Panic(69)



“It’s true.” Now he turned back to Anne. “It wasn’t Heather’s fault. You have to believe me.”

Anne brought her hand briefly to her forehead, as though pressing back pain. She closed her eyes. Lily was still standing several feet away, shifting her weight, anxious and silent. Anne opened her eyes again. “We need to call the police,” she said quietly. “They’ll need to put out the alert.”

Bishop nodded. But for a second no one moved. Heather wished Anne would yell—it would be so much easier.

And Bishop’s words kept swirling through her: I told her to do it. I told all of them to do it.

“Come on, Lily,” Anne said. “Come inside with me.”

Heather started to follow them into the house, but Anne stopped her. “You wait out here,” she said sharply. “We’ll talk in a bit.”

Her words brought little knife-aches of pain to Heather’s stomach. It was all over. Anne would hate her now.

Lily shot Heather a worried glance and then hurried after Anne. Bishop and Heather were left standing alone in the yard, as the sun pushed through the clouds and the day transformed into a microscope, focusing its heat.

“I’m sorry, Heather,” Bishop said. “I couldn’t tell you. I wanted to—you have to know that. But the rules—”

“The rules?” she repeated. The anger was bubbling up from a crack opening inside her. “You lied to me. About everything. You told me not to play, and all this time—”

“I was trying to keep you safe,” he said. “And when I knew you wouldn’t back down, I tried to help you. Whenever I could, I tried.” Bishop had moved closer and his arms were out—he was reaching for her. She took a step backward.

“You almost got me killed,” she said. “The gun—if it wasn’t for Dodge—”

“I told Dodge to do it,” Bishop cut in. “I made sure of it.”

Click-click-click. Memories slotted together: Bishop insisting on taking the shortcut that led past Trigger-Happy Jack’s house. The fireworks at the Graybill house on the Fourth of July, which Bishop made sure she would see. A clue: fire.

“You have to believe me, Heather. I never meant to lie to you.”

“So why did you do it, Bishop?” Heather crossed her arms. She didn’t want to listen to him. She wanted to be angry. She wanted to give in to the black tide, let it suck away all her other thoughts—about the tigers, about how badly she had disappointed Anne, about how she would be homeless again. “What did you need to prove so badly, huh?” More parts of her were flaking off. Crack. “That you’re better than us? Smarter than us? We get it, okay? You’re leaving.” Crack. “You’re getting out of here. That makes you smarter than the whole f*cking rest of us put together.”

Bishop’s mouth was as thin as a line. “You know what your problem is?” he said quietly. “You want everything to be shitty. You have a sister who loves you. Friends who love you. I love you, Heather.” He said it fast, in a mumble, and she could not even be happy, because he kept going. “You’ve outlasted almost everyone in Panic. But all you see is the crap. So you don’t have to believe in anything. So you’ll have an excuse to fail.”

Crack. Heather turned around, so if she started crying again, he wouldn’t see. But she realized she had nowhere to go. There was the house, the high bowl of the sky, the sun like a laser. And she, Heather, had no place in any of it. The last bits of her broke apart, opened like a wound: she was all hurt and anger. “You know what I wish? I wish you were gone already.”

She thought he might start yelling. She was almost hoping he would. But instead he just sighed and rubbed his forehead. “Look, Heather. I don’t want to fight with you. I want you to understand—”

“Didn’t you hear me? Just go. Leave. Get out of here.” She swiped at her eyes with the palm of her hand. His voice was screaming through her head. You want everything to be shitty . . . so you’ll have an excuse to fail.

“Heather.” Bishop put a hand on her shoulder, and she shook him off.

“I don’t know how many other ways I can say it.”

Bishop hesitated. She felt him close to her, felt the warmth of his body, like a comforting force, like a blanket. For one wild second, she thought he would refuse, he would turn around and hug her and tell her he was never ever leaving. For one wild second, it was what she wanted more than anything.

Instead she felt his fingers just graze her elbow. “I did it for you,” he said in a low voice. “I was planning to give you the money.” His voice cracked a little. “Everything I’ve ever done is for you, Heather.”

Then he was gone. He turned around, and by the time she couldn’t stand it anymore and her legs were about to give out and the anger had turned to eight different tides pulling her to pieces, and she thought to turn around and call out for him—by then he was in the car, and couldn’t hear her.



It was an upside-down day for Carp. Bishop Marks turned himself in to the police for the murder of Little Kelly—even though, as it turned out, Little Kelly hadn’t been killed in the fire at the Graybill house. Still, no one could believe it: Bishop Marks, that nice kid from down the way, whose dad had a frame shop over in Hudson. Shy kid. One of the good ones.

Lauren Oliver's Books