Red, White & Royal Blue(64)
The only room that really feels like both Henry and Bea is a small parlor on the second floor converted into a music studio. The colors are richest here: hand-woven Turkish rugs in deep reds and violets, a tobacco-colored settee. Little poufs and tables of knickknacks spring up like mushrooms, and the walls are lined with Stratocasters and Flying Vs, violins, an assortment of harps, one stout cello propped up in the corner.
In the center of the room is the grand piano, and Henry sits down at it and plucks away idly, toying with the melody of something that sounds like an old song by The Killers. David the beagle naps quietly near the pedals.
“Play something I don’t know,” Alex says.
Back in high school in Texas, Alex was the most cultured of the jock crowd because he was a book nerd, a politics junkie, the only varsity letterman debating the finer points of Dred Scott in AP US History. He listens to Nina Simone and Otis Redding, likes expensive whiskey. But Henry’s got an entirely different compendium of knowledge.
So he just listens and nods and smiles a little while Henry explains that this is what Brahms sounds like, and this is Wagner, and how they were on the two opposing sides of the Romantic movement. “Do you hear the difference there?” His hands are fast, almost effortless, even as he goes off into a tangent about the War of the Romantics and how Liszt’s daughter left her husband for Wagner, quel scandale.
He switches to an Alexander Scriabin sonata, winking over at Alex at the composer’s first name. The andante—the third movement—is his favorite, he explains, because he read once that it was written to evoke the image of a castle in ruins, which he found darkly funny at the time. He goes quiet, focused, lost in the piece for long minutes. Then, without warning, it changes again, turbulent chords circling back into something familiar—the Elton John songbook. Henry closes his eyes, playing from memory. It’s “Your Song.” Oh.
And Alex’s heart doesn’t spread itself out in his chest, and he doesn’t have to grip the edge of the settee to steady himself. Because that’s what he would do if he were here in this palace to fall in love with Henry, and not just continuing this thing where they fly across the world to touch each other and don’t talk about it. That’s not why he’s here. It’s not.
They make out lazily for what could be hours on the settee—Alex wants to do it on the piano, but it’s a priceless antique or whatever—and then they stagger up to Henry’s room, the palatial bed. Henry lets Alex take him apart with painstaking patience and precision, moans the name of God so many times that the room feels consecrated.
It pushes Henry over some kind of edge, melted and overwhelmed on the lush bedclothes. Alex spends nearly an hour afterward coaxing little tremors out of him, in awe of his elaborate expressions of wonder and blissful agony, ghosting featherlight fingertips over his collarbone, his ankles, the insides of his knees, the small bones of the backs of his hands, the dip of his lower lip. He touches and touches until he brings Henry to another brink with only his fingertips, only his breath on the inside of his thighs, the promise of Alex’s mouth where he’d pressed his fingers before.
Henry says the same two words from the secret room at Wimbledon, this time dressed up in, “Please, I need you to.” He still can’t believe Henry can talk like this, that he gets to be the only one who hears it.
So he does.
When they come back down, Henry practically passes out on his chest without another word, fucked-out and boneless, and Alex laughs to himself and pets his sweaty hair and listens to the soft snores that come almost immediately.
It takes him hours to fall asleep, though.
Henry drools on him. David finds his way onto the bed and curls up at their feet. Alex has to be back on a plane for DNC prep in a matter of hours, but he can’t sleep. It’s jet lag. It’s just jet lag.
He remembers, as if from a million miles away, telling Henry once not to overthink this.
* * *
“As your president,” Jeffrey Richards is saying on one of the flat screens in the campaign office, “one of my many priorities will be encouraging young people to get involved with their government. If we’re going to hold our control of the Senate and take back the House, we need the next generation to stand up and join the fight.”
The College Republicans of Vanderbilt University cheer on the live feed, and Alex pretends to barf onto his latest policy draft.
“Why don’t you come up here, Brittany?” A pretty blond student joins Richards at the podium, and he puts an arm around her. “Brittany here was the main organizer we worked with for this event, and she couldn’t have done a better job getting us this amazing turnout!”
More cheers. A mid-level staffer lobs a ball of paper at the screen.
“It’s young people like Brittany who give us hope for the future of our party. Which is why I’m pleased to announce that, as president, I’ll be launching the Richards Youth Congress program. Other politicians don’t want people—especially discerning young people like you—to get up close in our offices and see just how the sausage gets made—”
i want to see a cage match between your grandmother and this fucking ghoul running against my mom, Alex texts Henry as he turns back to his cubicle.
It’s the last days before the DNC, and he hasn’t been able to catch the coffeepot before it’s empty in a week. The policy inboxes are overflowing since they released the official platform two days ago, and WASPy Hunter has been firing off emails like his life depends on it. He hasn’t said anything else to Alex about his rant from last month, but he has started wearing headphones to spare Alex his musical choices.