Let Me Lie(35)
‘Sadly not. They’d both passed away before we met. In fact, it was because of them we met at all.’ Instinctively both Mark and Anna looked at their daughter, who, Murray supposed, would not have existed without the tragedy that had befallen the family.
‘I’ll speak to a Crime Scene Investigator about the rabbit, but without examining it—’
‘I’m sorry. We didn’t think.’ Anna shot a look at her partner.
‘I’ll just leave it there next time, shall I?’ Mark said. He spoke mildly, but with an undertone that suggested this was a conversation already had at least once. ‘Let the flies have a really good go at it?’
‘It can’t be helped. I’ve submitted the anniversary card to forensics. They’ll check for fingerprints and DNA, and try to enhance the postmark so we have a better idea of where it came from. And I’ll take a look through this diary, thank you.’ Murray passed the photo back to Anna, but she didn’t put it in her bag. She held it in both hands, staring at the image as though she could bring it to life.
‘I keep thinking I see her.’ She looked up. Mark moved his arm from the back of her chair to her shoulders. His lips were pressed tightly together as Anna tried to explain. ‘At least … not see her exactly. But feel her. I think … I think she might be trying to tell me something. Does that sound mad?’
Mark spoke softly, as much to Murray as to Anna. ‘It’s very common for people who are grieving to imagine they see their loved ones. It’s a manifestation of emotion; you want to see them so badly you think—’
‘What if I’m not imagining it?’
There was an awkward pause. Murray felt as though he were intruding, and wondered if he should fabricate a reason to leave the couple alone. Before he could move, Anna turned to him.
‘What do you think? Do you believe in ghosts? In an afterlife?’
Police officers were, by nature, a cynical breed. Throughout his service Murray had kept his thoughts on ghosts to himself, avoiding the ribbing that would inevitably have ensued. Even now, he didn’t commit. One’s belief or otherwise in the supernatural was a personal matter – like religion or politics – and not one to be debated in a side room of a police station.
‘I’m open to it.’ There were more things in heaven and earth, Shakespeare had said, than anyone could ever imagine, but that didn’t make Murray’s job any easier. He couldn’t go to CID with a report that Anna Johnson was being haunted by a murdered relative. He leaned forward. ‘Do you get a sense of what she might be trying to tell you?’ Murray ignored the almost tangible disparagement that was emanating from Mark Hemmings.
‘I’m sorry. It’s just a … feeling.’
It was going to take more than a feeling to convince CID that Tom and Caroline Johnson had been murdered.
Nisha Kaur had been a Crime Scene Investigator back when they were called Scenes of Crime Officers.
‘Same shit, different job title,’ she’d say cheerfully. ‘Give it another ten years and some bright spark upstairs will be rebranding us all SOCOs again.’
Not that Nish would be there in ten years’ time. She had been new in post when Murray was a young detective, joining the force with a BTEC in photography, a strong stomach, and the enviable ability to get on with everyone. Thirty years later she was Principal CSI, responsible for the force forensic team, and counting down to her own retirement.
‘Pet photography,’ she said, when Murray asked her plans. She laughed at the surprise on his face. ‘The uniform’s better, there’s less blood, and have you tried being depressed when there’s a kitten in the room? I can pick and choose my jobs – no more arsey punters for me – and work my own hours. All very low-key. More of a hobby than a job.’ They were sitting in the closed canteen, where a triptych of vending machines served the weekend workers.
‘Sounds like a good plan.’ Privately Murray doubted Nish could do anything on a low-key basis. Within eighteen months of retirement she’d be working flat out again. ‘What are you doing over Christmas?’
‘On call. You?’
‘Nothing special. Quiet one. You know.’
‘Is Sarah …?’ Nish didn’t do the head tilt.
‘At Highfield. Voluntarily, this time. She’s fine.’ It sounded insincere, even to Murray. You’d have thought he would have found Sarah’s admissions easier as time went by, but the last few occasions had drained him more than ever before. He was getting older, he supposed; finding stress harder to handle.
‘What did you want to see me about?’ Nish, perceptive as ever, changing tack.
‘How much blood is there in a rabbit?’
It was a measure of the variety of Nish’s job, and the breadth of her experience, that the question provoked no surprise.
‘A couple of hundred millilitres, if that. A small glassful,’ she added, seeing Murray’s blank look.
‘Enough to cover three steps?’
Nish scratched her chin. ‘You’re going to have to give me a bit more to go on.’
Murray didn’t mention the suicides at first. He recounted the report that Anna and Mark had made, and how Anna had been convinced the rabbit hadn’t been placed there by an animal.
‘I’d say she could be right.’