Sharp Objects(20)

The Crellins. Everyone here was a Crellin but me, I thought childishly.

“I’m sorry you’re sick, Amma,” I said.

“The pattern on the legs is wrong,” Amma whined abruptly. She held the table up to my mother, indignant.

“You’ve got such eyes, Amma,” Adora said, squinting at the miniature. “But it’s barely noticeable, baby. Only you will ever know.” She smoothed back Amma’s damp hairline.

“I can’t have it wrong,” Amma said, glaring at it. “We have to send it back. What’s the point of getting it special-made if it’s not right?”

“Darling, I promise you, you can’t even tell.” My mother patted Amma’s cheek, but she was already standing up.

“You said it would all be perfect. You promised!” Her voice wavered and tears started dripping down her face. “Now it’s ruined. The whole thing is ruined. It’s the dining room—it can’t have a table that doesn’t match. I hate it!”

“Amma…” Alan folded his paper and went to put his arms around her, but she wrenched away.

“This is all I want, it’s all I asked for, and you don’t even care that it’s wrong!” she was screaming through her tears now, a full-blown tantrum, her face mottled in anger.

“Amma, calm yourself,” Alan said coolly, trying to get a hold of her again.

“It’s all I want!” Amma yelped, and smashed the table on the floor, where it cracked into five shards. She hit it until it was in pieces, then buried her face in the sofa cushion and wailed.

“Well,” my mother said. “Looks like we’ll have to get a new one now.”

I retreated to my room, away from that horrible little girl, who was not like Marian at all. My body was heading into a flare. I paced a bit, tried to remember how to breathe right, how to calm my skin. But it blared at me. Sometimes my scars have a mind of their own.





I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It’s covered with words—cook, cupcake, kitty, curls—as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: baby-doll. Pulling on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they’re flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat.

And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother’s steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.

The problem started long before that, of course. Problems always start long before you really, really see them. I was nine and copying, with a thick polka-dotted pencil, the entire Little House on the Prairie series word by word into spiral notebooks with glowing green covers.

I was ten and writing every other word my teacher said on my jeans in blue ballpoint. I washed them, guiltily, secretly, in my bathroom sink with baby shampoo. The words smudged and blurred, left indigo hieroglyphics up and down the pant legs, as if a tiny ink-stained bird had hopped across them.

By eleven, I was compulsively writing down everything anyone said to me in a tiny blue notepad, a mini reporter already. Every phrase had to be captured on paper or it wasn’t real, it slipped away. I’d see the words hanging in midair—Camille, pass the milk—and anxiety coiled up in me as they began to fade, like jet exhaust. Writing them down, though, I had them. No worries that they’d become extinct. I was a lingual conservationist. I was the class freak, a tight, nervous eighth-grader frenziedly copying down phrases (“Mr. Feeney is totally gay,” “Jamie Dobson is ugly,” “They never have chocolate milk”) with a keenness bordering on the religious.

Marian died on my thirteenth birthday. I woke up, padded down the hall to say hello—always the first thing I did—and found her, eyes open, blanket pulled up to her chin. I remember not being that surprised. She’d been dying for as long as I could remember.

That summer, other things happened. I became quite suddenly, unmistakably beautiful. It could have fallen either way. Marian was the confirmed beauty: big blue eyes, tiny nose, perfect pointy chin. My features changed by the day, as if clouds floated above me casting flattering or sickly shadows on my face. But once it was settled—and we all seemed to realize it that summer, the same summer I first found blood speckling my thighs, the same summer I began compulsively, furiously masturbating—I was hooked. I was taken with myself, an incredible flirt in any mirror I could find. Unabashed as a colt. And people loved me. I was no longer the pity case (with, how weird, the dead sister). I was the pretty girl (with, how sad, the dead sister). And so I was popular.