Our Woman in Moscow(58)



Iris turned the photograph over, but nothing was written there, no caption or note or date, no label of any kind, nothing at all to betray the identity of the subject. Of course, it had to have been taken during the war. The woman’s hairstyle, the plain uniform. Sasha and Iris had lived in Zurich for much of the conflict, and Sasha was away so often. She knew he wasn’t simply working for the embassy, though she never asked what he was doing, or what he was working for. She wouldn’t have dreamed of that.

From the other side of the study door came the sound of Jack’s voice, piping a question, and Mrs. Betts’s low, gentle voice answering him. Iris glanced at the clock; five minutes had passed already. She shoved both snapshots back in the drawer. As she pulled her hand back, the tips of her fingers bumped against some hard object.

She drew it out.

She’d never seen one before, but she knew what it was—a slim, rectangular box about the size of a man’s index finger, made of some light, silvery metal, probably aluminum. When she pulled on both ends together, the box slid apart to reveal a couple of buttons and dials and a tiny, round lens.

A Minox camera, Iris thought. So this was what it looked like. It was even smaller than she imagined—a tiny, cunning device, easily hidden, made for one purpose only. Really, Sasha shouldn’t have been so careless, leaving it in an unlocked drawer like this. Anyone could have found it.

From the other side of the door, Iris heard a shout, a pair of feet thundering down the hall—poor Mrs. Bannister in the downstairs flat—and an answering shout. Then Mrs. Betts’s voice, shushing them, and another thundering journey back up the hallway.

Iris thrust the camera back in the desk, underneath the snapshots. As she closed the drawer, though, something felt out of place.

She laid her hand flat on the bottom of the drawer and looked at it from the front.

Was it her imagination, or was there an inch of space unaccounted for, between her hand and the place where the drawer actually stopped?



Philip Beauchamp’s secretary put her through right away. “Beauchamp,” he said briskly, when he answered the ring.

“Philip, it’s Iris. Iris Digby.”

“Iris! So glad you’ve rung. I spent a miserable Sunday certain I’d overstepped the bounds of friendship and I’d never hear your voice again.”

“Oh! Don’t be silly. I guess a girl needs a shoulder to cry on, once in a while.”

“Well, this old shoulder stands ready for duty whenever you require it.”

“You’re too kind, Philip, and I hope I’m not imposing—”

“Ah! Have you a favor to ask me, I hope?”

“I do, I’m afraid. This cottage of yours. I don’t suppose you’d be willing to let us move in earlier than planned?”

“I’d be delighted. How early did you have in mind?”

A muffled crash reached Iris, as of books tumbling from a shelf. “Just a moment,” she said to Philip and put the receiver to her chest. “Mrs. Betts! Everything all right?”

A few seconds passed. Mrs. Betts called back, “Quite all right, Mrs. D!”

Iris lifted the receiver back to her ear.

“I’m so sorry, Philip. Would tomorrow be too soon?”





Ruth





June 1952

Rome, Italy



For a moment, I don’t understand why Sumner Fox should be standing there in Orlovsky’s studio, when he’s supposed to be back in New York.

Then I whip around and stab Orlovsky in the chest with my finger. “You bastard! I thought I could trust you!”

“You can trust him,” says Fox. “I paid him a visit last night and explained the scope of the situation.”

“The scope? The scope?”

“Miss Macallister, may I remind you that the operation to extract your sister from Moscow originated with me? That I may be privy to information I haven’t yet had the opportunity or inclination to discuss with you?”

“Bambina, let me pour some wine,” says Orlovsky.

“I don’t want your damned wine. I asked you to find somebody who could help me get into Moscow—”

“But I did! I found best man for job.”

“He found you, you mean.”

“What difference, so long as you have best chance of success? Just because he is big, strong man—man you can’t boss around so easily—”

“That’s ridiculous.”

Orlovsky looks away swiftly, but not before I notice the little smile at the corner of his mouth. I turn back to Fox.

“For all I know, you’re here to sabotage me.”

Fox swings around the side of the drafting table and props his big body against it. One leg crosses over the other. His hands curl around the thick wooden edge. He speaks slowly, as he always does, in that comforting tone of voice. “Miss Macallister, I have a confession to make, though I suspect you already know it. I’ve been handling the Digby case for some years. Before they defected, even. I happen to admire your sister a great deal. There is nothing I want more than to help her out of her present difficulty. So it seems to me that our purposes are not in the least opposed to each other.”

“Well, you would say that, wouldn’t you?”

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