Library of Souls (Miss Peregrine’s Peculiar Children #3)(84)

I tried to reach out with my hands, to make some sign that might be recognized as human now that my mouth had failed me, but it was my tongues that reached out.

I’m sorry, I’m sorry, I don’t know how to drive this thing

Emma swiped blindly at me with her hand—and connected. Sudden, searing pain flashed through me.

And then I woke up.

Again.

Or rather, jolted by sudden pain, I woke back into my body—my hurt, human body, still lying in the dark in the slack jaws of a sleeping hollow. And yet I was still the hollow above, too, snatching my hurt tongue back into my mouth and stumbling away from the door. I was somehow dually present in both my mind and the hollow’s, and I found now that I could control both—could lift my own arm and the hollow’s, turn my own head and the hollow’s, and do it all without saying a word aloud, but merely by thinking.

Without realizing it—without consciously trying—I had mastered the hollow to such a degree (seeing through its eyes, feeling through its skin) that it had felt, for a time, like I was the hollow. But now a distinction was becoming clear. I was this fallible and broken-bodied boy, deep in a hole surrounded by groggy monsters. They were waking, all but the one who had brought me down here in its jaws (it had so much dust in its system that it might sleep for years), and they were sitting up now, shaking the numbness from their limbs.

But they didn’t seem interested in killing me. They were watching me, quiet and attentive. Semicircled around like well-behaved children at storytime. Waiting for input.

I rolled myself out of the hollow’s jaws and onto the floor. I could sit up but was too hurt to stand. But they could stand.

Stand.

I didn’t say it, didn’t even think it, really. It felt like doing, only it wasn’t me who did it. They did it, eleven hollowgast all rising to their feet before me in perfect synchrony. This was astounding, of course, and yet I felt a profound sense of calm spreading through me. I was relaxing into the purest depths of my ability. Something about shutting down all our minds at once, then bringing them back online together—a collective reboot—had brought us into a kind of harmony, allowing me to tap into the unconscious heart of my power, as well as into the hollows’ minds at just the moment their defenses were down.

And now they were mine. Marionettes I could control with invisible strings. But how much could I do? What were the limits? How many could I control at once, discretely?

To find out, I began to play.

In the room above, I lay the hollow down.

He lay down.

(They were all hes, I had decided.)

I made the ones in front of me jump.

They jumped.

They were two distinct groups now, the loner above and the ones before me. I tried controlling each individually, making one raise a hand without the rest doing it. It was a bit like asking just one toe on your foot to wiggle—difficult, not impossible—but before long I’d gotten the hang of it. The less conscious I was of trying, the easier it became. The control came most naturally when I simply imagined an action being performed.

I sent them away into the bone-piles farther down the tunnel, then had them pick up bones with their tongues and toss them to one another: first one at a time, then two, then three and four, piling action upon action until I’d gotten up to six. It was only when I made the hollow upstairs stand and do jumping jacks that the bone-tossers began to miss catches.

I don’t think it would be bragging to say I was very good at this. A natural, even. I could tell that with more time to practice, I had the capacity to become masterful. I could’ve played both sides of an all-hollow basketball game. I could’ve made them dance every role in Swan Lake. But there was no more time to practice; this would have to do. And so I gathered them around me, had the strongest one pick me up and saddle me to its back with a wrapped-around tongue, and one by one my monstrous little army bounded up the chute and into the room above.





*


The overhead lights had been turned on in the cluttered room, and in their harsh glow I could see that the only bodies remaining were mannequins and models—the ymbrynes had all been taken out. The glass door to Caul’s observation room was closed. I made the hollows hang back while I approached it alone, save the hollow I was riding, then called out to my friends—this time with my own voice, in English.

“It’s me! It’s Jacob!”

They rushed to the door, Emma’s face circled by the others’.

“Jacob!” Her voice was muffled behind the glass. “You’re alive!” But as she studied me her face turned strange, as if she couldn’t understand what she was seeing. Because I was on the hollow’s back, I realized, it looked to Emma like I was floating above the ground.

“It’s all right,” I said, “I’m riding a hollowgast!” I slapped its shoulder to prove there was something solid and fleshy beneath me. “He’s completely under my control—and so are these.”

I brought the eleven hollows forward, stamping their feet to announce themselves. My friends’ mouths went oval-shaped with wonder.

“Is that really you, Jacob?” Olive asked.

“What do you mean you’re controlling them?” Enoch said.

“You’ve got blood on your shirt!” said Bronwyn.

They opened the glass door just wide enough to talk through. I explained how I fell into the hollows’ pit, was nearly bitten in half, was numbed and put to sleep, and woke up with a dozen of them under my control. As further demonstration I had the hollows pick up Warren, the chair he was tied to and all, and toss him back and forth a few times, the chair flipping end over end until the kids were cheering and Warren was groaning as if he was going to be sick. Finally I had them set him down.