Sometimes I Lie(23)

It’s still dark but I know this house, I can find my way in the darkness. The shed is Paul’s private place, but the tiny study at the back of the house is mine. A room of my own with just enough space for a small desk and a chair. I sit myself down and turn on the lamp. The desk was second-hand so contains secrets that I don’t know as well as secrets I do. There are four small drawers and one large one, which looks like a knowing wooden smile. I ease it open and slip on the white cotton gloves that I find inside. Then I take a sheet of paper, along with my fountain pen, and I write. When I am finished, when I am certain that I have written the right words and sure that I want them to be read, I fold the paper twice and slip it inside a red envelope. Then I shower, wash away any traces of guilt or concern, and get myself ready for work.

I’m earlier than usual. The main office is empty, but I can see the light is already on in Madeline’s office. I take off my coat, dump my handbag on the desk and try to shake off the fog of tiredness that has enveloped me. I need to stay alert, keep focused on the task ahead. Before I can sit down, I hear her door creak open.

‘Amber, is that you? Can I have a word?’

I roll my eyes, secure in the knowledge that nobody can see me. I don’t need this right now, but I rearrange my face and head over to the little office in the corner, my hands screwed up into defensive fists inside my pockets.

I perform a half-hearted knock on the slightly ajar door, before pushing it fully open. There she is, dressed in black, as always. Hunched over the desk, her face scrunched up and too close to the screen so that she can read what’s on it. The rumour mill is still in full flow on Twitter, churning out further speculation of her impending departure. I wonder if she’s reading the new #MadelineFrost comments, there are plenty of them.

‘Just a moment, I’m right in the middle of a thought.’ She always does this. Hers is the only time she values and she wants me to know it. She types something that I cannot see.

‘I’m glad you’re here early,’ she says. ‘I was hoping we could have a little chat before the others arrive.’

I try not to react, willing every facial muscle I have to stay exactly where it is. She lifts her glasses off her face and lets them dangle from the pink beaded cord that hangs around her sturdy neck. I imagine tightening it and then shake the image from my mind.

‘Why don’t you take a seat?’ says Madeline, indicating the purple, leather pouf she brought back from Morocco a few months ago.

‘I’m OK, thank you,’ I reply.

‘Sit down,’ she says, two neat rows of veneers reinforcing the request. I make my face smile back and do what I’m told. This is what the producers have to do every morning, come into this poky little room and sit on the pouf, waiting for Madeline to grill them about each story on that day’s show. I squat down and try to balance myself – it’s too low and not at all comfortable. As always, it’s all about control and it’s already clear I have none.

‘Did you know about the meeting Matthew was having with the guests yesterday?’ she asks.

‘Yes,’ I say, holding her stare. She nods, then looks me up and down as though appraising my choice of outfit. It’s another new dress but she’s clearly not impressed. ‘I want you to do me a favour,’ she says eventually. ‘If you hear anything that you think I might want to know, I want you to tell me.’ I’m starting to think she has forgotten that she’s trying to have me fired, or perhaps she thinks I don’t know.

‘Of course,’ I say. I wouldn’t tell her if there was a poisonous snake wrapped around her neck.

‘We have to stick together, Amber. If they get rid of me, they’ll bring in a whole new cast, they always do. They’ll replace you too, don’t think that they won’t. Remember that, and next time you hear something you’ll come and tell me, won’t you?’ With that, she puts her glasses back up onto her nose and starts tapping away on the keyboard once more, to signal that the meeting is over.

I struggle to stand from the pouf, then leave her office and close the door behind me.

‘Are you OK?’ whispers Jo, who has just arrived.

I sit back down at my desk. ‘Yes, fine,’ I say, knowing Madeline will be watching through the window in her door.

‘You don’t look fine,’ says Jo.

‘I don’t know where Paul is. He didn’t come home last night.’ As soon as I say the words, I regret them.

‘Is it Claire again?’ she asks. The words slap me in the face and my fear turns to anger, but there is a look of genuine concern spread across Jo’s features. It isn’t her fault that she knows so much about my past, I’m the one who told her.

I don’t know the answer, so I give the one I want to be true: ‘I don’t think so.’

‘Maybe we should go get a coffee?’

‘No, thanks, I’m fine.’ I look away, turn on my PC and stare at the screen.

‘Suit yourself,’ she says and leaves without another word.

When she’s gone, I open up my emails. My inbox is overcrowded with obligation and invitations. It’s mostly junk, discounts for things I neither want nor need, but there is one message that catches my eye. My mouse hovers over the familiar name and my eyes fix themselves on the one word in the subject line, as though it is difficult to translate: