Starship Summer (Starship Seasons, #1)(2)

I took the Telemass relay via the four stations between Earth and Chalcedony and arrived feeling as if I’d died four times and been brought back to life—which, in effect, is exactly what had happened. Dazed, nauseous, I booked into an expensive hotel overlooking the ocean and slept for twenty-four hours. The following day I enquired at a couple of real estate agents. I was looking for a quiet, out of the way place, far from the tourists and the religious pilgrims who flocked to the planet in their droves.

That afternoon I hired a ground-effect vehicle and drove a hundred kilometres up the coast to the small beachside settlement of Magenta Bay. There, an overweight local in his sixties, all tan and smile, showed me around a few A-frames and then, sensing they were not what I was looking for, suggested I might like to view a plot of land with the idea of having my own place built.

I liked the area. Magenta Bay consisted of a dozen beachfront dwellings—A-frames and villas—and a few stores set back from the water. The sand was as fine and red as Hungarian paprika, and the rainforest that backed the settlement a startling, alien green. The purple mountains of the interior were sufficiently different to remind you that you were no longer on Earth.

I selected a plot on the northern headland of the bay, close enough to the centre of town to provide a short walk for the necessities, but far enough away from the nearest villa so as not be bothered by inquisitive neighbours.

I signed the paperwork, paid a deposit, then began the long drive back to MacIntyre to look for a dwelling that might suit the land I had bought.

In the event I didn’t get that far.



I was three kilometres out of Magenta when I saw the scrapyard. My first impression was that this was an incongruous, not to say ugly, business to set up in paradise. My second impression, when I made out the nature of the scrap, was tinged with a romanticism that recalled my youth and my fascination with the exploration of space, and I knew I had to stop and take a look around.

I drove under a rickety metal-worked archway bearing the legend: HAWKSWORTH & CO., constructed from old stanchion rods and microwave antennae. From one paradise I passed into another.

I braked and climbed out and stared about me in wonder. I was ten again, a kid awed at the sublime majesty and latent power of the craft arrayed around me. The sight was not without the kick of poignancy, however—and not just the poignancy of lost youth, but the sadness that these magnificent vessels should end up here, some whole, but most nobbled and spavined, stripped and stacked and sorted into utilitarian piles: here a rickety mound of radiation baffles, there a ziggurat of nose cones, and over there a pile of tail-fins layered like pancakes.

Not all the craft had been cannibalised and sectioned, however;there were a dozen vessels intact, looking much as they had thirty years ago, poised on the aprons of starports across the Expansion,ready to bravely explore the infinite.

I wandered around a ten-man exploration vessel squatting on its ramrod haunches, a bulging bullfrog of a thing with swelling engine nacelles and a prognathous nose-cone. I slapped its flank, old paint flaking beneath my palm. The silver and lightning blue livery of the Canterbury Line was still visible in places, excoriated by the void.

The next ship in line took my breath away, for I had possessed a model of this very starship in my early teens. It was a Jansen Mk III deep space exploration probe, still proudly bearing the blue and yellow carapace of the Stockholm Line. I walked its long, streamlined length, trying to imagine the sights it had witnessed, the events of history in which it had played a part—the exploration of planets across the Expansion now settled by colonists ignorant of the deeds and daring of the crews of vessels such as this.

I turned, taking in the entirety of the yard, my eye catching a kaleidoscopic display of familiar sigils and decals.

“Can I help you?”

The question, in the warm afternoon air, startled me.

The owner of the voice was just as remarkable as the vessels which surrounded us.

He was garbed in a grease-stained black onepiece and walked with a lurching limp, his right shoulder ducking with every step. His hair was long, black, and the skin of his face tanned by the fierce heat of Delta Pavonis to the shade of an overdone beefsteak.

The material of his onepiece bulged here and there—along the length of his arms and across his chest—but this I noticed only later.

He advanced, left hand outstretched. “Hawksworth. I run the place.” His right arm hung useless at his side.

“Conway,” I replied. “I’ll shortly be moving to Magenta.” I looked around at the towering examples of a long-gone era. “Some museum you have here.”

He looked at me, assessing my age. “Brings back memories?”

I smiled. “Just a few. It’s as if…as if my past has been pulled out of my head, made metal and lined up for my inspection.”

Hawksworth laughed. “Care for a drink?”

I was surprised by his hospitality, then realised that he probably didn’t get much passing trade this far north.

He led the way across the yard towards a small scoutship which, I realised with amusement, he had turned into an office. We climbed a spiral staircase welded to the hull of the ship and stepped onto an observation platform. Acceleration couches, in lieu of chairs, dotted the deck. He gestured for me to sit down and ducked into the bridge of the craft, a dark hole filled with glowing com-screens.

He emerged a few seconds later with two ice-cold cans of local beer.