Nightcrawling(2)



I step inside, quietly walking up to him, grabbing his backpack from the floor and handing it to him. He smiles at me, the gaps in his teeth filled in with soggy Cheerio bits.

“Boy, you gotta be getting to school. Don’t worry ’bout your mama, c’mon, I’ll take you.”

Trevor and I emerge from the apartment, his hand in mine. His palms feel like butter, smooth and ready to melt in the heat of my hand. We walk together toward the metal stairwell, painted lime green and chipped, all the way down to the ground floor, past the shit pool, and through the metal gate that spits us right out onto High Street.

High Street is an illusion of cigarette butts and liquor stores, a winding trail to and from drugstores and adult playgrounds masquerading as street corners. It has a childlike kind of flair, like the perfect landscape for a scavenger hunt. Nobody ever knows when the hoods switch over, all the way up to the bridge, but I’ve never been up there so I can’t tell you if it makes you want to skip like it does on our side. It is everything and nothing you’d expect with its funeral homes and gas stations, the street sprinkled in houses with yellow shining out the windows.

“Mama say Ricky don’t come around no more, so I got the cereal all to myself.”

Trevor lets go of my hand, slippery, sauntering ahead, his steps buoyant. Watching him, I don’t think anybody but Trevor and me understand what it’s like to feel ourselves moving, like really notice it. Sometimes I think this little kid might just save me from the swallow of our gray sky, but then I remember that Marcus used to be that small, too, and we’re all outgrowing ourselves.

We take a left coming out of the Regal-Hi Apartments and keep walking. I follow Trevor, crossing behind him as he ignores the light and the rush of cars because he knows anyone would stop for him, for those glossy eyes and that sprint. His bus stop is on the side of the street we just crossed from, but he likes to walk on the side where our park is, the one where teenagers shoot hoops without nets every morning, colliding with each other on the court and falling into fits of coughs. Trevor slows, his eyes fixated on this morning’s game. It looks like girls on boys and nobody is winning.

I grab Trevor’s hand, pulling him forward. “You not gonna catch the bus if you don’t move those feet.”

Trevor drags, his head twisting to follow the ball spin up, down, squeaking between hands and hoops.

“Think they’d let me play?” Trevor’s face wobbles as he sucks on the insides of his cheeks in awe.

“Not today. See, they don’t got a bus to catch and your mama sure won’t want you out here getting all cold missing school like that.”

January in Oakland is a funny kind of cold. It’s got a chill, but it really ain’t no different from any other month, clouds covering all the blue, not cold enough to warrant a heavy coat, but too cold to show much skin. Trevor’s arms are bare, so I shrug off my jacket, wrapping it around his shoulders. I grab his other hand and we continue to walk, beside each other now.

We hear the bus before we see it, coming around the corner, and I whip my head quick, see the number, the bulk of this big green thing rumbling toward us.

“Let’s cross, come on, move those feet.”

Ignoring the open road and the cars, we run across the street, the bus hurtling toward us and then pulling over to the bus stop. I nudge Trevor forward, into the line shuffling off the curb and into the mouth of the bus.

“You go on and read a book today, huh?” I call out to him as he climbs on.

He looks back at me, his small hand raising up just enough that it could be called a wave goodbye or a salute or a boy getting ready to wipe his nose. I watch him disappear, watch the bus tilt back up onto its feet, groan, and pull away.

A couple minutes later, my own bus creaks to a stop in front of me. A man standing near me wears sunglasses he doesn’t need in this gloom, and I let him climb on first, then join, looking around and finding no seats because this is a Thursday morning and we all got places to be. I squeeze between bodies and find a pocket of space toward the back, standing and holding on to the metal pole as I wait for the vehicle to thrust me forward.

In the ten minutes it takes to get to the other side of East Oakland, I slip into the lull of the bus, the way it rocks me back and forth like I imagine a mother rocks a child when she is still patient enough to not start shaking. I wonder how many of these other people, their hair shoved into hats, with lines moving in all directions tracing their faces like a train station map, woke up this morning to a lurching world and a slip of paper that shouldn’t mean more than a tree got cut down somewhere too far to give a shit about. I almost miss the moment to pull the wire and push open the doors to fresh Oakland air and the faint scent of oil and machinery from the construction site across the street from La Casa Taquería.

I get off the bus and approach the building, the blackout windows obscuring the inside from sight and its blue awning familiar. I grab the handle to the restaurant door, open it, and immediately smell something thundering and loud in the darkness of the shop. The chairs are turned over on the tables, but the place is alive.

“You don’t turn the lights on for me no more?” I call out, knowing Alé is only a few feet away but she feels farther in the dark. She steps out from a doorway, her shadow groping for the light switch, and we are illuminated.

Alejandra’s hair is silky and black, spilling from the bun on top of her head. Her skin is oily, slick with the sweat of the kitchen she has spent the past twenty minutes in. Her white T-shirt competes with Marcus’s shirts for most oversized and inconspicuous, making her look boyish and cool in a way that I never could. Her tattoos peek out from all parts of her and sometimes I think she is art, but then she starts to move and I remember how bulky and awkward she is, her feet stepping big.

Leila Mottley's Books