby to kill her. No, scratch Libby from consideration altogether. She wouldn’t actively choose anyone—too skittish. Unless Libby would kill Callum? A possibility. After all, Libby had been the most bothered by Parisa’s astral death.

At the reminder of the incident in question, Reina turned to observe Callum again, more closely this time. The plant behind him shivered, and Reina frowned in agreement; it was Callum who had unsettled them all, and even the simplest forms of life could feel it. Callum was the obvious choice, only there was one major obstacle to unanimity: Tristan. Would Tristan agree to kill Callum? No, most likely not, and that explained Callum’s need to check on him regularly.

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