Joyland(5)



Then I was above everything but the convoluted dips and twists of the Thunderball, rising into the chilly early spring air, and feeling-stupid but true-that I was leaving all my cares and worries down below.

Joyland wasn't a theme park, which allowed it to have a little bit of everything. There was a secondary roller coaster called the Delirium Shaker and a water slide (Captain N emo's Splash & Crash). On the far western side of the park was a special annex for the little ones called the Wiggle-Waggle Village. There was also a concert hall where most of the acts-this I also learned later-were either B-list C&W or the kind of rockers who peaked in the fifties or sixties. I remember that Johnny Otis and Big Joe Turner did a show there together. I had to ask Brenda Rafferty, the head accountant who was also a kind of den mother to the Hollywood Girls, who they were. Bren thought I was dense; I thought she was old; we were both probably right.

Lane Hardy took me all the way to the top and then stopped the wheel. I sat in the swaying car, gripping the safety bar, and looking out at a brand-new world. To the west was the North Carolina flatland, looking incredibly green to a New England kid who was used to thinking of March as nothing but true spring's cold and muddy precursor. To the east was the ocean, a 20

STEPHEN K I N G

deep metallic blue until it broke in creamy-white pulses on the beach where I would tote my abused heart up and down a few months hence. Directly below me was the good-natured jumble of Joyland-the big rides and small ones, the concert hall and concessions, the souvenir shops and the Happy Hound Shuttle, which took customers to the adjacent motels and, of course, the beach. To the north was Heaven's Bay. From high above the park (upstairs, where the air is rare), the town looked like a nestle of children's blocks from which four church steeples rose at the major points of the compass.

The wheel began to move again. I came down feeling like a kid in a Rudyard Kipling story, riding on the nose of an elephant.

Lane Hardy brought me to a stop, but didn't bother to unlatch the car's door for me; I was, after all, almost an employee.

"How'd you like it?"

"Great," I said.

"Yeah, it ain't bad for a grandma ride." He reset his derby so it slanted the other way and cast an appraising eye over me.

"How tall are you? Six-three?"

"Six-four."

"Uh-huh. Let's see how you like ridin all six-four of you on the Spin in the middle of July, wearin the fur and singin 'Happy Birthday' to some spoiled-rotten little snothole with cotton candy in one hand and a meltin Kollie Kone in the other."

"Wearing what fur?"

But he was headed back to his machinery and didn't answer.

Maybe he couldn't hear me over his radio, which was now blasting

"Crocodile Rock." Or maybe he just wanted my future occupation as one of Joyland's cadre of Happy Hounds to come as a surprise.



Joy land





21


?

I had over an hour to kill before meeting with Fred Dean again, so I strolled up Hound Dog Way toward a lunch-wagon that looked like it was doing a pretty good business. Not everything at Joyland was canine-themed, but plenty of stuff was, including this particular eatery, which was called Pup-A-Licious. I was on a ridiculously tight budget for this little job-hunting expedition, but I thought I could afford a couple of bucks for a chili-dog and a paper cup of French fries.

When I reached the palm-reading concession, Madame Fortuna planted herself in my path. Except that's not quite right, because she was only Fortuna between May fifteenth and Labor Day. During those sixteen weeks, she dressed in long skirts, gauzy, layered blouses, and shawls decorated with various cabalistic symbols. Gold hoops hung from her ears, so heavy they dragged the lobes down, and she talked in a thick Romany accent that made her sound like a character from a 1930s fright-flick, the kind featuring mist-shrouded castles and howling wolves.

During the rest of the year she was a widow from Brooklyn who collected Hummel figures and liked movies (especially the weepy-ass kind where some chick gets cancer and dies beautifully). Today she was smartly put together in a black pantsuit and low heels. A rose-pink scarf around her throat added a touch of color. As Fortuna, she sported masses of wild gray locks, but that was a wig, and still stored under its own glass dome in her little Heaven's Bay house. Her actual hair was a cropped cap of dyed black. The Love Story fan from Brooklyn and Fortuna the Seer only came together in one respect: both fancied themselves psychic.

"There is a shadow over you, young man," she announced.





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I looked down and saw she was absolutely right. I was standing in the shadow of the Carolina Spin. We both were.

"Not that, stupidnik. Over your future. You will have a hunger."

I had a bad one already, but a Pup-A-Licious footlong would soon take care of it. "That's very interesting, Mrs . . . urn . . . "

"Rosalind Gold," she said, holding out her hand. "But you can call me Rozzie. Everyone does. But during the season . . . " She fell into character, which meant she sounded like Bela Lugosi with breasts. "Doorink the season, I am . . . Fortuna! "

I shook with her. I f she'd been in costume as well as i n character, half a dozen gold bangles would have clattered on her wrist. "Very nice to meet you." And, trying on the same accent: "I am . . . Devin!"

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