I Will Find You(9)
I had sat on a playground bench next to a young mother with an aggressively progressive baby stroller. The young mother had a daughter Matthew’s age. Had she told me her child’s name? Probably, but I don’t remember. She wore yoga clothing. What had we talked about? I don’t remember. What exactly am I searching for here? I don’t know that either. The owner of that hand, I guess—the adult man’s hand holding Matthew’s in Rachel’s photograph. Had he been watching us at the playground? Had he followed us?
I have no idea.
I go through the rest of it. Coming home. Putting Matthew to bed. Grabbing a drink. Flipping channels on the television. When had I fallen asleep? I don’t know that either. I only remember waking up to the smell of blood. I remember heading down the hallway…
The prison lights come on with a loud snap. I shoot up in bed, my face coated with sweat. It is morning. My heart thumps in my chest. I swallow down some breaths, trying to calm myself.
What I saw in those Marvel-themed pajamas, that awful misshapen bloody form…it was not Matthew. That was the key here. It was not my son.
Was it?
Doubt starts to worm its way into my brain. How could it not? But for now, I won’t let the doubt in. There is nothing to gain from doubting. If I’m wrong, I will eventually find out and then I’ll be back to where I am now. Nothing ventured, nothing gained. So for now: No doubts. Just questions about how this could possibly be. Perhaps, I surmise, the brutality had been to cover up the victim’s—yes, good, think of him as a victim, not Matthew—identity. The victim was male, of course. He was Matthew’s size and general shape and skin tone. But they hadn’t run a DNA test or anything like that. Why would they? No one doubted the victim’s identity, right?
Right?
My fellow inmates began their daily rituals. We don’t have roommates in our twelve-feet-by-seven-feet cells, but we can look in on almost every other inmate. This is supposed to be “healthier” than the older ones where there was no social interaction and too much isolation. I wish they hadn’t bothered, because the less interaction the better. Earl Clemmons, a serial rapist, starts his day by offering the rest of us a play-by-play of his morning constitutional. He includes sound effects like cheering crowds and full sportscasting, mimicking one voice for the straight play-by-play and another offering color commentary. Ricky Krause, a serial killer who cut off his victims’ thumbs with pruning shears, likes to begin his day with a song parody of sorts. He twists lyrics, taking old classics and giving them his own perverse spin. Right now, Ricky is repeatedly belting out, “Someone’s in the kitchen, getting vagina,” and cracking up harder and harder as those around him shout for him to shut up.
We get in line for breakfast. In the past, those of us housed in this wing had our meals delivered, which makes it sound like we used DoorDash or something. No more. One of our fellow inmates protested that forcing a man to eat by himself in his cell was unconstitutional. He sued. Inmates love lawsuits. In this case, however, the prison system happily exploited the opening. Serving prisoners in their cells was expensive and labor-intensive.
The small cafeteria has four tables, each with metal stools, all bolted to the ground. I like to meander and wait until everyone else is seated, so that I can find the stool that will put me as far away from the more animated of my fellow inmates as possible. Not that the conversations aren’t stimulating. The other day, several inmates got into a heated one-upmanship over who had raped the oldest woman. Earl “bettered” his opponents with his claim of sodomizing an eighty-seven-year-old after he broke into her apartment via the fire escape. Other inmates questioned the veracity of Earl’s claim—they thought that he might be exaggerating just to impress them—but the next day Earl came back with saved newspaper clippings.
This morning I get lucky. One table is totally open. After scooping up some powdered eggs and bacon and toast—I’ll skip the obvious comment about how awful prison food is—I take a stool in the farthest corner and begin to eat. For the first time in forever, I have an appetite. I realize that my mind has stopped going back to that night or even that photograph and has started to focus on something ridiculous and fantastical.
How to escape from Briggs.
I have been here long enough to know the routines, the guards, the layout, the schedule, the personnel, whatever. Conclusion: There is no way to escape. None. I had to think outside the box.
A tray slamming down on the table startles me. A hand is stuck into my face for me to shake. I look up and into the man’s face. People say that the eyes are the windows to the soul. If that’s true, this man’s eyes flash NO VACANCY.
“David Burroughs, am I right?”
His name, I know, is Ross Sumner. He’d transferred in last week, purportedly waiting on an appeal that would never happen, but I am surprised they’d let him out of his cell at all. Sumner’s case made headlines, the stuff of streaming-service documentaries and true crime podcasts. He was a superrich prep—do they still use that term?—who’d gone psychotically bad. Ross, who was handsome in a Ralph Lauren–ad way, had murdered at least seventeen people—men, women, children of all ages—and eaten their intestinal tracts. That was it. Just the intestinal tract. Body parts were found in a top-of-the-line Sub-Zero freezer in the basement of his family estate. None of these facts are in dispute. Sumner’s appeal is based on the jury’s conclusion that he is sane.