Shadow of Night (All Souls Trilogy, #2)(160)
“I brought my wife, Your Majesty, as you commanded,” Matthew said, placing a slight emphasis on the word “wife.” Gallowglass translated Matthew’s English into flawless German, as if my husband didn’t know the language—which I knew he did, after traveling with him from Hamburg to Wittenberg to Prague by sled.
“Y su talento para los juegos también,” Rudolf said, switching effortlessly into Spanish as though that might convince Matthew to converse with him directly. He studied me slowly, lingering over the curves of my body with a thoroughness that made me long for a shower. “Es una lástima que se casó en absoluto, pero aún más lamentable que ella está casada con usted.”
“Very regrettable, Majesty,” Matthew said sharply, sticking resolutely to English. “But I assure you we are thoroughly wed. My father insisted upon it. So did the lady.” This remark only made Rudolf scrutinize me with greater interest.
Gallowglass took mercy on me and thumped the book onto the table. “Das Buch.”
That got their attention. Strada unwrapped it while Hájek and Rudolf speculated on just how wonderful this new addition to the imperial library might prove to be. When it was exposed to view, however, the air in the room thickened with disappointment.
“What joke is this?” Rudolf snapped in German.
“I am not sure I take Your Majesty’s meaning,” Matthew replied. He waited for Gallowglass to translate.
“I mean that I already know this book,” Rudolf sputtered.
“That doesn’t surprise me, Your Majesty, since you gave it to John Dee—by mistake, I am told.” Matthew bowed.
“The emperor does not make mistakes!” Strada said, pushing the book away in disgust.
“We all make mistakes, Signor Strada,” Hájek said gently. “I am sure, though, that there is some other explanation as to why this book has been returned to the emperor. Perhaps Dr. Dee uncovered its secrets.”
“It is nothing but childish pictures,” retorted Strada.
“Is that why this picture book found its way into Dr. Dee’s baggage? Did you hope he would be able to understand what you could not?” Matthew’s words were having an adverse effect on Strada, who turned purple. “Perhaps you borrowed Dee’s book, Signor Strada, the one with alchemical pictures from Roger Bacon’s library, in hope that it would help you decipher this one. That is a far more pleasant prospect than imagining you would have tricked poor Dr. Dee out of his treasure. Of course his Majesty could not have known of such an evil business.” Matthew’s smile was chilling.
“And is this book that you say I have the only treasure of mine you wish to take back to England?” Rudolf asked sharply. “Or does your avarice extend to my laboratories?”
“If you mean Edward Kelley, the queen needs some assurance that he is here of his own free will. Nothing more,” Matthew lied. He then took the conversation in a less trying direction. “Do you like your new altarpiece, Your Majesty?”
Matthew had provided the emperor just enough room to regroup—and save face. “The Bosch is exceptional. My uncle will be most aggrieved to learn that I have acquired it.” Rudolf looked around. “Alas, this room is not suitable for its display. I wanted to show it to the Spanish ambassador, but here you cannot get far enough from the painting to view it properly. It is a work that you must come upon slowly, allowing the details to emerge naturally. Come. See where I have put it.”
Matthew and Gallowglass arranged themselves so that Rudolf couldn’t get too close to me as we trooped through the door and into a room that looked like the storeroom for an overstuffed and understaffed museum. Shelves and cabinets held so many shells, books, and fossils that they threatened to topple over. Huge canvases—including the new painting of Venus, which was not simply detailed but openly erotic—were propped up against bronze statues. This must be Rudolf’s famed curiosity cabinet, his room of wonders and marvels.
“Your Majesty needs more space—or fewer specimens,” Matthew commented, grabbing a piece of porcelain to keep it from smashing to the floor.
“I will always find a place for new treasures.” The emperor’s gaze settled on me once more. “I am building four new rooms to hold them all. You can see them working.” He pointed out the window to two towers and the long building that was beginning to connect them to the emperor’s apartments and another new piece of construction opposite. “Until then Ottavio and Tadeá? are cataloging my collection and instructing the architects on what I require. I do not want to move everything into the new Kunstkammer only to outgrow it again.”
Rudolf led us through a warren of additional storerooms until we finally arrived at a long gallery with windows on both sides. It was full of light, and after the gloom and dust of the preceding chambers, entering it felt like taking in a lungful of clean air.
The sight in the center of the room brought me up short. Matthew’s altarpiece sat open on a long table covered with thick green felt. The emperor was right: You couldn’t fully appreciate the colors when you stood close to the work.
“It is beautiful, Dona Diana.” Rudolf took advantage of my surprise to grasp my hand. “Notice how what you perceive changes with each step. Only vulgar objects can be seen at once, for they have no mysteries to reveal.”