Red Rising(7)
There are no Sons of Ares in Lykos. Their futile war does not touch us; yet again a reward is offered for information on Ares, the terrorist king. We have heard the broadcast a thousand times, and still it feels like fiction. The Sons think we are mistreated, so they blow things up. It is a pointless tantrum. Any damage they do delays the progress of making Mars ready for the other Colors. It hurts humanity.
In the tunnelroad, where boys compete to touch the ceiling, the people of the townships flow in merriment toward the Laureltide dance. We sing the Laureltide song as we go—a swooping melody of a man finding his bride in a field of gold. There’s laughter as the young boys try running along the walls or doing rows of flips, only to fall on their faces or be bested by a girl.
Lights are strung along the lengthy corridor. In the distance, drunk Uncle Narol, old now at thirty-five, plays his zither for the children who dance about our legs; even he cannot scowl forever. He wears the instrument suspended on shoulder straps so that it rests at his hips, with its plastic soundboard and its many taut metal strings facing up toward the ceiling. The right thumb strums the strings, except when the index finger drops down or when the thumb picks single strings, all while the left hand picks out the bass line string by string. It is maddeningly difficult to make the zither sound anything but mournful. Uncle Narol’s are equal to the task, though mine only make tragic music.
He used to play to me, teaching me to move to the dances my father never had the chance to teach me. He even taught me the forbidden dance, the one they’ll kill you for. We’d do it in the old mines. He would hit my ankles with a switch till I pirouetted seamlessly through the swooping movements, a length of metal in my hand like a sword. And when I got it right, he would kiss my brow and tell me I was my father’s son. It was his lessons that taught me to move, that let me best the other kids as we played games of tag and ghosts in the old tunnels.
“The Golds dance in pairs, Obsidians in threes, Grays in dozens,” he told me. “We dance alone, because only alone do Helldivers drill. Only alone can a boy become a man.”
I miss those days, days when I was young enough that I didn’t judge him for the stink of swill on his breath. I was eleven then. Only five years ago. Yet it feels a lifetime.
I get pats on the back from those of Lambda and even Varlo the baker tilts me his brow and tosses Eo a fist of bread. They’ve heard about the Laurel, no doubt. Eo tucks the bread into her skirts for later and gives me a curious look.
“You’re grinning like a fool,” she says to me, pinching my side. “What did you do?”
I shrug and try to wipe the grin from my face. It is impossible.
“Well, you’re very proud of something,” she says suspiciously.
Reagan and Iro, Kieran’s son and daughter, my niece and nephew, patter by. Three and three, the twins are just fast enough to outrace both Diona, Kieran’s wife, and my mother.
My mother’s smile is one of a woman who has seen what life has to offer and is, at best, bemused. “It seems you’ve burned yourself, my heart,” she says when she sees my gloved hands. Her voice is slow, ironic.
“A blister,” Eo says for me. “Nasty one.”
Mother shrugs. “His father came home with worse.”
I put my arm around her shoulders. They are thinner than they used to be when she taught me, as all women teach their sons, the songs of our people.
“Was that a hint of worry I heard, Ma?” I ask.
“Worry? Me? Oh, silly child,” Ma sighs with a slow smile. I kiss her on the cheek.
Half the clans are already drunk when we arrive in the Common. In addition to a dancing people, we’re a drunken people. The Tinpots let us alone in that. Hang a man for no real reason and you might get some grumblings from the townships. But force sobriety upon us, and you’ll be picking up the pieces for a bloodydamn month. Eo is of the mind that the fungus, grendel, which we distill, isn’t native to Mars and was instead planted here to enslave us to the swill. She brings this up whenever my mother makes a new batch, and my mother usually replies by taking a swig and saying, “Rather a drink be my master than a man. These chains taste sweet.”
They’ll taste even sweeter with the syrups we’ll get from the Laurel boxes. They have flavors for alcohol, like berry and something called cinnamon. Perhaps I’ll even get a new zither made of wood instead of metal. Sometimes they give those out. Mine is an old, frayed thing. I’ve played it too long. But it was my father’s.
The music swells ahead of us in the Common—bawdy tunes of improvised percussion and wailing zithers. We’re joined by Omegas and Upsilons, jostling about merrily toward the taverns. All the tavern doors have been thrown open so their smoke and sound billow into the Common’s plaza. Tables ring the plaza and a space is left clear surrounding the central gallows so that there is room to dance.
The Common is a tiered circular spiral. Taverns and repair depots ring the lowest level; Gamma homes fill the next several levels, followed by supply depots, a sheer wall, and then, high above in the ceiling, a sunken metal dome with nanoGlass viewports. We call that place the Pot. It is the fortress where our keepers live and sleep. Beyond that is the uninhabitable surface of our planet—a barren wasteland that I’ve only seen on the HC. The helium-3 we mine is supposed to change that.
The dancers and jugglers and singers of the Laureltide have already begun. Eo catches sight of Loran and Kieran and gives them a holler. They’re at a long, packed table near the Soggy Drop, a tavern where the oldest of our clan, Ol’ Ripper, holds court and tells tales to drunken folks. He’s passed out on the table tonight. It’s a shame. I would have liked for him to see me finally get us the Laurel.