Orphan Train(72)



I hadn’t thought about it like this, but he’s right—it is a relief.

He reaches over and touches my necklace. “You still have it. That gives me faith.”

“Faith in what?”

“God, I suppose. No, I don’t know. Survival.”

As light begins to seep through the darkness outside the window, around 5:00 A.M., he tells me that he’s playing the organ in the Episcopal Church on Banner Street at the eight o’clock service.

“Do you want to stay till then?” I ask.

“Do you want me to?”

“What do you think?”

He stretches out beside the wall and pulls me toward him, curving his body around mine again, his arm tucked under my waist. As I lie there, matching my breathing to his, I can tell the moment when he lapses into sleep. I inhale the musk of his aftershave, a whiff of hair oil. I reach for his hand and grasp his long fingers and lace them through mine, thinking about the fateful steps that led me to him. If I hadn’t come on this trip. If I’d had something to eat. If Richard had taken us to a different bar. . . . There are so many ways to play this game. Still, I can’t help but think that everything I’ve been through has led to this. If I hadn’t been chosen by the Byrnes, I wouldn’t have ended up with the Grotes and met Miss Larsen. If Miss Larsen hadn’t brought me to Mrs. Murphy, I never would’ve met the Nielsens. And if I weren’t living with the Nielsens and attending college with Lil and Em, I would never have come to Minneapolis for the night—and probably never would have seen Dutchy again.

My entire life has felt like chance. Random moments of loss and connection. This is the first one that feels, instead, like fate.


“SO?” LIL DEMANDS. “WHAT HAPPENED?”

We’re on our way back to Hemingford, with Em stretched out and groaning on the backseat, wearing dark glasses. Her face has a greenish tint.

I am determined not to give anything away. “Nothing happened. What happened with you?”

“Don’t change the subject, missy,” Lil says. “How’d you know that guy, anyway?”

I’ve already thought about an answer. “He’s come into the store a few times.”

Lil is skeptical. “What would he be doing in Hemingford?”

“He sells pianos.”

“Humph,” she says, clearly unconvinced. “Well, you two seemed to hit it off.”

I shrug. “He’s nice enough.”

“How much money do piano players make, anyway?” Em says from the back.

I want to tell her to shut up. Instead I take a deep breath and say, breezily, “Who knows? It’s not like I’m going to marry him or anything.”

Ten months later, after recounting this exchange to two dozen wedding guests in the basement of Grace Lutheran Church, Lil raises her glass in a toast. “To Vivian and Luke Maynard,” she says. “May they always make beautiful music together.”





Hemingford, Minnesota, 1940–1943


In front of other people I call him Luke, but he’ll always be Dutchy to me. He calls me Viv—it sounds a bit like Niamh, he says.

We decide that we’ll live in Hemingford so I can run the store. We’ll rent a small bungalow on a side street several blocks from the Nielsens, four rooms downstairs and one up. As it happens—with, perhaps, a little help from Mr. Nielsen, who may have mentioned something to the superintendent at a Rotary meeting—the Hemingford School is looking for a music teacher. Dutchy also keeps his weekend gig at the Grand in Minneapolis, and I go in with him on Friday and Saturday nights to have dinner and hear him play. On Sundays, now, he plays the organ at Grace Lutheran, replacing the lead-footed organist who was persuaded it was time to retire.

When I told Mrs. Nielsen that Dutchy had asked me to marry him, she frowned. “I thought you said you wanted nothing to do with marriage,” she said. “You’re only twenty. What about your degree?”

“What about it?” I said. “It’s a ring on my finger, not a pair of handcuffs.”

“Most men want their wives to stay home.”

When I related this conversation to Dutchy, he laughed. “Of course you’ll get your degree. Those tax laws are complicated!”

Dutchy and I are about as opposite as two people can be. I am practical and circumspect; he is impulsive and direct. I’m accustomed to getting up before the sun rises; he pulls me back to bed. He has no head at all for math, so in addition to keeping the books at the store, I balance our accounts at home and pay our taxes. Before I met him, I could count on one hand the times I’d had a drink; he likes a cocktail every night, says it relaxes him and will relax me, too. He is handy with a hammer and nail from his experience on the farms, but he often leaves projects half finished—storm windows stacked in a corner while snow rages outside, a leaky faucet disemboweled, its parts all over the floor.

“I can’t believe I found you,” he tells me over and over, and I can’t believe it either. It’s as if a piece of my past has come to life, and with it all the feelings I fought to keep down—my grief at losing so much, at having no one to tell, at keeping so much hidden. Dutchy was there. He knows who I was. I don’t have to pretend.

We lie in bed longer than I am used to on Saturday mornings—the store doesn’t open until ten, and there’s nowhere Dutchy has to be. I make coffee in the kitchen and bring two steaming mugs back to bed, and we spend hours together in the soft early light. I am delirious with longing and the fulfillment of that longing, the desire to touch his warm skin, trace the sinew and muscle just under the surface, pulsing with life. I nestle in his arms, in the nooks of his knees, his body bowed around mine, his breath on my neck, fingers tracing my outline. I have never felt like this—slow-witted and languorous, dreamy, absentminded, forgetful, focused only on each moment as it comes.

Christina Baker Klin's Books