Stone Mattress: Nine Tales(4)



“Kitty litter,” says Ewan’s voice. Is this a comment on her purchases? He disapproved of those chickens – he said they were probably full of chemicals – though he’d eat one readily enough if she brought it home, back in his eating days.

“What do you mean?” she says. “We don’t have a cat any more.” She’s discovered that she has to talk out loud to Ewan because most of the time he can’t read her mind. Though sometimes he can. His powers are intermittent.

Ewan doesn’t expand – he’s such a tease, he often makes her figure out the answers by herself – and then it comes to her: the kitty litter is for the front steps, instead of salt. It won’t work as well, it won’t melt anything, but at least it will provide some traction. She wrestles a bag of the stuff into the cart and adds two candles and a box of wooden matches. There. She’s prepared.

Back at the counter she exchanges pleasantries with the woman about the excellence of the chicken – it’s an item the woman likes herself, because who can be bothered with cooking when there’s only one, or even only two – and stows her purchases in her wheeled shopper, resisting the temptation to get into a conversation about the dragon tattoo. This topic might swiftly veer into complexities, as she’s learned from experience over the years. There are dragons in Alphinland, and they have numerous fans with many bright ideas they are eager to share with Constance. How she ought to have done the dragons differently. How they would do the dragons if it was them. Subspecies of dragons. Errors she has made about the care and feeding of dragons, and so on. It’s astonishing how folks can get so worked up over something that doesn’t exist.

Has the woman overheard her talking to Ewan? Most likely, and most likely it didn’t bother her. Any store that’s open 24/7 must get its share of people who talk to invisible companions. In Alphinland, such behaviour would call for a different interpretation: some of its inhabitants have spirit familiars.

“Where exactly do you live, dear?” the woman calls after her when Constance is halfway out the door. “I could text a friend, get you a walk home.” What sort of friend? Maybe she’s a biker’s girl, thinks Constance. Maybe she’s younger than Constance thought; maybe she’s just very weathered.

Constance pretends she didn’t hear. It could be a ruse, and next thing you know there will be a gang member bent on home invasion standing outside the door with the duct tape ready in his pocket. They say their car has broken down and can they use your phone, and out of the goodness of your heart you let them in, and before you know it you’re duct-taped to the banister and they’re inserting push-pins under your fingernails to make you cough up your passwords. Constance is well informed about that sort of thing: she doesn’t watch the television news for nothing.

The trail of ashes is no use any more – it’s iced over, she can’t even see it – and the wind is stronger. Should she open the kitty litter bag right here in mid-journey? No, she’ll need a knife, or some scissors; although there’s usually a pull string. She peers inside the shopper with the flashlight, but the battery must be low because it’s too dim in there to see. She could get chilled to the bone struggling with such a bag; better to make a dash for it. Though dash is hardly the word.



The ice seems twice as thick as when she started out. The bushes in the front lawn look like fountains, their luminous foliage cascading gracefully to the ground. Here and there a broken tree branch partially blocks the road. Once she’s reached her house, Constance leaves the shopper outside on the walk and hauls herself up the slippery steps by clinging to the railing. Happily the porch light is shining, though she can’t remember turning it on. She wrestles with the key and the lock, opens the door, and tramps through to the kitchen, shedding water. Then, kitchen scissors in hand, she retraces her route, descends the steps to the red shopper, cuts open the kitty litter bag, and spreads lavishly.

There. Wheeled shopper up the steps, bump bump bump, and into the house. Door locked behind her. Drenched coat off, soaking wet hat and mitts set to steam on the radiator, boots parked in the hall. “Mission accomplished,” she says in case Ewan is listening. She wants him to know she got back safely; he might worry otherwise. They’d always left notes for each other, or else messages on the answering machine, back before all the digital gadgets. In her more extreme and lonely moments she’s thought of leaving messages on the phone service for Ewan. Maybe he could listen to them through electric particles or magnetic fields, or whatever it is he’s using to throw his voice through the airwaves.

But this isn’t a lonely moment. It’s a better moment: she’s feeling pleased with herself for carrying out the salt mission. She’s hungry too. She hasn’t been this hungry ever since Ewan has failed to be present at meals: eating alone has been too dispiriting. Now, however, she tears off pieces of the broiled chicken with her fingers and wolfs them down. This is what people do in Alphinland when they’ve been rescued from something – dungeons, moors, iron cages, drifting boats: they eat with their hands. Only the very upper classes have what you’d call cutlery, though just about everyone has a knife, unless they happen to be a talking animal. She licks her fingers, wipes them on the dishtowel. There ought to be paper towels but there aren’t.

There’s still some milk, so she gulps it down right out of the carton, spilling hardly any. She’ll make herself a hot drink later. She’s in a hurry to get back to Alphinland because of the trail of ashes. She wants to decipher it, she wants to unravel it, she wants to follow it. She wants to see where it will lead.

Margaret Atwood's Books