My Year of Rest and Relaxation (63)

The fourth awakening, the words fixated me again. “Lauryl”: Shakespeare, Ophelia, Millais, pain, stained glass, rectory, butt plug, feelings, pigpen, snake eyes, hot poker. I shut the water off, did my due diligence with the laundry, et cetera, took an Infermiterol, and lay back down on the mattress. “Sulfate”: Satan, acid, Lyme, dunes, dwellings, hunchbacks, hybrids, samurais, suffragettes, mazes.



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SO MY HOURS WENT by in three-day chunks. Ping Xi was dutiful about the calendar and the garbage. One time I wrote a Post-it note and asked for Canada Dry instead of Schweppes. Another time, I wrote a Post-it note and asked for dryer sheets. I paid minor attention to the dust on the windowsills, swirls of lint and hairs caught between the floorboards. I wrote a Post-it note: “Sweep or tell me to sweep when I’m blacked out.” I forgot Ping Xi’s name, then remembered it. I passed the hallway to the locked door of the apartment and vaguely nodded at the idea of the lock, as though it might be just an idea, the door itself, just the notion of a door. “Plato”: chalk, chain, Hollywood, Hegel, carte postale, banana daiquiri, breezes, music, roads, horizons. I could feel the certainty of a reality leeching out of me like calcium from a bone. I was starving my mind into obliqueness. I felt less and less. Words came and I spoke them in my head, then nestled in on the sound of them, got lost in the music.

“Ginger”: ale, smoke, China, satin, rose, blemish, treble, babka, fist.



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ON FEBRUARY 19, I stared into the mirror. My lips were chapped but I was smiling. Two syllables chimed in my mind and I wrote them down on a Post-it for Ping Xi: “Lip balm.”

“ChapStick”: strawberry, linoleum, pay scale, sundae, poodle.

And then, another Post-it note: “Thank you.”



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    ON FEBRUARY 25, I could tell immediately that something was different. I awoke not sprawled on the mattress in the bedroom, but curled up under a towel on the floor in the northeast corner of the living room, where my desk used to be.

I thought I smelled gas, and the association with fire alarmed me, so I got up and went to the stove before remembering that it was electric. Maybe, I thought, what I’d smelled was my own sweat. I relaxed.

I opened the fridge, stood in the yellow light, and chewed my piece of pizza. My salivary glands were hesitant at first, but then they acquiesced, and the pizza tasted better than I’d remembered it. I pulled clean pajamas from the dryer and put them on in the hallway. I sniffed the air again and recognized the distinct tang of turpentine. It was coming from the bedroom. The bedroom door was locked.

I knocked.

“Hello?”

I listened with my ear pressed against the door, but all I heard was my own shallow breathing, the blink of my eyes, my mouth filling with spit, the echo in my throat swallowing it down.

I took my vitamins, but did not bathe.

When I took the Infermiterol that day, I pictured Ping Xi’s paintings. They flashed into my mind like memories. They were all “sleeping nudes,” mussed beds and tangles of pale limbs and blond hair, blue shadows in the folds of the white sheets, sunsets reflected on the white wall backgrounds. In every painting, my face was hidden. I saw them in my mind’s eye—small oils on cheap prestretched canvases or smaller primed panels. They were innocent and not very good. It didn’t matter. He could sell them for hundreds of thousands and say they were self-conscious critiques of the institutionalization of painting, maybe even about the objectification of women’s bodies through art history. “School is not for artists,” I could hear him say. “Art history is fascism. These paintings are about what we sleep through while we’re reading books our teachers give us. We’re all asleep, brainwashed by a system that doesn’t give a shit about who we really are. These paintings are deliberately boring.” Did he think that was an original idea? I would never remember posing for the paintings, but I knew that if I was high on Infermiterol, I must have just been feigning sleep.

I took an Infermiterol, lay down on the living room floor, a fresh towel folded under my head as a pillow, and went back to sleep.

Over the next month, when I’d wake up, my mind was filled with colors. The apartment began to feel less cavernous to me. One time I awoke to find my hair had been cut off, like a boy’s, and there were long blond hairs stuck to the inside of the toilet bowl. I imagined sitting on the toilet with a towel over my shoulders, Ping Xi standing above me, snipping away. In the mirror, I looked bold and sprightly. I thought I looked good. I wrote Post-it notes requesting fresh fruits, mineral water, grilled salmon from “a good Japanese restaurant.” I asked for a candle to burn while I bathed. During this period, my waking hours were spent gently, lovingly, growing reaccustomed to a feeling of cozy extravagance. I put on a little weight, and so when I lay down on the living room floor, my bones didn’t hurt. My face lost its mean edge. I asked for flowers. “Lilies.” “Birds of paradise.” “Daisies.” “A branch of catkins.” I jogged in place, did leg lifts, push-ups. It was easier and easier to pass the time between getting up and going down.

But by the end of May, I sensed that I was going to grow restless soon. A prediction. The sound of tires on the wet pavement. A window was open so I could hear it. The sweet smell of spring crept in. The world was out there still, but I hadn’t looked at it in months. It was too much to consider it all, stretching out, a circular planet covered in creatures and things growing, all of it spinning slowly on an axis created by what—some freak accident? It seemed implausible. The world could be flat just as easily as it could be round. Who could prove anything? In time, I would understand, I told myself.