Joyland(82)

I looked down at Annie-her white face staring up, her eyes squinted against the rain. She was inside the rail, standing next to the motor. So far, so good. I put my hands around my mouth.

"The red button!"

"I see it!"





270

STEPHEN K I N G

"Wait until I tell you!"

The ground was coming up. I grabbed the bar. When the late (at least I hoped he was) Lane Hardy was at the control stick, the Spin always came to an easy halt, the cars up top swaying gently. I had no idea what an emergency stop would be like, but I was going to find out.

"Now, Annie! Push it now!"

It was a good thing I was holding on. My car stopped dead about ten feet from the unloading point and still five feet above the ground. The car tilted. Lane was thrown forward, his head and torso flopping over the bar. Without thinking, I grabbed his shirt and pulled him back. One of his hands flopped into my lap and I flung it away with a grunt of disgust.

The bar wouldn't unlock, so I had to wriggle out from beneath it.

"Be careful, Dev!" Annie was standing beside the car, holding up her hands, as if to catch me. She had propped the rifle she'd used to end Hardy's life against the motor housing.

"Step back," I said, and threw one leg over the side of the car. More lightning flashed. The wind howled and the Spin howled back. I got hold of a strut and swung out. My hands slipped on the wet metal and I dropped. I went to my knees. A moment later she was pulling me to my feet.

"Are you all right?"

I wasn't, though. The world was swimming, and I was on the edge of a faint. I lowered my head, gripped my legs just above the knees, and began taking deep breaths. For a moment it could have gone either way, but then things began to solidify. I stood up again, careful not to move too fast.

It was hard to tell with the rain bucketing down, but I was Joyland

271

pretty sure she was crying. "I had to do it. He was going to kill you. Wasn't he? Please, Dev, say he was going to kill you. Mike said he was, and-"

"You can quit worrying about that, believe me. And I wouldn't have been his first. He's killed four women." I thought of Erin's speculation about the years when there had been no bodiesnone discovered, at least. "Maybe more. Probably more. We have to call the police. There's a phone in-"

I started to point toward Mysterio's Mirror Mansion, but she grabbed my arm. "No. You can't. Not yet."

"Annie-"

She thrust her face close to mine, almost kissing distance, but kissing was the last thing on her mind. "How did I get here?

Am I supposed to tell the police that a ghost showed up in my son's room in the middle of the night and told him you'd die on the Ferris wheel if I didn't come? Mike can't be a part of this, and if you tell me I'm being an overprotective mom, I'll . . . I'II kill you myself."

"No," I said. "I won't tell you that."

"So how did I get here?"

At first I didn't know. You have to remember that I was still scared myself. Only scared doesn't cover it. Scared isn't even in the ballpark. I was in shock. Instead of Mysterio's, I led her to her van and helped her sit behind the wheel. Then I went around and got in on the passenger side. By then I had an idea.

It had the virtue of simplicity, and I thought it would fly. I shut the door and took my wallet out of my hip pocket. I almost dropped it on the floor when I opened it; I was shaking like crazy. Inside there were plenty of things to write on, but I had nothing to write with.

"Please tell me you have a pen or a pencil, Annie."





STEPHEN K I N G

"Maybe in the glove compartment. You 'll have to call the police, Dev. I have to get back to Mike. If they arrest me for leaving the scene or something . . . or for murder. . . "

"Nobody's going to arrest you, Annie. You saved my life." I was pawing through the glove compartment as I talked. There was an owner's manual, piles of gasoline credit card receipts, Rolaids, a bag of M&Ms, even a Jehovah's Witnesses pamphlet asking if I knew where I was going to spend the afterlife, but no pen or pencil.

"You can't wait . . .in a situation like that . . . that's what I was always told . . . " Her words came in chunks because her teeth were chattering. "Just aim . . . and squeeze before you can . . . you know . . . second-guess yourself. . .it was supposed to go between his eyes, but . . . the wind . . . I guess the wind . . . "

She shot out a hand and gripped my shoulder hard enough to hurt. Her eyes were huge.

"Did I hit you, too, Dev? There's a gash in your forehead and blood on your shirt!"

"You didn't hit me. He pistol-whipped me a little, that's all.

Annie, there's nothing in here to write w-"

But there was: a ballpoint at the very back of the glove compartment. Printed on the barrel, faded but still legible, was LET's GO KROGERING ! I won't say that pen saved Annie and Mike Ross serious police trouble, but I know it saved them a lot of questions about what had brought Annie to Joyland on such a dark and stormy night.

I passed her the pen and a business card from my wallet, blank side up. Earlier, sitting in my car and terribly afraid that my failure to buy a new battery was going to get Annie and Mike killed, I'd thought I could go back into the house and call Joyland