Sweet Filthy Boy (Wild Seasons, #1)(25)
The heavy thunk of my car door slamming echoes down our quiet, suburban street. My house looks dark, but it’s too early for them to all be in bed. With the warm summer weather it’s most likely that my family is out on the back patio, having a late dinner.
But once I’m inside, I hear nothing but silence. The house is dark everywhere: in the living room, family room, kitchen. The patio is quiet, every room upstairs deserted. My footsteps slap quietly on the Spanish tile in the bathroom but fall silent as I move along the plush hallway carpet. For some reason I walk into every single room . . . finding no one. In the years since I started college—before I moved my things back into my old bedroom only days ago—I haven’t once been alone in this house, and the realization hits me like a physical shove. Someone is always here when I am: my mother, my father, one of my brothers. How strange that is. Yet now I’ve been given some quiet. It feels like a reprieve. And with this freedom, a current of electricity curls through me.
I could leave without having to confront my father.
I could leave without having to explain anything.
In an impulsive, hot flash, I’m certain this is what I want. I sprint to my room, find my passport, tear off my dress, and pull on clean clothes before hauling the biggest suitcase from the hall closet. I shove everything I can find from my dresser into it, and then practically clear my bathroom counter with a sweep of my arm into my toiletries case. The heavy bag thuds down the stairs behind me, falls over in the hallway as I begin to scribble a note for my family. The lies tumble out, and I struggle to keep from trying to say too much, sounding too manic.
I have an opportunity to go to France for a few weeks! A free ticket, too. I’ll be with a friend of Harlow’s Dad. She owns a small business. I’ll tell you about it later but I’m okay. I’ll call.
Love you,
Mia
I don’t ever lie to my family—or anyone for that matter—but right now, I don’t care. Now that the idea is in my head, the idea of not going to France pushes me into a full-on panic because not going to France means staying here for a few weeks. It means living under the dark cloud of my father’s controlling bullshit. And then it means moving to Boston and starting a life I’m not sure I want.
It means the possibility of never seeing Ansel again.
I look at the clock: I only have forty-five minutes until the plane leaves.
Lugging my bag to my car, I hurl it in the trunk and run to the driver’s side, texting Harlow: Whatever my dad asks you about France, just say yes.
Only three blocks away from my house I can hear my phone buzz on the passenger seat, no doubt with her reply—Harlow rarely puts her phone down—but I can’t look now. I know what I’ll see anyway, and I’m not sure when my brain will quiet down enough for me to answer her WHAT??
Her, WHAT THE FUCK ARE YOU DOING??
Her, CALL ME RIGHT THE FUCK NOW, MIA HOLLAND!!
So instead, I park—I’m being optimistic, and pull into the long-term parking lot. I drag my bag into the terminal. I check in, silently urging the woman at the ticketing counter to move faster.
“You’re cutting it very close,” she tells me with a disapproving frown. “Gate forty-four.”
Nodding, I tap a nervous hand on the counter and sprint away once she’s handed me my ticket, folded neatly in a paper sleeve. Security is dead at night on a Tuesday, but once I’m through, the long hallway to the gate at the end looms ahead of me. I’m running too fast to be worried about Ansel’s reaction, but the adrenaline isn’t enough to drown out the protesting of my permanently weak femur as I sprint.
At the gate, our flight is already boarding, and I have a panicked moment thinking maybe he’s already on the plane when I can’t pick him out of the mass of heads lined up to head down the jetway. I search wildly, self-consciously, and it’s a horrible, anxious feeling now that I’m here: telling him I changed my mind and want to come to France and
live with him
rely on him
be with him
requires a type of bravery I’m simply not sure I have outside of a hotel room where it’s all a temporary game, or in a bar where liquor let me find the perfect role to play all night. It’s possible I mentally calculate the danger of being relatively drunk for the entirety of the next few weeks.
A warm hand curls around my shoulder and I turn, finding myself staring up at Ansel’s wide, confused green eyes. His mouth opens and closes a few times before he shakes his head as if to clear it.
“Did they let you come down here to say goodbye?” he asks, seeming to try out the words. But then he looks closer: I’ve changed into white jeans, a blue tank top under a green hoodie. I have a carry-on slung over my shoulder, I’m out of breath and wearing what I can only imagine is a look of sheer panic on my face.
“I changed my mind.” I hitch my bag higher on my shoulder and watch his reaction: his smile comes a little too slowly to immediately put me at ease.
But at least he does smile, and it seems genuine. Then he confuses me even more, saying, “I guess I can’t stretch out and sleep on your seat now.”
I have no idea what to say to that, so I just smile awkwardly and look down at my feet. The gate attendant calls out another section of the plane to board and the microphone squawks sharply, making us both jump.
And then, it seems like the entire world falls completely silent.