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There was a white flash.

The explosion caused the air to ripple and warp with heat, and Vic believed for a moment that it would lift the bike off the road and fling it into the air.

Every window on the street exploded. The white flash became a giant ball of flame. Charlie’s Costume Carnival caved in and slid apart in an avalanche of flaming brickwork and a snowstorm of glittering, pulverized glass. The fire belched out across the street, picked up a dozen children as if they were sticks, and tossed them into the night. Cobblestones erupted from the road and launched themselves into the air.

The moon opened its mouth to cry out in horror, its one great eye bulging in fury—and then the shockwave hit the false sky and the whole thing wobbled, like an image reflected in a fun-house mirror. The moon and stars and clouds dissolved into a field of white electrical snow. The blast carried down the street. Buildings shuddered. Vic inhaled a lungful of burned air, diesel smoke, and powdered brick. Then the wavering repercussions of the blast faded and the sky flickered back into being.

The moon screamed and screamed, sounds almost as loud and violent as the explosion itself.

She sped past a hall of mirrors, past a waxwork, and on to the brightly lit and rotating carousel, where wooden reindeer pranced in place of horses. There she grabbed the brake and brought the bike to a fishtailing halt. Her hair was frizzled from the heat of the explosion. Her heart slugged in her chest.

She looked back toward the debris field that had been the market square. She needed a moment to register—to accept—what she was seeing. First one child, then another, then a third emerged from the smoke, coming down the road after her. One of them was still smoking, hair charred. Others were sitting up across the street. Vic saw a boy thoughtfully brush glass out of his hair. He should’ve been dead, had been picked up and thrown into a brick wall, every bone in his body should’ve been smashed into chips, but there he was, getting to his feet, and Vic found that her weary mind was not entirely surprised by this development. The children caught in the explosion had been dead even before the bomb detonated, of course. They were not any more dead now—or any less inclined to stop coming after her.

She swung the backpack off her shoulder and checked its contents. She hadn’t lost any. Lou had wired timers into four of the packs of ANFO, one of which was now gone. There were a couple other sacks of the ANFO, down toward the bottom, that had no timers on them at all.

Vic slung the bag back over her shoulder and rode, past the Reindeer-Go-Round and on another few hundred yards to the rear of the park and the great Sleighcoaster.

It was running empty, carts made to look like red sleighs diving and roaring past on the rails, swooping and rising into the night. It was an old-fashioned rollercoaster, of the sort that had been popular in the thirties, made entirely of wood. The entrance was a great glowing face of Santa Claus—you walked in through his mouth.

Vic pulled out a sack of ANFO, set the timer for five minutes, tossed it in between Santa’s gaping jaws. She was about to take off when she happened to look up at the rollercoaster and saw the mummified bodies: dozens of crucified men and women, their skin blackened and withered, eyes gone, their clothes filthy, frozen rags. A woman in pink leg warmers that screamed 1984 had been stripped to the waist; Christmas ornaments dangled from her pierced breasts. There was a shriveled man in jeans and a thick coat, with a beard that brought to mind Christ, sporting a holly wreath instead of a crown of thorns on his head.

Vic was still staring up at the corpses when a child came out of the dark and stuck a kitchen knife into the small of her back.

He could not have been older than ten, and his cheeks were dimpled by a sweet, lovely smile. He was barefoot, wore overalls and a checked shirt, and with his golden bangs and serene eyes he was a perfect little Tom Sawyer. The knife was buried to the hilt, sinking into muscle, the springy tissue beneath, and perhaps perforating an intestine. She felt a pain unlike any she had ever experienced, a sharp and blessed twinge in her bowels, and she thought, with real surprise, He just killed me. I just died.

Tom Sawyer pulled the knife back out and laughed gaily. Her own son had never laughed with such easy pleasure. She did not know where the boy had come from. He seemed to have simply appeared; the night had thickened and made a child.

“I want to play with you,” he said. “Stay and play scissors-for-the-drifter.”

She could’ve hit him, elbowed him, kicked him, anything. Instead she gave the bike throttle and simply roared away from him. He stepped aside and watched her go, still holding the blade, wet and shiny with her blood. He was still smiling, but his eyes were puzzled, brow furrowed with confusion, as if he were wondering, Did I do something wrong?

The timers were imprecise. The first sack of ANFO had been set to go off in what she estimated was five minutes but had taken closer to ten. She had set the timer on the Sleighcoaster ANFO just exactly the same and should’ve had plenty of time to reach safe distance. But when she was less than a hundred yards away, it erupted. The ground buckled beneath her, seemed to roll like a wave. It felt as if the air itself were cooking. She drew a breath that was hot enough to sear her lungs. The bike staggered forward, the baking wind hammering at her shoulders, at her back. She felt a fresh, sharp twinge of pain in her abdomen, as if she were being stabbed all over again.

The Sleighcoaster collapsed in on itself like a shattering, roaring heap of kindling. One of the carts came free of the tracks and blazed through the night, a flaming missile that soared through the darkness and slammed into the Reindeer-Go-Round, smashing the white steeds to flinders. Steel screamed. She looked back just in time to see a rising mushroom cloud of flame and black smoke as the Sleighcoaster toppled.

Joe Hill's Books