In Time (The Darkest Minds, #1.5)(26)
Of course she doesn’t want to be left in the car, but she lets me carefully maneuver her behind me, at least. I feel her small hands gripping the back of my shirt to keep track of me, and the thought that she’s depending on me is steadying.
I ring the bell and knock, but no one comes to the door. We even walk the perimeter of the house, peering through the windows, but nobody’s there—only furniture covered in white sheets.
Maybe her uncle up and abandoned the place. Given how long it took me to drive the length of the driveway through the sprawling property, it seems like this place would take a monumental amount of work to maintain and keep thriving, even in a great economy. I thought I saw a few cows or horses in the far ends of the grassy field behind the house, but I think exhaustion tricked my brain. All I see now are rocks.
I reach around to take Zu’s arm, wondering how to explain this to her. It seems unfair that I have to be the one to break her heart over this—to point out that she fought so hard to get here for nothing. But just as the words start to form in my mind, we hear a muffled bang from the smaller building set off from the main house. Some kind of stable or garage, probably.
The doors are shut, but I see the line of warm, milky light under them—and I see it switch off as we carefully, quietly come up on it. Zu stays behind me the whole time, her hands clenching fistfuls of my shirt.
I take the metal handle in my hand and slide the door open slowly, feeling my pulse jump as it scrapes across the rocky dirt. And for a second, I’m confused, because the face that appears in the darkness is Zu’s—Zu the way I’d seen her in the skip tracer network, with long, silky hair. Her eyes go wide, and her mouth opens in a scream.
And then I see the blond hair behind her, the girl with the gun in her hand who doesn’t even hesitate before she fires it straight at my chest.
It feels…
I feel…
It’s like…
My mind blanks with the fiery burst of pain that tears through me, ripping me up from the inside out. I can’t—what’s—I don’t understand, the girls are yelling, the three of them from the valley, but the last thing I feel before my legs go is Zu at my back trying to hold me up.
Move—I don’t want to hurt her, but I can’t feel anything below my waist. I’m going to collapse back on her, I’m…
When my eyes open again, I’m on the ground and warm rain is spilling down on me from the clear river of stars overhead.
“—the man from the road, I thought he—!”
Zu flashes in and out of my vision. She shoves the girl with the gun, beats her hands against the teen’s chest. I hear “call,” “can’t,” “hospital,” and then nothing but the sound of my own heartbeat. I want to lift my hands, to apply pressure to the place in my chest she’s just cracked open, but I can’t breathe—I can’t—I can’t—I’m choking on air and the metallic bitterness coating my tongue.
One of them disappears into the dark of the stables. I can smell the place’s old musky animal scent, the sharp, fresh hay, but even that begins to fade. Zu’s face appears over mine, and her mouth is moving, her lips are moving, with a message for me and only me, but there are no pens here, no paper. I can read the desperation and fear in her face. I see her hands come down against my chest, but I can’t feel them.
“D-Dorothy—” My throat burns. It’s the only way I know the words are leaving it. “Guess we…shouldn’t have left Oz.…”
I feel myself drift back. Her whole body is heaving with sobs, snot and tears dripping down her face, and I want to say so much to her, and I want to tell her—Her face begins to dissolve into gray, and it takes my breath with it. My voice.
Stop it, you stupid kid. Jesus, stop crying.
Don’t you know I hate it?
Dorothy, it’s so stupid. Don’t be so stupid about this.
Don’t.
Don’t—
[page]ONE
THE crook of my arm locked over the man’s throat, tightening as his boots’ rubber soles batted against the ground. His fingernails bit into the black fabric of my shirt and gloves, clawing at them in desperation. The oxygen was being cut off from his brain, but it didn’t keep the flashes of his thoughts at bay. I saw everything. His memories and thoughts burned white-hot behind my eyes, but I didn’t let up, not even when the security guard’s terrified mind brought an image of himself to the surface, staring open-eyed up at the dark hallway’s ceiling. Dead, maybe?
I wasn’t going to kill him, though. The soldier stood head and shoulders over me, and one of his arms was the size of one of my legs. The only reason I had gotten the jump on him at all was because he had been standing with his back to me.
Instructor Johnson called this move the Neck Lock, and he had taught me a whole collection of others. The Can Opener, the Crucifix, the Neck Crank, the Nelson, the Twister, the Wristlock, and the Spine Crack, just to name a few. All ways that I, a five-foot-five girl, could get a good grip on someone who outmatched me physically. Enough for me to draw out the real weapon.
The man was half hallucinating now. Slipping into his mind was painless and easy; all of the memories and thoughts that rose to the surface of his consciousness were stained black. The color bled through them like a blot of ink on wet paper. And it was then, only after I had my hooks in him, that I released my grip from his neck.
Alexandra Bracken's Books
- The Dreadful Tale of Prosper Redding (The Dreadful Tale of Prosper Redding #1)
- Alexandra Bracken
- Passenger (Passenger, #1)
- In The Afterlight (The Darkest Minds #3)
- Sparks Rise (The Darkest Minds #2.5)
- Never Fade (The Darkest Minds #2)
- In Time (The Darkest Minds #1.5)
- The Darkest Minds (The Darkest Minds #1)
- Brightly Woven
- In The Afterlight (The Darkest Minds, #3)