Shatter Me (Shatter Me, #1)(65)
I wonder if Warner has the tracker serum as well. I wonder if they’d know if he were dead.
I duck into dark corners, try to read the streets for clues, try to remember where Adam fell to the ground, but my memory is too weak, too distracted, my brain too broken to process these kinds of details. That horrible instant is one mess of insanity in my mind. I can’t make any sense of it and Adam could be anywhere by now. They could’ve done anything to him.
I don’t even know what I’m looking for.
I might be wasting my time.
I hear sudden movement and dart into a side street, my fingers tightening around the weapon slick in my grip. Now that I’ve actually fired a gun, I feel more confident with it in my hands, more aware of what to expect, how it functions. But I don’t know if I should be happy or horrified that I’m so comfortable so quickly with something so lethal.
Footsteps.
I slide up against the wall, my arms and legs flat against the rough surface. I hope I’m buried in the shadows. I wonder if anyone’s found Warner yet.
I watch a soldier walk right past me. He has rifles slung across his chest, a smaller sort of automatic weapon in his hands. I glance down at the gun in my own hand and realize I have no idea how many different kinds there are. All I know is some are bigger than others. Some have to be reloaded constantly. Some, like the one I’m holding, do not. Maybe Adam can teach me the differences.
Adam.
I suck in my breath and move as stealthily as I can through the streets. I spot a particularly dark shadow on a stretch of the sidewalk ahead of me and make an effort to avoid it. But as I get closer I realize it’s not a shadow. It’s a stain.
Adam’s blood.
I squeeze my jaw shut until the pain scares away the screams. I take short, tiny, too-quick breaths. I need to focus. I need to use this information. I need to pay attention— I need to follow the trail of blood.
Whoever dragged Adam away still hasn’t come back to clean the mess. There’s a steady spattered drip that leads away from the main roads and into the poorly lit side streets. The light is so dim I have to bend down to search for the spots on the ground. I’m losing sight of where they lead. There are fewer here. I think they’ve disappeared entirely. I don’t know if the dark spots I’m finding are blood or old gum pounded into the pavement or drops of life from another person’s flesh. Adam’s path has disappeared.
I back up several steps and retrace the line.
I have to do this 3 times before I realize they must’ve taken him inside. There’s an old steel structure with an older rusted door that looks like it’s never been opened. It looks like it hasn’t been used in years. I don’t see any other options.
I wiggle the handle. It’s locked.
I shift my entire weight into breaking it open, slamming it open, but I’ve only managed to bruise my body. I could shoot it down like I’ve seen Adam do, but I’m not certain of my aim nor my skill with this gun, and I’m not sure I can afford the noise. I can’t make my presence known.
There has to be another way into this building.
There is no other way into this building.
My frustration is escalating. My desperation is crippling.
My hysteria is threatening to break me and I want to scream until my lungs collapse. Adam is in this building. He has to be in this building.
I’m standing right outside this building and I can’t get inside.
This can’t be happening.
I clench my fists, try to beat back the maddening futility enveloping me in its embrace but I feel crazed. Wild. Insane. The adrenaline is slipping away, my focus is slipping away, the sun is setting on the horizon and I remember James and Kenji and Adam Adam Adam and Warner’s hands on my body and his lips on my mouth and his tongue tasting my neck and all the blood everywhere
everywhere
everywhere
and I do something stupid.
I punch the door.
In one instant my mind catches up to my muscle and I brace myself for the impact of steel on skin, ready to feel the agony of shattering every bone in my right arm. But my fist flies through 12 inches of steel like it’s made of butter. I’m stunned. I harness the same volatile energy and kick my foot through the door. I use my hands to rip the steel to shreds, clawing my way through the metal like a wild animal.
It’s incredible. Exhilarating. Completely feral.
This must be how I broke through the concrete in Warner’s torture chamber. Which means I still have no idea how I broke through the concrete in Warner’s torture chamber.
I climb through the hole I’ve created and slip into the shadows. It’s not hard. The entire place is cloaked in darkness. There are no lights, no sounds of machines or electricity. Just another abandoned warehouse left to the elements.
I check the floors but there’s no sign of blood. My heart soars and plummets at the same time. I need him to be okay. I need him to be alive. Adam is not dead. He can’t be.
Adam promised James he’d come back for him.
He’d never break that promise.
I move slowly at first, wary, worried that there might be soldiers around, but it doesn’t take long for me to realize there’s no sound of life in this building. I decide to run.
I tuck caution in my pocket and hope I can reach for it if I need to. I’m flying through doors, spinning around turns, drinking in every detail. This building wasn’t just a warehouse. It was a factory.