Shadow of Night (All Souls Trilogy, #2)(217)

We entered through the wide arches next to the bell tower topped with a golden grasshopper. Inside, I turned around slowly to get the full experience of the four-storied building with its hundred shops selling everything from suits of armor to shoehorns. Statues of English monarchs looked down on the customers and merchants, and a further plague of grasshoppers ornamented the peak of each dormer window.

“The grasshopper was Gresham’s emblem, and he wasn’t shy about selfpromotion,” Matthew said with a laugh, following my eyes.

Some shops were indeed open, the lamps in the arcades around the central courtyard were lit, and we were not the only ones enjoying the evening.

“Where is the music coming from?” I asked, looking around for the minstrels.

“The tower,” Matthew said, pointing in the direction we had entered. “The merchants chip in and sponsor concerts in the warm weather. It’s good for business.”

Matthew was good for business, too, based on the number of shopkeepers who greeted him by name. He joked with them and asked after their wives and children.

“I’ll be right back,” he said, darting into a nearby store. Mystified, I stood listening to the music and watching an authoritative young woman organize an impromptu ball. People formed circles, holding hands and jumping up and down like popcorn in a hot skillet.

When he came back, Matthew presented to me—with all due ceremony—

“A mousetrap,” I said, giggling at the little wooden box with its sliding door.

“That is a proper mousetrap,” he said, taking my hand. He started walking backward, pulling me into the center of the merriment. “Dance with me.”

“I definitely don’t know that dance.” It was nothing like the sedate dances at Sept-Tours or at Rudolf’s court.

“Well, I do,” Matthew said, not bothering to look at the whirling couples behind him. “It’s an old dance—the Black Nag—with easy steps.” He pulled me into place at one end of the line, plucking my mousetrap out of my hand and giving it into the safekeeping of an urchin. He promised the boy a penny if he returned it to us at the end of the song.

Matthew took my hand, stepped into the line of dancers, and when the others moved, we followed. Three steps and a little kick forward, three steps and a little dip back. After a few repetitions, we came to the more intricate steps when the line of twelve dancers divided into two lines of six and started changing places, crossing in diagonal paths from one line to the other, weaving back and forth.

When the dance finished, there were calls for more music and requests for specific tunes, but we left the Royal Exchange before the dances became any more energetic. Matthew retrieved my mousetrap and, instead of taking me straight home, wended his way south toward the river. We turned down so many alleys and cut across so many churchyards that I was hopelessly disoriented by the time we reached All Hallows the Great, with its tall, square tower and abandoned cloister where the monks had once walked. Like most of London’s churches, All Hallows was on its way to becoming a ruin, its medieval stonework crumbling.

“Are you up for a climb?” Matthew asked, ducking into the cloister and through a low wooden door.

I nodded, and we began our ascent. We passed by the bells, which were happily not clanging at the moment, and Matthew pushed open a trapdoor in the roof. He scampered through the hole, then reached down and lifted me up to join him. Suddenly we were standing behind the tower’s crenellations, with all of London spread at our feet.

The bonfires on the hills outside the city already burned bright, and lanterns bobbed up and down on the bows of boats and barges crossing the Thames. At this distance, with the darkness of the river as a backdrop, they looked like fireflies. I heard laughter, music, all the ordinary sounds of life I’d grown so accustomed to during the months we’d been here.

“So you’ve met the queen, seen the Royal Exchange at night, and actually been in a play instead of just watching one,” Matthew said, ticking items off on his fingers.

“We found Ashmole 782, too. And I discovered I’m a weaver and that magic isn’t as disciplined as I’d hoped.” I surveyed the city, remembering when we’d first arrived and Matthew had to point out the landmarks for fear I’d get lost. Now I could name them myself. “There’s Bridewell.” I pointed. “And St. Paul’s. And the bearbaiting arenas.” I turned toward the quiet vampire standing beside me. “Thank you for tonight, Matthew. We’ve never been on a date-date—out in public like this. It was magical.”

“I didn’t do a very good job courting you, did I? We should have had more nights like this one, with dancing and looking at the stars.” He tilted his face up, and the moon glanced off his pale skin.

“You’re practically glowing,” I said softly, reaching up to touch his chin.

“So are you.” Matthew’s hands slid to my waist, his gesture bringing the baby into our embrace. “That reminds me. Your father gave us a list, too.”

“We’ve had fun. You made magic by taking me to the exchange and then surprising me with this view.”

“That leaves only two more items. Lady’s choice: I can howl at the moon or we can make out.”

I smiled and looked away, strangely shy. Matthew tilted his head up to the moon again, readying himself.

“No howling. You’ll bring out the Watch,” I protested with a laugh.