Not That Kind of Girl: A Young Woman Tells You What She's "Learned"(15)



The end never comes when you think it will. It’s always ten steps past the worst moment, then a weird turn to the left. After a long post-California cooling-off period, Joaquin and I fell in love for a week. At least that’s what it felt like. It was October, still warm, with a near-constant drizzle. I had a new leather blazer, bought with my first paycheck. With its silver grommets and wide lapel, it made every outfit feel like a uniform from the future. We met for drinks, and he hugged me tightly. We talked about Los Angeles, how sad it had gotten, and the fact that we were better off as friends. We lingered, drink after drink, then at his house we agreed friends could have intercourse if they didn’t kiss at all, Pretty Woman style. The next morning he rolled toward me and not away. He texted a few hours later to say he’d enjoyed the evening. It was like a miracle.

Two days later we met for a movie. I wore the jacket again, and he bought me a hamburger—he is the one who ended my vegetarian streak, for which I will be forever grateful because I grow strong on the blood of animals. He walked close to me, and I realized it was the first time he’d taken ownership of me in the street. Back in my bedroom at my house—my parents were away—we laughed and talked and returned to kissing. This is what it could have been like. This is what it had never been like. And so I was angry.

Emboldened by my new life as a woman with a meaningful job and a good jacket, I told Joaquin to f*ck off forever. Well, I told him via the Internet. After the best night we had ever had, the first night he’d let me feel like myself, I wrote him an email saying he had hurt me, taken advantage of my affection, and made me feel disposable. I told him that wasn’t a way I was interested in being treated and that I wouldn’t be available any longer. And then I made myself sick to my stomach waiting for an apology that never came.

After sending that email, I only slept in his bed one more time, wearing a full sweatsuit. Baby steps.




When I’m playing a character, I am never allowed to explicitly state the takeaway message of the scenes I’m performing—after all, part of the dramatic conflict is that the person I’m portraying doesn’t really know it yet. So let me do it here: I thought that I was smart enough, practical enough, to separate what Joaquin said I was from what I knew I was. The way I saw it, I was fully capable of being treated with indifference that bordered on disdain while maintaining a strong sense of self-respect. I obeyed his commands, sure that I could fulfill this role while still protecting the sacred place inside of me that knew I deserved more. Different. Better.

But that isn’t how it works. When someone shows you how little you mean to them and you keep coming back for more, before you know it you start to mean less to yourself. You are not made up of compartments! You are one whole person! What gets said to you gets said to all of you, ditto what gets done. Being treated like shit is not an amusing game or a transgressive intellectual experiment. It’s something you accept, condone, and learn to believe you deserve. This is so simple. But I tried so hard to make it complicated.

I told myself I’d asked for it. After all, Joaquin never said he’d break up with his girlfriend. He let me know from the start that he was a rebel and a tell-it-like-it-is-onator. He never even told me he’d call. But I also think when we embark on intimate relationships, we make a basic human promise to be decent, to hold a flattering mirror up to each other, to be respectful as we explore each other. As a friend recently complained to me of the lawyer she was dating: “How could someone who cares so much about social justice care so little about my feelings?” I told her about my belief in this promise. That it is right, and it is real. Joaquin didn’t keep up his end of the bargain. And I didn’t learn anything about life that I hadn’t learned in Soho.





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1 I think Joan and I are talking about slightly different sorts of self-respect. She’s referring to a general sense of accountability for one’s actions and a feeling that you’re being truthful with yourself when you lay your head down at night. I’m more talking about sex. But also what she said.

2? The time we took ecstasy and, right before it hit, he asked me what my thoughts on open relationships were. Cut to twelve hours of sobbing, not the eight-hour orgasm my friend Sophie had described.

? The time he made me drive three hours to his friend’s birthday party, then was too socially anxious to enter it.

? The time he invented a purple cat that lived in his cupboard and made general mischief. Or was this a high point?





I’M AN UNRELIABLE NARRATOR.

Because I add an invented detail to almost every story I tell about my mother. Because my sister claims every memory we “share” has been fabricated by me to impress a crowd. Because I get “sick” a lot. Because I use the same low “duhhh” voice for every guy I’ve ever known, except for the put-off adult voice I use to imitate my dad. But mostly because in another essay in this book I describe a sexual encounter with a mustachioed campus Republican as the upsetting but educational choice of a girl who was new to sex when, in fact, it didn’t feel like a choice at all.




I’ve told the story to myself in different variations—there are a few versions of it rattling around in my memory, even though the nature of events is that they only happen once and in one way. The day after, every detail was crisp (or as crisp as anything can be when the act was committed in a haze of warm beer, Xanax bits, and poorly administered cocaine). Within weeks, it was a memory I turned away from, like the time I came around the corner of the funeral home and saw my grandpa laid out in an open coffin in his navy uniform.

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