Pan's Labyrinth: The Labyrinth of the Faun(23)
“Come on!” Ofelia whispered. “What happens next? Show me!”
And the book obeyed.
A speck of red appeared on the left-hand page. Another seeped through the page on the right. They both spread as fast as ink on wet paper. Red. Red running over the white pages, until it filled the crack between them and dripped onto Ofelia’s bare feet.
She immediately knew what this meant, though she couldn’t tell why. She raised her eyes from the book and stared at the door, behind which her mother was sleeping.
A muffled scream escaped the reddened pages.
Ofelia dropped the book and rushed to the door. She pushed it open to find her mother leaning heavily against the bed frame and pressing her hand against her belly. Her white nightgown was soaked in blood.
“O—Ofelia!” she stammered hoarsely, raising her hand pleadingly, her fingers red with her own blood. “Help me!”
Then she collapsed to the floor.
Vidal was in the yard, checking his watch, hiding its broken face with his black leather glove. How long it was taking to feed these peasants. So much time wasted just because one couldn’t trust them. Vidal would have betted his uniform that some of them would take their provisions into the forest anyway to feed a relative or lover who’d joined the traitors. How he wished he could just break and kill them all like he had the rabbit poachers.
“Capitán!”
He turned around.
Had the girl lost her mind? She came running toward him in her nightgown. Usually she hid from him like a creature that knew it was best to stay invisible. Her mother wouldn’t listen when he’d suggested to leave the girl for a while with her grandparents. That daughter was a weakness of hers and the only issue on which she dared to fight him, but he had no intention of raising a dead tailor’s child.
Vidal’s steps were stiff with anger as he walked toward the girl, but when he stopped in front of her he realized that the fear in Ofelia’s face hadn’t been caused by him.
“Come quickly!” she cried. “Please!”
Only then did Vidal notice the blood on her dress. It clearly wasn’t the girl’s. Fear stirred in the depth of his heart, fear and anger. Foolish woman. She would fail him and the child he gave her. He yelled at Serrano to get the doctor.
The sky had opened up and was once again soaking the world in rain. The perfect weather to match Dr. Ferreira’s mood as he crossed the yard to report on his patient.
He found Vidal standing in front of the barn, staring at the tents and trucks he’d brought to the mill. To Ferreira they looked like abandoned toys against the fir trees looming above them. He put his jacket on. There was some blood on the sleeves.
“Your wife needs uninterrupted rest. She should be sedated most of the time until she gives birth.” You should never have brought her here, he added in his mind. You should never have made her daughter see her like this. But instead he only said: “The girl should sleep somewhere else. I’ll stay here until the child is born.”
Vidal was still staring over the yard.
“Make her well,” he said, without taking his eyes off the rain. “I don’t care what it costs or what you need.”
When he finally turned to Ferreira his face was rigid with anger. Anger at what? Ferreira wondered. At life? At himself for bringing his pregnant wife here? No. A man like Vidal never blamed himself. He was probably angry at the mother of his future child for proving herself to be so weak.
“Make her well,” Vidal repeated. “Cure her.”
It was an order. And a threat.
16
A Lullaby
The attic room Mercedes told the maids to turn into Ofelia’s bedroom had a round window in the wall like the face of the full moon. But the room itself was even more desolate than the one Ofelia had shared with her mother, all its corners filled with stored-away boxes and furniture covered in ghostly shrouds yellowed by time and neglect.
“Would you like some supper?” asked Mercedes.
“No, thank you.” Ofelia shook her head.
Mercedes had brought another maid to cover the bed with fresh sheets and pillows. The dark wood of the bed frame made the white fabrics look like snow. All the furniture at the mill was made from this kind of wood and for a moment Ofelia imagined the trees around the mill to rise and tear down its walls and take revenge for their brethren who’d been cut down to build beds and tables and chairs.
“You haven’t eaten a thing,” said Mercedes.
How could she eat? She was filled with sadness. Ofelia silently put her books on the bedside table and sat down on the blanket. White. Everything white would from now on remind her of red.
“Don’t worry.” Mercedes reached over the bed and touched Ofelia’s shoulder. “Your mother will get better soon. You’ll see. Having a baby is complicated.”
“Then I’ll never have one.”
Ofelia hadn’t cried since she’d found her mother soaked in blood, but Mercedes’s soft voice made the tears finally run down her cheeks as densely as the blood had run over the pages of the Faun’s book. Why hadn’t the book warned her in time? Why show her something that was happening anyway? Because the book is cruel, something in Ofelia whispered, as cruel as its cunning master. Even the Fairy is cruel.
Yes, she was. Ofelia shuddered as she recalled the Fairy digging her teeth into the Faun’s bloody meal. The Fairies in her books didn’t have teeth like that, did they?