Shadow of Night (All Souls Trilogy, #2)(183)
I had decided that our best approach to the production involved minimal dialogue and maximum dancing. For one thing, who wanted to sit around after a big dinner and listen to speeches? I’d been to enough academic events to know that wasn’t a good idea. Signor Pasetti was delighted to teach some of the court ladies a “dance of the wandering stars,” which would provide Matthew something heavenly to observe while he waited for his beloved moon to appear. With famous court beauties given a role in the entertainment and wearing fabulously spangled and jeweled costumes, the masque quickly took on the tone of a school play, complete with admiring parents. Matthew made agonized faces as though he weren’t sure he could endure the spectacle for one more moment.
When the dance ended, the musicians cued my entrance with a crash of drums and blare of trumpets. Master Hoefnagel had rigged up a curtain over the chapel doors, so that all I had to do was push my way through them with a goddess’s éclat (and without spearing my moon headdress on the fabric as I had done in rehearsal) and stare wistfully down at Matthew. He, goddess willing, would stare raptly at me without crossing his eyes or looking suggestively at my breasts.
I took a moment to get in character, drew in a deep breath, and pushed confidently through the curtains, trying to glide and float like the moon.
The court gasped in wonder.
Pleased that I had made such a convincing entrance, I looked down at Matthew. His eyes were round as saucers.
Oh, no. I felt with my toe for the floor, but as I suspected, I was already a few inches above it—and rising. I reached out a hand to anchor myself to the edge of my chariot and saw that a distinctively pearly gleam was emanating from my skin. Matthew jerked his head up in the direction of my little silver crescent moon. I’d worn my hair loose, the waves rippling down my back and the front caught up with a tiara-like band of wire that held the moon. Without a mirror I had no idea what it was doing, but I feared the worst.
“La Diosa!” Rudolf said, standing up and applauding. “Wonderful! A wonderful effect!”
Uncertainly, the court joined in. A few of them crossed themselves first. Holding the room’s complete attention, I clasped my hands to my bosom and batted my eyes at Matthew, who returned my admiring looks with a grim smile. I concentrated on lowering myself to the floor so that I could make my way to Rudolf’s throne. As Zeus, he occupied the most splendid carved piece of furniture we could find in the palace attics. It was unbelievably ugly, but it suited the occasion.
Happily, I was not glowing so much anymore as I approached the emperor, and the audience had stopped looking at my head as if it were a Roman candle. I sank into a curtsy.
“Greetings, La Diosa,” Rudolf boomed in what was meant to be a godlike tone but was only a classic example of overacting.
“I am in love with the beautiful Endymion,” I said, rising and gesturing back to the staircase, where Matthew had sunk into a downy nest of feather beds and was feigning sleep. I had written the lines myself. (Matthew suggested I say, “If you do not agree to leave me in peace, Endymion will tear your throat out.” I vetoed that, along with the Keats.) “He looks so peaceful. And though I am a goddess and will never age, fair Endymion will soon grow old and die. I beg of you, make him immortal so that he can stay with me always.”
“On one condition!” Rudolf shouted, abandoning all pretense of godlike sonorousness in favor of simple volume. “He must sleep for the rest of time, never waking. Only then will he remain young.”
“Thank you, mighty Zeus,” I said, trying not to sound too much like a member of a British comedy troupe. “Now I can gaze upon my beloved forevermore.”
Rudolf scowled. It was a good thing he hadn’t been granted script approval.
I withdrew to my chariot and walked slowly backward through the curtains while the court ladies performed their final dance. When it was over, Rudolf led the court in a round of loud stomping and clapping that almost brought the roof down. What it did not do was rouse Endymion.
“Get up!” I hissed as I went past to thank the emperor for providing us an opportunity to entertain his royal self. All I got in response was a theatrical snore.
And so I curtsied alone in front of Rudolf and made speeches in praise of Master Habermel’s astrolabe, Master Hoefnagel’s sets and special effects, and the quality of the music.
“I was greatly entertained, La Diosa—much more than I expected to be. You may ask Zeus for a reward,” Rudolf said, his eyes drifting over my shoulder and down to the swell of my breasts. “Whatever you wish. Name it and it shall be yours.”
The room’s idle chatter stopped. In the silence I heard Abraham’s words: The book will come to you, if only you ask for it. Could it really be that simple?
Endymion stirred in his downy bed. Not wanting him to interfere, I flapped my hands behind my back to encourage him to return to his dreams. The court held its breath, waiting for me to name a prestigious title, a piece of land, a fortune in gold.
“I would like to see Roger Bacon’s alchemical book, Your Majesty.”
“You have balls of iron, Auntie,” Gallowglass said in a tone of hushed admiration on the way home. “Not to mention a way with words.” “Why, thank you,” I said, pleased. “By the way, what was my head doing during the masque? People were staring at it.”
“Wee stars rose out of the moon and then faded away. I wouldn’t worry. It looked so real that everybody will assume it was an illusion. Most of Rudolf’s aristocrats are human, after all.”