Luster(2)

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It’s hard not to be aware of an age discrepancy when you are surrounded by the most rococo trappings of childhood. The Tweety Bird balloons, the plastic, soulless eyes of the Taz mascot, the Dippin’ Dots. As we enter the gates, I feel the high-fructose sun of the park like an insult. This is a place for children. He has taken me to a place for children. I watch his face for any indication that this might be a joke or a telling manifestation of his anxiety about the mere twenty-three years I’ve spent on earth.



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The age discrepancy doesn’t bother me. Beyond the fact of older men having more stable finances and a different understanding of the clitoris, there is the potent drug of a keen power imbalance. Of being caught in the excruciating limbo between their disinterest and expertise. Their panic at the world’s growing indifference. Their rage and adult failure, funneled into the reduction of your body into gleaming, elastic parts.



* * *



Except, for him, this seems to be new territory. Not simply to be out on a date with someone who is not his wife and decades younger, but to be out with a girl who happens to be black. I can feel it in how cautiously he says African American. How he absolutely refuses to say the word black. As a rule, I try to avoid popping that dusky cherry. I cannot be the first black girl a white man dates. I cannot endure the nervous renditions of backpacker rap, the conspicuous effort to be colloquial, or the smugness of pink men in kente cloth. As we make our way over to the lockers, a father and son are vomiting behind a Bugs Bunny standee. I open my locker and there is a diaper inside. Eric sees it and calls over a janitor. Eric says he’s sorry, and the apology feels like it is not about only the diaper, but more how this choice of location is turning out. I feel bad about that. I feel bad that my first instinct is to manage his feelings, instead of suggesting somewhere else to go. That we will both have to endure my attempt to prove over the course of this date that I am Having a Good Time! and that This Is Not Your Fault!



* * *



A month is too long to talk online. In the time we have been talking, my imagination has run wild. Based on his liberal use of the semicolon, I just assumed this date would go well. But everything is different IRL. For one thing, I am not as quick on my feet. There is no time to consider my words or to craft a clever response in iOS Notes. There is also the fact of body heat. The inarticulable parts of being close to a man, the sweet, feral thing underneath their cologne, the way it sometimes feels as if there are no whites to their eyes. A man’s profound, adrenal craziness, the tenuousness of his restraint. I feel it on me and inside me, like I am being possessed. When we talked online, we both did some work to fill in the blanks. We filled them in optimistically, with the kind of yearning that brightens and distorts. We had elaborate, hypothetical dinners and we talked about the doctor’s appointments we were afraid to make. Now there are no blanks, and when he rubs sunblock on my back, it is both too little and too much.

“Is this okay?” he asks, his breath hot on the back of my neck.

“Uh-huh,” I say, trying not to make the contact into more than it is. However, his hands are excellent. They are warm and wide and soft, and I have not been laid in months. For a moment, I’m sure I’m going to cry, which is not unusual, because I cry often and everywhere, and most especially because of this one Olive Garden commercial. I excuse myself and run to the bathroom, where I look into the mirror and reassure myself that there are bigger things than the moment I am in. Gerrymandering. Genealogy conglomerates selling my cheek swabs to the state.



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Of course, there is still the business of trying to look sexy while hurtling across the sky. Like most white people who eat beans in the woods undeterred by the fresh fecal evidence of hungry bears, Eric finds his mortality and soft meaty body a petty, incidental thing. I, on the other hand, am acutely aware of all the ways I might die. So when the sighing teenage park associate slaps my harness down and slogs over to the levers, I think of all my unfinished business—the quart of pistachio gelato in my freezer, the 1.5 wanks left in my half-dead vibrator, my Mister Rogers box set.



* * *



Eric’s enthusiasm is infectious. After the first two rides, I am enjoying myself, and not just because dying means I won’t have to pay my student loans. He laces his fingers into mine and drags me to the front, apparently serious enough about his park experience to have paid the extra fee to skip the line. I go to tie my shoelaces and return to find him talking to the Porky Pig mascot about entry-level positions at the archive.

“We always need quality customer service,” he says, pressing his phone number into Porky’s pink felt mitt. We board the highest coaster in the park for the third time and he screams like it is the first. He really, truly screams. At first it is off-putting, but as we scale the last track, I realize that I like it. I like it a lot. I can’t decide if it’s the dissonance, the girliness of this inclination compared to his mass, or my envy of his wonder—the glee in his terror, the willingness to experience anew what is familiar. His joy is raw in a way that makes me feel like I can unzip my skin suit and show him all the ooze inside. But not yet. There is a sadness about his fervor, the way it feels slightly put on, as if he has something to prove. He looks over at me when we reach the top. The wind cards through his hair. Behind his eyes, I see myself fractured into pieces. Suddenly it feels painful to be this ordinary, to be this open to him, as he looks at me and pretends I am not just a cheaper version of a fast Italian car.